Prentice waited. He'd shot his wad, he decided.
After a moment of staring glaze-eyed at a Grammy on a shelf of otherwise mostly minor awards – he'd started out in record production – Arthwright nodded sharply, but contradicted the nod by saying, ' Broken Windows didn't work out too well. That was a cop thing too. Might be hard for me to sell you after that.'
Meaning sell him to the Studio. Convince them to do it. Which was bullshit. Arthwright could do what he wanted, now, if he really wanted to do it.
What had he said? A cop thing too. Like A Cop Named Dagger, like Broken Windows. Cop Things, everything seemed to be Cop Things.
' Broken Windows was a straight ahead drama,' Prentice pointed out, hoping he didn't sound desperate. 'Not my forte. I shouldn't have tried it. I can't pull it off without comedy in there too. That's where I shine. I had two hits.' And a flop, and one so-so. 'And you might point out to the studio that Broken Windows wasn't really a cop thing. It was about burglars, it was mostly from their side, so it was a problem of antiheroes. This wouldn't have that problem.'
His back was sticking to his shirt with sweat. When you had to apologize and explain, backing and filling, it wasn't going to fly. Shit.
Arthwright said, 'Okay, well, have Buddy messenger the outline over to me and I'll take a look. Has this baby got a name or are you just calling it Junior?'
Prentice laughed nervously. 'I'm calling it Tenderloin Seven right now. It's set in San Francisco.'
'You're from San Francisco originally, aren't you?' Arthwright asked abstractedly, standing. Standing up was a way of telling him he was expected to leave without actually having to say it.
They shook hands. Prentice said, 'I grew up in San Francisco. How'd you know I was from there?'
'The 49ers shirt might have done it,' Arthwright said, letting his hand drop, grinning.
'Oh yeah. I forgot to change back to the Clark Kent suit.'
Arthwright faked a chuckle. He was checking his calendar, as he added, half to himself, 'And Amy mentioned it.'
Prentice stared. 'Amy? My wife Amy?'
'Uh huh. I -' Arthwright looked up at Prentice blankly. Hesitation. Just a fraction of a second. Arthwright hadn't meant to bring this up, apparently. 'She was out at a party in Malibu. Judy Denver's place. I talked to Amy a little. She had a high opinion of you. She was a sweet girl.'
So Buddy had told Arthwright that Amy had died. Unless he'd heard it somewhere else.
Had he got the appointment out of charity, because of Amy's death? Christ. I'm climbing on Amy's body.
And Amy had met Arthwright. And Arthwright was working with Jeff. The world wasn't just small, it was cramped.
''Yeah. Yeah, she was… a sweet girl,' Prentice managed.
'Yes. Well. I've got a late lunch…'
'Right. I'll ask Buddy to get that outline to you. Take it easy.'
'Whenever I can. Talk to you later, Tom.'
Prentice hurried out, as Arthwright left instructions with his secretary.
Outside, the day seemed brutally warm after the over zealous air conditioning. But he strolled round a little, thinking. Suppose the deal with Arthwright didn't come off? What then? Arthwright had been discussing Jeff Teitelbaum. By God, Jeff might just be able to help him.
Prentice paused to frown up at one of the tenement facades. All the sets looked familiar – but this one seemed to jump out at him for recognition. Maybe it had been used for A Cop Named Dagger. Jeff had sent Prentice a polaroid, a shot of Jeff posing on the set of Dagger, peeking around the edge of one of the false fronts; the fake bricks on the front were spraypainted with equally fake graffiti. But the polaroid's angle revealed the raw-wood supports holding up the false fronts from behind, and in the picture Jeff was crouched in the shadows, peering around from the real world into the make-believe world, leering at the female lead, Zena Holdbridge.
A couple of months earlier Jeff had sent Prentice a postcard from Maui. Jeff was the kind of guy who sent you post cards from Hawaii of topless girls stretching out in the sand, under a printed caption that read, Great View From My Hotel! Jeff getting off on the baldfaced kitsch of it all.
The sun was beating on the back of Prentice's neck as he made his way back to Lou Kenson's parking place. By the time Prentice reached the car he had the start of a good, strong headache. Inside, the car was a vinyl- reeking cauldron of heat from having baked in the sun, trickling an instant sweat down Prentice's back.
'Fuck it, I'm gonna punch another hole in the ozone layer,' Prentice murmured, turning on the air conditioning.
Driving out of the studio, Prentice tried to evaluate the meeting and came to exactly no conclusion. Arthwright hadn't jumped for it, but that didn't mean it wouldn't go anyplace. He'd been sort of encouraging – but as people said at WCA parties, Hollywood was a place where you could die of encouragement.
As usual, after a meeting in the Industry, Prentice had no idea where he stood, at all.
Los Angeles County Juvenile Detention Facility
Cutting himself worked best. That's what Mitch had found out that morning.
It wasn't a store-bought knife. It was a shiv made out of a shiny metal piece torn from the frame around a steel mirror, some alloy of tin and aluminium maybe. The mirror was metal instead of glass to keep them from breaking it, but working at the frame, day after day, Mitch's room-mate, Lonny, had bent the frame section, creaking it back and forth, till finally it snapped off diagonally. Making two blade-shaped pieces. Lonny'd sharpened them on a rough piece of iron pipe in the bathroom fixtures; kept one shiv, gave Mitch the other, for protection. The. base of each blade was wrapped in multiple thicknesses of torn towels to make a knife grip.
Mitch was in Juvie Hall, sitting on the floor, in the room he shared with Lonny. He was in for possession of one little vial of hubba. Crack cocaine. He was alone in the room; Lonny was out in the exercise yard. Their room looked like a small dormitory unit, with two-tone walls, orange brown near the bottom and light orange above shoulder level. Tube lights in unbreakable ceiling fixtures. Thick metal mesh over the window. Chickenwire-glass observation window centred in the door. The door was closed and Mitch was on the linoleum floor just to one side of it where they couldn't see him if they just glanced through. They'd think he was out playing basketball with the others.
Maybe he should have gone down the hall to the bathroom to do this because of the blood. Drip it in the toilet. But he couldn't. He had to do it now. He dug the crude knife deeper into the meat of his upper arm. It didn't hurt at all. He could feel their happiness, and the sweetness, the reward syrup, in his groin and spine and head.
Blood runnelled down his arm and pattered onto the floor. It wasn't a knife, to him, it was a probe; a sensor.
Mitch Teitelbaum was seventeen, tall and lean like his brother Jeff; with quick, dark eyes like Jeff but without Jeffs vulturine face. His nose was smaller and his cheekbones flatter. Jeff had a small beard; Mitch had tried to grow a mustache, but what came out was about twelve long, curly black hairs with nothing in between them. 'Looks like dog whiskers,' Eurydice had said, so he'd shaved it off. He'd shaved it off about two days before he met the More Man and he wasn't sure how long it had been since he'd met the More Man.
Six weeks? Two months? Since, anyway, a day after the last time he'd seen Jeff. Long time since he'd seen Jeff. Long time since he'd seen Eurydice and her brother, Orpheus, too. She had a little sister named from another myth, Aphrodite, maybe one of the ugliest little girls he had ever seen. But Eurydice, she was the prettiest girl he knew personally, and sexy – and when a black girl is sexy, Jeff used to say, she was sexier than a sexy white girl, and Eurydice could make you breathe hard just by shifting her weight from one foot to the other. And he'd gotten some off her, too, that was the unbelievable thing. When the More Man was done he was going to have to go and find her. She'd been real patient with him. 'Everybody got to have a first time,' she'd said.
His thoughts drifted on a slow current of the head syrup, teetering and turning like the wax cups he and Jeff used to launch on the culvert-wash that was the so-called 'Los Angeles River'. The head syrup was not a drug. It was just his name for a feeling. He had tried to tell Lonny about it, and Lonny had thought it was a drug because the words 'head syrup' sounded like it. But no: it wasn't, no way. It was more like a radio station.
He had peeled off his Iron Maiden t-shirt – it lay beside him with the iron-masked face of the metal band's symbol all wrinkled up and horribly distorted with its crumpling. He stared at it as he began on his left pectoral. He thought he saw the face on the t-shirt cock an eye at him and move its mouth like it was giggling. After a minute he
