“An old friend of yours,” he says with a wry smile. “She’s no friend of mine, of course. But she brought me this.”

“Ella?” I ask eagerly. “Where is she? The hurricane shutters are down on her house. She’s been gone for weeks. I haven’t had a call or an e-mail. We’re going to have to leave without saying good- bye.”

He gives a cryptic shake of his head. “I don’t know what her plans are. I’m sure you’ll hear from her, though, Annie. One of these days.”

As he takes another piece of paper from his pocket and gives it to me, my headache intensifies. This time it’s a picture, a blurry black-and-white photograph of two boys in fatigues, arms around each other’s shoulders, one smiling, one grim. It takes me a second to figure out who I’m looking at. For a second, I think one of the men is Gray. But then I recognize them-Drew Powers and Alan Parker, younger, thinner, barely resembling the men they became. Someone had scribbled in the corner, Bassac River, 1967, Vietnam.

“I don’t understand,” I say, feeling suddenly as though the ground has shifted beneath me. “What does this mean?”

“They served together on SEAL Team One in Vietnam. They’ve known each other most of their lives.”

I’m struggling with this information, trying to understand how everything fits together. But my head is aching so badly I can hardly concentrate.

“I have a theory,” he says. “Want to hear it?”

I don’t really, but I find myself giving a half nod.

“I think, years ago, when Alan Parker wanted revenge for the murder of his daughter, he came to Drew, his old war buddy. Drew had already founded Powers and Powers at that point, and it was a thriving private military firm. Based on some digging I’ve done, I think Drew hired out one of his men to Parker to track down Marlowe Geary-a man named Simon Briggs. Later, when Parker started Grief Intervention Services, Powers and Powers provided the muscle needed to help people face those who had injured them or their loved ones. Vigilantes, basically.”

I think about this. It makes sense somehow to me that they knew each other. I can see them, both controlling, arrogant men, thinking that what they did was motivated by love for their children, never understanding that love and control are two different things.

“Then it was just a coincidence that my father met with Gray and asked him to help me?” I say with a shake of my head. “No.”

Harrison hangs his head for a second. He seems to be debating whether to say what he wants to say. Then, “Your father, Teddy March, also known as Bear. He served on the same SEAL team in Vietnam.

I laugh at this. “No,” I say. “Not my father.”

But then I remember all the times he talked about the Navy SEALs, all his Vietnam stories. I thought they were lies. I never once believed him.

Detective Harrison has another photograph. In the picture I see my father, Drew, and some other men I don’t recognize sitting in a boat heading down a gray river surrounded by jungle. They are grim, intent, uncomfortable. My father is a boy with the stubble of a beard, a cigarette dangling from his lips. He is lithe, muscular, with dark eyes and square jaw. Drew looks like a heavier, less appealing version of my husband-like a young bulldog with a stern brow and mean eyes.

“These men, these fathers, all searching for their kids,” says Harrison, drifting over toward the glass doors leading to the deck. “Alan Parker’s daughter murdered by Frank Geary, Teddy March’s daughter held in the thrall of Marlowe Geary, Drew Powers’s son far from the fold, estranged for years. They all had a common purpose, to do right by their kids in the ways that they could.”

I think about this, the deviousness and planning, the deception that it took to make all this happen.

“And how was it that both you and Melissa fell prey to the Gearys? Coincidence, maybe. Or maybe it was their karma, their bond? I don’t know, but it’s poetic in its way, isn’t it?”

That’s our karma, our bond. Marlowe’s words come back to me.

Harrison goes on, “The only thing they didn’t plan for was Gray falling in love with you.”

“It doesn’t make sense,” I say, even though, on a cellular level, it does. “There are too many variables, so many coincidences. Did my father go to Drew for help, too? Is that how he connected to Gray? They used me to draw Gray in, knowing he couldn’t resist the idea of rescuing a lost girl?”

“Paul Broward-your Dr. Brown-he had a lot of experience with manipulating people’s psyches. You should know that better than anyone.”

My emotions-a terrible alchemy of impotent anger, disbelief, and fear-must be playing on my face, because suddenly Harrison seems to regret coming. He looks over toward the door, then back at me, and raises his palms.

“I’m sorry, Annie. You know what? It’s just a theory. I’m talking out of my ass.”

“What about Briggs?” I ask quickly, still turning his words over, still trying to punch holes in his theories.

“A longtime employee of Powers and Powers, that much I do know for a fact. Maybe Gray wasn’t aware of that. When he couldn’t figure out who Briggs worked for, he killed him fearing for your safety.”

I feel exhausted, and my head is pounding now, accompanied by a terrible ringing in my ears. I try to think about what all this might mean, that we’ve been under the control of these men, my father included, since before Gray and I ever met. It hurts too much to think about, and I feel myself powering down emotionally. I’m grateful.

“As for me, I made a nuisance of myself,” Harrison said. “And they laid waste to my life.”

I think about what Sarah Harrison told me, how Ella attacked Ray with a Taser. I’ve hardly known what to do with that information. I’ve wanted to confront her, but she’s gone. Who was she, this woman I called a friend? I can feel my chest constricting. Ever since the smoke inhalation, my lungs ache when I get upset. I struggle to slow my breathing. Harrison seems to sense my discomfort.

“Look,” he says, moving toward the front door, “maybe you should consider yourself lucky at this point, Annie. Move on, you know? My life is a train wreck. But you, you’ve exorcised your demons-you’ve won. You can walk away with your family and start over.”

I laugh. It sounds harsh and bitter as it bounces back to me. “You mean just forget all this? I think we’ve seen how that works out.”

“Not a denial, Annie,” he says. “A rebirth.”

I get up and walk to the back glass doors, watch the waves lick the shore. I take the salt air into my lungs and wonder if Detective Harrison might be right.

“Is it possible?” I ask him. “Is it possible to cast it all off and start again-the new and improved Annie? Or will it come creeping after me again one day when I least expect it?”

I listen to my voice echo in the empty room. Harrison doesn’t answer me.

I keep looking at the shoreline. I lose myself in thought for a moment and notice that my headache is lifting.

“Maybe it is possible,” I say, answering my own question.

“Annie?”

I turn around to see Gray standing behind me with an odd expression, something between amusement and worry. We are alone.

“Who are you talking to?” he asks.

The headache I had is gone, but it is replaced with a rush of panic. As I walk past him, he reaches for my arm, but I slip by. I lift the three pieces of paper from the couch, two receipts from the grocery store and a baby picture of Victory. Not a check, not old pictures of Vietnam.

I sweep the room again with my eyes, wondering if Detective Harrison will come out of the kitchen with a fresh cup of coffee. But no. I crumple the papers and shove them into my pocket. I walk to the front window and see that Gray’s car has blocked the driveway. I can’t bring myself to ask if another car was parked on the street when he arrived.

“Annie,” Gray says, walking over to me. His tone is more insistent now. “Who were you talking to?”

I find it difficult to answer; the words won’t come. I’m in a tunnel of dawning, swallowed by a stone-cold understanding of my own twisted psyche, a realization that Ray Harrison was exactly who I needed him to be.

“Do you remember Ray Harrison?” I ask, trying to keep my voice level. I find I can’t bring myself to meet his

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