The Best American Noir of the Century

Massacre (1967) with George Segal and Jason Robards, and Capone (1975), with Ben Gazzara.

In 1952, while Browne was editor of Fantastic, he called his friend Roy Huggins (creator of such famous television series as Maverick, 77 Sunset Strip, and The Fugitive) and asked him if he could write a detective story with fantasy elements in it. Huggins agreed, but when the time came to turn to it, he was too busy writing a screenplay to do the story. Since Browne already had the cover of the fall issue of the magazine ready to go, with Huggins’s name on it, he wrote “Man in the Dark” himself, under the “pseudonym” of Roy Huggins.

I

She called me at four-ten. “Hi, Poopsie.”

I scowled at her picture in the leather frame on my desk. “For Christ’s sake, Donna, will you lay off that ‘Poopsie’ stuff? It’s bad enough in the bedroom, but this is over the phone and in broad daylight.”

She laughed. “It kind of slipped out. You know I’d never say it where anyone else could hear. Would I, Poopsie?”

“What’s all that noise?”

“The man’s here fixing the vacuum. Hey, we eating home tonight, or out? Or are you in another deadline dilemma?”

“No dilemma. Might as well —”

“Can’t hear you, Clay.”

I could hardly hear her. I raised my voice. “Tell the guy to turn that goddamn thing off. I started to say we might as well eat out and then take in that picture at the Paramount. Okay?”

“All right. What time’ll you get home?”

“Hour — hour’n a half.”

The vacuum cleaner buzz died out just as she said, “Bye now,” and the two words sounded loud and unnatural. I put back the receiver and took off my hat and sat down behind the desk. We were doing a radio adaptation of Echo of a Scream that coming Saturday and I was just back from a very unsatisfactory rehearsal. When things don’t go right, it’s the producer who gets it in the neck, and mine was still sensitive from the previous week. I kept a small office in a building at Las Palmas and Yucca, instead of using the room allotted me at NBS. Some producers do that, since you can accomplish a lot more without a secretary breathing down your neck and the actors dropping in for gin rummy or a recital of their love life.

The telephone rang. A man’s voice, deep and solemn, said, “Is this Hillside 7-8691?”

“That’s right,” I said.

“Like to speak to Mr. Clay Kane.”

“I’m Clay Kane. Who’s this?”

“The name’s Lindstrom, Mr. Kane. Sergeant Lindstrom, out of the sheriff’s office, Hollywood substation.”

“What’s on your mind, Sergeant?”

“We got a car here, Mr. Kane,” the deep slow voice went on. “Dark blue ‘51 Chevrolet, two-door, license 2W78 -40. Registered to Mrs. Donna Kane, 7722 Fountain Avenue, Los Angeles.”

I could feel my forehead wrinkling into a scowl. “That’s my wife’s car. What do you mean: you ‘got’ it?”

“Well, now, I’m afraid I got some bad news for you, Mr. Kane.” The voice went from solemn to grave. “Seems your wife’s car went off the road up near the Stone Canyon Reservoir. I don’t know if you know it or not, but there’s some pretty bad hills up —”

“I know the section,” I said. “Who was in the car?”

“…Just your wife, Mr. Kane.”

My reaction was a mixture of annoyance and mild anger. “Not my wife, Sergeant. I spoke to her on the phone not five minutes ago. She’s at home. Either somebody stole the car or, more likely, she loaned it to one of her friends. How bad is it?”

There was a pause at the other end. When the voice spoke again, the solemnity was still there, but now a vague thread of suspicion was running through it.

“The car burned, Mr. Kane. The driver was still in it.”

“That’s terrible,” I said. “When did it happen?”

“We don’t know exactly That’s pretty deserted country. Another car went by after it happened, spotted the wreck, and called us. We figure it happened around two-thirty.”

“Not my wife,” I said again. “You want to call her, she can tell you who borrowed the car. Unless, like I say, somebody swiped it. You mean you found no identification at all?”

“…Hold on a minute, Mr. Kane.”

There followed the indistinct mumble you get when a hand is held over the receiver at the other end of the wire. I waited, doodling on a scratch pad, wondering vaguely if my car insurance would cover this kind of situation. Donna had never loaned the car before, at least not to my knowledge.

The sergeant came back. “Hate to trouble you, Mr. Kane, but I expect you better get out here. You got transportation, or would you want one of our men to pick you up?”

This would just about kill our plans for the evening. I tried reasoning with him. “Look here, Officer, I don’t want to sound cold-blooded about this, but what can I do out there? If the car was stolen, there’s nothing I can tell you. If Mrs. Kane let somebody use it, she can tell you who it was over the phone. Far as the car’s concerned, my insurance company’ll take care of that.”

The deep slow voice turned a little hard. “Afraid it’s not that simple. We’re going to have to insist on this, Mr. Kane. Take Stone Canyon until you come to Fontenelle Way, half a mile or so south of Mulholland Drive. The accident happened about halfway between those two points. I’ll have one of the boys keep an eye out for you. Shouldn’t take you more’n an hour at the most.”

I gave it another try. “You must’ve found some identification, Sergeant. Something that —”

He cut in sharply. “Yeah, we found something. Your wife’s handbag. Maybe she loaned it along with the car.”

A dry click meant I was alone on the wire. I hung up slowly and sat there staring at the wall calendar. That handbag bothered me. If Donna had loaned the Chevy to someone, she wouldn’t have gone off and left the bag. And if she’d left it on the seat while visiting or shopping, she would have discovered the theft of the car and told me long before this.

There was one sure way of bypassing all this guesswork. I picked up the receiver again and dialed the apartment.

After the twelfth ring I broke the connection. Southern California in August is as warm as anybody would want, but I was beginning to get chilly along the backbone. She could be at the corner grocery or at the Feldmans’ across the hall, but I would have liked it a lot better if she had been in the apartment and answered my call.

It seemed I had a trip ahead of me. Stone Canyon Road came in between Beverly Glen Boulevard and Sepulveda, north of Sunset. That was out past Beverly Hills, and the whole district was made up of hills and canyons, with widely scattered homes clinging to the slopes. A car could go off almost any one of the twisting roads through there and not be noticed for a lot longer than two hours. It was the right place for privacy, if privacy was what you were looking for.

The thing to do, I decided, was to stop at the apartment first. It was on the way, so I wouldn’t lose much time, and I could take Donna along with me. Getting an explanation direct from her ought to satisfy the cops, and we could still get in a couple of drinks and a fast dinner, and make that premiere.

I covered the typewriter, put on my hat, locked up, and went down to the parking lot. It was a little past four- twenty.