The Best American Noir of the Century

I have just switched with you when Ally lured you to me, because all it would’ve done is get you screeching and howling that you weren’t Spanning, you were this nigger son who’d had his head stolen…and then you might have manipulated some guards or the Warden…

“Well, you see what I mean, don’t you?

“But now that the mask is securely in place, and now that the electrodes are attached to your head and your left leg, and now that the Warden has his hand on the switch, well, you’d better get ready to do a lot of drooling.”

And he turned around to jaunt back out of me, and I closed the perimeter. He tried to jaunt, tried to leap back to his own mind, but I had him in a fist. Just that easy. Materialized a fist, and turned him to face me.

“Fuck you, Jack the Ripper. And fuck you twice, Bluebeard. And on and on and on fuck you Manson and Boston Strangler and any other dipshit warped piece of sick crap you been in your years. You sure got some muddy-shoes credentials there, boy.

“What I care about all those names, Spanky my brother? You really think I don’t know those names? I’m an educated fellah, Mistuh Rippuh, Mistuh Mad Bomber. You missed a few. Were you also, did you inhabit, hast thou possessed Winnie Ruth Judd and Charlie Starkweather and Mad Dog Coll and Richard Speck and Sirhan Sirhan and Jeffrey Dahmer? You the boogieman responsible for every bad number the human race ever played? You ruin Sodom and Gomorrah, burned the Great Library of Alexandria, orchestrated the Reign of Terror dans Paree, set up the Inquisition, stoned and drowned the Salem witches, slaughtered unarmed women and kids at Wounded Knee, bumped off John Kennedy?

“I don’t think so.

“I don’t even think you got so close as to share a pint with Jack the Ripper. And even if you did, even if you were all those maniacs, you were small potatoes, Spanky. The least of us human beings outdoes you, three times a day. How many lynch ropes you pulled tight, M’sieur Landru?

“What colossal egotism you got, makes you blind, makes you think you’re the only one, even when you find out there’s someone else, you can’t get past it. What makes you think I didn’t know what you can do? What makes you think I didn’t let you do it, and sit here waiting for you like you sat there waiting for me, till this moment when you can’t do shit about it?

“You so goddam stuck on yourself, Spankyhead, you never give it the barest that someone else is a faster draw than you.

“Know what your trouble is, Captain? You’re old, you’re real old, maybe hundreds of years who gives a damn old. That don’t count for shit, old man. You’re old, but you never got smart. You’re just mediocre at what you do.

“You moved from address to address. You didn’t have to be Son of Sam or Cain slayin’ Abel, or whoever the fuck you been…you could’ve been Moses or Galileo or George Washington Carver or Harriet Tubman or Sojourner Truth or Mark Twain or Joe Louis. You could’ve been Alexander Hamilton and helped found the Manumission Society in New York. You could’ve discovered radium, carved Mount Rushmore, carried a baby out of a burning building. But you got old real fast, and you never got any smarter. You didn’t need to, did you, Spanky? You had it all to yourself, all this ‘shrike’ shit, just jaunt here and jaunt there, and bite off someone’s hand or face like the old, tired, boring, repetitious, no-imagination stupid shit that you are.

“Yeah, you got me good when I came here to see your landscape. You got Ally wired up good. And she suckered me in, probably not even knowing she was doing it…you must’ve looked in her head and found just the right technique to get her to make me come within reach. Good, m’man; you were excellent. But I had a year to torture myself. A year to sit here and think about it. About how many people I’d killed, and how sick it made me, and little by little I found my way through it.

“Because…and here’s the big difference ‘tween us, dummy:

“I unraveled what was going on…it took time, but I learned. Understand, asshole? I learn! You don’t.

“There’s an old Japanese saying—I got lots of these, Henry m’man—I read a whole lot—and what it says is, ‘Do not fall into the error of the artisan who boasts of twenty years experience in his craft while in fact he has had only one year of experience—twenty times.’” Then I grinned back at him.

“Fuck you, sucker,” I said, just as the Warden threw the switch and I jaunted out of there and into the landscape and mind of Henry Lake Spanning.

I sat there getting oriented for a second; it was the first time I’d done more than a jaunt…this was… shrike; but then Ally beside me gave a little sob for her old pal, Rudy Pairis, who was baking like a Maine lobster, smoke coming out from under the black cloth that covered my, his, face; and I heard the vestigial scream of what had been Henry Lake Spanning and thousands of other monsters, all of them burning, out there on the far horizon of my new landscape; and I put my arm around her, and drew her close, and put my face into her shoulder and hugged her to me; and I heard the scream go on and on for the longest time, I think it was a long time, and finally it was just wind…and then gone…and I came up from Ally’s shoulder, and I could barely speak.

“Shhh, honey, it’s okay,” I murmured. “He’s gone where he can make right for his mistakes. No pain. Quiet, a real quiet place; and all alone forever. And cool there. And dark.”

I was ready to stop failing at everything, and blaming everything. Having fessed up to love, having decided it was time to grow up and be an adult—not just a very quick study who learned fast, extremely fast, a lot faster than anybody could imagine an orphan like me could learn, than anybody could imagine—I hugged her with the intention that Henry Lake Spanning would love Allison Roche more powerfully, more responsibly, than anyone had ever loved anyone in the history of the world. I was ready to stop failing at everything.

And it would be just a whole lot easier as a white boy with great big blue eyes.

Because—get on this now—all my wasted years didn’t have as much to do with blackness or racism or being overqualified or being unlucky or being high-verbal or even the curse of my “gift” of jaunting, as they did with one single truth I learned waiting in there, inside my own landscape, waiting for Spanning to come and gloat:

I have always been one of those miserable guys who couldn’t get out of his own way.

Which meant I could, at last, stop feeling sorry for that poor nigger, Rudy Pairis. Except, maybe, in a moment of human weakness.

1995 ED GORMAN OUT THERE IN THE DARKNESS

Ed Gorman (1941-) was born in Cedar Rapids, Iowa, and graduated from Coe College in Iowa (1963). He worked in advertising as a copywriter and freelance writer for twenty years, then became a full-time writer, mainly of fiction. While most of his work has been in the mystery genre, he has also written many other types of fiction, including horror (he was nominated for Bram Stoker Awards from the Horror Writers Association for his short story collections Cages [1995] and The Dark Fantastic [2001]) and westerns (he won a Spur Award from the Western Writers of America for Best Short Fiction, for “The Face” in 1992), under both his own name and the pen names E. J. Gorman and Daniel Ransom. He has been nominated for two Edgar Allan Poe Awards by the Mystery Writers of America, for Best Short Story, for “Prisoners” (1991), and (with others) Best Biographical/Critical Work, for The Fine Art of Murder (1994). He was also honored with MWAs Ellery Queen Award in 2003, given primarily for his numerous works of mystery fiction, his long editorship of Mystery Scene Magazine, a fanzine, and his many anthologies.

Among his many novels are the first in the six-volume Jack Dwyer series, Rough Cut (1985); The Day the Music Died (1999), the first of more than a half-dozen Sam McCain