conform to the standards and the acts of custom which had played so large a part in the post-Jovian world as an indication of commercial character.
Religion, which had been losing ground for centuries, entirely disappeared. The family unit, held together by tradition and by the economic necessity of a provider and protector, fell apart. Men and women lived together as they wished, parted when they wished. For there was no economic reason, no social reason why they shouldn't.
Webster cleared his mind and the machine purred softly at him. He put up his hands, took off the cap, reread the last paragraph of the outline.
He rubbed the warts on the back of his hand, wondering:
Man was bewildered. But not for long. Man tried. But not for long.
For the five thousand could not carry on the work of the millions who had gone to Jupiter to enter upon a better life in alien bodies. The five thousand did not have the skill, nor the dreams, nor the incentive.
And there were the psychological factors. The psychological factor of tradition which bore like a weight upon the minds of the men who had been left behind. The psychological factor of Juwainism which forced men to be honest with themselves and others, which forced men to perceive at last the hopelessness of the things they sought to do. Juwainism left no room for false courage. And false, foolhardy courage that didn't know what it was going up against was the one thing the five thousand needed most.
What they did suffered by comparison with what had been done before and at last they came to know that the human dream of millions was too vast a thing for five thousand to attempt.
Life was good. Why worry? There was food and clothes and shelter, human companionship and luxury and entertainment — there was everything that one could ever wish.
Man gave up trying. Man enjoyed himself. Human achievement became a zero factor and human life a senseless paradise.
Webster took off the cap again, reached out and clicked off the writer.
A door creaked faintly and Webster swung around. The robot cat-footed into the room.
'Yes, what is it, Oscar?'
The robot halted, a dim figure in the half-light of the dusk-filled room.
'It's time for dinner, sir. I came to see-'
'Whatever you can think up,' said Webster. 'And, Oscar, you can lay the fire.'
'The fire is laid, sir.'
Oscar stalked across the room, bent above the fireplace. Flame flickered in his hand and the kindling caught.
Webster, slouched in his chair staring at the flames crawling up the wood, heard the first, faint hiss and crackle of the wood, the suction mumble at the fireplace throat.
'It's pretty, sir,' said Oscar.
'You like it, too?'
'Indeed I do.'
'Ancestral memories,' said Webster soberly. 'Remembrance of the forge that made you.'
'You think so, sir?' asked Oscar.
'No, Oscar, I was joking. Anachronisms, that's what you and I are. Not many people have fires these days. No need for them. But there's something about them, something that is clean and comforting.'
He stared at the canvas above the mantelpiece, lighted now by the flare of burning wood. Oscar saw his stare.
'Too bad about Miss Sara, sir.'
Webster shook his head. 'No, Oscar, it was something that she wanted. Like turning
His mind went back to other days in this very room.
'She painted that picture, Oscar,' he said. 'Spent a long time at it, being very careful to catch the thing she wanted to express. She used to laugh at me and tell me I was in the painting, too.'
'I don't see you, sir,' said Oscar.
'No. I'm not. And yet, perhaps, I am. Or part of me. Part of what and where I came from. That house in the painting, Oscar, is the Webster House in North America. And I am a Webster. But a long ways from the house — a long ways from the men who built that house.'
'North America's not so far, sir.'
'No,' Webster told him. 'Not so far in distance. But far in other ways.'
He felt the warmth of the fire steal across the room and touch him.
Far. Too far — and in the wrong direction.
The robot moved softly, feet padding on the rug, leaving the room.
And what was that thing? He had never asked her and she had never told him. He had always thought, he remembered, that it probably had been the way the smoke streamed, wind whipped across the sky, the way the house crouched against the ground, blending in with the trees and grass, huddled against the storm that walked above the land.
But it may have been something else. Some symbolism. Something that made the house synonymous with the kind of men who built it.
He got up and walked closer, stood before the fire with head tilted back. The brush strokes were there and