resulting screams sneaking into my earlobes and momentarily turning them off. Deafness. Complete silence. Eunice’s mouth twisted into cruel words I couldn’t understand. The Guy V. Molinari’s oblong snout cut into the warm summer water, and we displaced ourselves furiously in the direction of Manhattan, and now more than ever I hated the false spire of the “Freedom” Tower, hated it for every single reason I could think of, but mostly for its promise of sovereignty and brute strength, and I wanted to cut my ties with my country and my scowling, angry girlfriend and everything else that bound me to this world. I longed for the 740 square feet that belonged to me by law, and I rejoiced in the humming of the engines as we sailed toward my concept of home.

A single raven appeared above Noah and Amy’s ferry. It lowered its golden beak, and its golden beak turned orange. Two missiles departed in rapid succession. One explosion, then two; the helicopter casually turned and flew back in the direction of Manhattan.

A moment of nonscreaming, of complete apparat silence, overtook the Guy V. Molinari, older people holding tight to their children, the young people lost in the pain of suddenly understanding their own extinction, tears cold and stinging in the sea breeze. And then, as the flames bloomed across the ferry’s upper decks, as the John F. Kennedy reared up, split into two, disintegrated into the warm waters, as the first part of our lives, the false part, came to an end, the question we had forgotten to ask for so many years was finally shouted by one husky voice, stage left: “But why?”

20 SECURITY SITUATION IN PROGRESS

FROM THE DIARIES OF LENNY ABRAMOV AUGUST 7

Dear Diary,

The otter came for me in a dream. Not the cartoon otter that interrogated me in Rome, not the graffito otter I saw on Grand Street, but a true-to-life otter, a high-definition mammal, whiskers, fur, the dampness of the river. He pressed his wet plush black nose into my cheek, into my ear, kissing me with it, blessing my hungry face with his hot familiar and familial salmon breath, his little muddy paws destroying the clean white dress shirt I had put on for Eunice, because in my dreams I wanted her to love me again, because I wanted her back. And then he spoke to me in Noah’s voice, in that edgy, improper, but basically humane voice, the voice of a thwarted scholar. “You know Americans get lonely abroad,” he said, pausing to gauge the look on my face. “Happens all the time! That’s why I never leave the brook where I was born.” Staring me up and down to see if I found him entertaining. “Did you meet any nice foreign people while you were abroad.” Not a question, but a statement. Noah had no time for questions. “I’m still waiting for that name, Leonard or Lenny.” I felt my dream mouth move to betray Fabrizia yet again, but this time I couldn’t pry it open. The Noah-otter smiled as if he knew exactly what kind of man I was and wiped his whiskers with a human paw. “You said ‘DeSalva.’”

Noah. Three days after the Rupture. Instead of mourning, instead of grief, shallow memories of us sharing a joint on the gravel mounds of Washington Square, our early friendship as tenuous and goofy as a young love affair. Politics on our tongues, girls on our minds, just two guys from the suburbs, freshmen at NYU, Noah’s already working on one of the last novels that will ever see print, I’m working on being the friend of someone like Noah. Are these memories even real? This is my life now. Dreams, nothing but dreams.

I’ve been sleeping on the couch. Eunice and I have barely spoken since I dragged her home and away from her goddamn Tompkins Park, from whatever or whomever she thought she could save. Her mysterious male friend? Her sister? What the hell would Sally be doing in the middle of a battlefield?

“I don’t think this is going to work,” I had told Eunice of our relationship after she had sulked in the bedroom for the better part of that blood-soaked day. “If we can’t take care of each other now, when the world is going to shit, how are we ever going to make it? Eunice! Are you even listening to what I’m saying? I’ve lost one of my best friends. Don’t you want to, like, comfort me?” No response, dead smile, retreat to the bedroom. E basta.

The booms, big and small, faraway and close, the pounding in my head, tracer rounds against the overcast moon, tracer rounds lighting up the secret, hidden parts of the city, an entire building of crying babies, and, even scarier, the temporary absence of those wails. Relentless. Relentless. Relentless. You can see the magenta flashes even against the fully closed curtains, you can hear them on your skin. At night, the sound of metallic scraping coming off the river, like two barges slowly crashing against each other. When I open a window, the strange bloom of flowers and burnt leaves hits my nose-a sweet, dense rot, like the countryside after a storm. Oddly enough, no car alarms. I listen for the comfort-food sounds of ambulances presumably rushing to keep people alive-every few minutes the first day after the Rupture, then every few hours, then nothing.

My apparat isn’t connecting. I can’t connect. No one’s apparati are working anymore. “It’s an NNEMP,” all the thirtysomething Media wizards hanging out in the lobby of our building are saying with finality. A Nonnuclear Electromagnetic Pulse. The Venezuelans must have detonated it high above the city. Or the Chinese. Like anyone knows. Like there’s any difference between the quality of “news” since the Media’s gone out.

Venezuelans detonating something other than an arepa.

Whatever, as Eunice would say, if she still spoke to me.

I point my apparat out the half-opened window, trying to catch a signal. I can’t reach my parents. I can’t connect to Westbury. I can’t connect to Vishnu. I can’t connect to Grace. And nothing from Nettie Fine. Complete radio silence since Noah’s ferry exploded. All I have is the Wapachung Contingency emergency scroll. “SECURITY SITUATION IN PROGRESS. REMAIN IN DOMICILE. WATER: AVAILABLE. ELECTRICITY: SPORADIC. KEEP APPARAT FULLY CHARGED IF POSSIBLE. AWAIT INSTRUCTIONS.”

In the next room, she’s crying.

I’m so scared.

I have no one.

Eunice, Eunice, Eunice. Why must you break my heart, again and again?

Five days after the Rupture, instructions.

WAPACHUNG CONTINGENCY EMERGENCY MESSAGE: SECURITY SITUATION LOWER/MID-MANHATTAN IMPROVED. PLEASE REPORT TO YOUR DIVISION HEADQUARTERS.

I put on a shirt and pants, feeling both scared and celebratory. The air conditioner had gone out and I had been living in my underwear, which made the pants feel like armor and the shirt like a shroud. Eunice was sitting by the kitchen table, staring absently at her nonfunctional apparat. I have never smelled unwashed hair off her, but there it was, as strong as anything in the half-dead refrigerator. And that softened me for some reason, made me want to forgive her, to find her again, because whatever happened between us had nothing to do with me. “I have to go to work,” I said, kissing her on the forehead, not afraid to inhale what she had become.

She looked up at me for the first time in a hundred hours, eyes crusted over. “To see Joshie?” she said.

“Yes,” I said. She nodded. I stood there like a Japanese salaryman in my overwarm pants and stifling shirt, waiting for more. But it wouldn’t come. “I still love you,” I said. No response, but no dead smile either. “I think we both really tried to make this work. But we’re just too different. Don’t you think?” And then, before she could summon an emotion and deny it in the same breath, I left.

Outside, the streets were nearly empty. All the cabs had fled to wherever cabs come from, and that absence of moving yellow made Manhattan feel as still and silent as Kabul during Friday prayers. The Credit Poles were burned up and down Grand Street, and they looked like prehistoric trees after the glaciers retreated, their colored lights sagging down in a row of inverted parabolas, the racist Credit signs atop them torn down and ripped apart, coating the windshields of cars like old washrags. An old Econoline van with a bumper sticker that read “My Daughter Is a U.S. Marine in Venezuela” had also been torched for some reason-it lay on its back in the middle of the street, imitating a dead water bug. The A-OK Pizza Shack was open but had boarded up its windows, as had the local Arab

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