31. The Dominion of the Flesh
WITH GENET AND ROSINA AWAY, our quarters felt empty. I missed Genet terribly. Hema and I both worried that wed never see her again. She'd promised to call, and write, but three weeks had gone by and wed yet to hear from her. That year, 1968, we had torrential rains; the Blue Nile and Awash had spilled their banks, causing flooding. The babbling brook behind Missing looked like a river. In Addis, the populace was bottled up indoors so that a lull in the rain released the scent of stifled humanity, dung fires, and clothes that refused to dry. The ivy raced up the drainpipes and found chinks in walls, while the tadpoles hurried into croaking frogs before their limbs were fully formed. No child I knew was ever tempted to turn its face to the sky and catch raindrops on the tongue, not when you lived and breathed water.
Now that Shiva and I were teenagers, looking ahead to our fourteenth birthday, I kept expecting something to feel different. I tried to stay busy, but all I could think about was Genet and what she might be up to in Asmara. I hoped she was homebound, miserable, and missing me. Without Genet as a witness, nothing I did was meaningful.
LATE ON A TUESDAY EVENING, I watched Ghosh in Operating Theater 3 as he removed a gallbladder. When he was done, we swung by the surgical ward to see Etien, a diplomat from Ivory Coast, a man we knew socially, who'd suddenly developed a bowel obstruction. In surgery, Ghosh had found an obstructing rectal cancer which he was forced to resect. It was a big and challenging operation, and I knew Ghosh was hopeful for a cure. But he was forced to create a colostomy on the belly wall. “Etien's very depressed,” Ghosh said. “Not about the cancer, but over his colostomy. He can't accept the idea of waste coming out from an opening in his abdomen.”
Etien had the sheet over his head. When Ghosh examined him, and then said the colostomy looked beautiful, tears welled up in Etien's big eyes. He wouldn't look down there. All he said was “Who will marry me now?”
Ghosh was surprisingly firm. “Etien, that's not the part of your body I cut off, the marrying part. You'll find a woman who loves you, and you'll explain it to her. If she loves you for yourself, you'll both be glad that you are alive.” Ghosh's facial expression brooked no argument, but then he softened. “Etien, imagine if all humans were born with their anus on the belly and that's where
Ghosh had one more patient to see. He told me to go on home so I wouldn't be late for dinner.
The rain began to come down hard and I had no umbrella. I walked under the sheltered walkways connecting the theater to Casualty and Casualty to the male ward. Where the walkway ended, I dashed across a short gap, leaping over a puddle to arrive at the nurses’ quarters. I rarely explored this female warren. It looked deserted. If I went up the long outer balcony and down the stairs at the other end … well, I'd still get soaked, but I'd be fifty yards closer to home before I had to dash out into the rain. I hoped Adam's wife, the keeper of the virgins, with that big cross around her neck, didn't see me, because she would chase me out.
Upstairs, the doors of the individual nurses’ rooms opened onto the shared veranda. They must have all been in the dining room, otherwise they would have been lined up against the veranda railing, teasing out their hair, painting their nails, sewing, and chatting.
I heard music from the corner room that had once been my mother's. I'd been up here a few times, but just like her grave, this wasn't a place where I felt her presence. The strangeness of the music, the beat, were what pulled me closer. Guitars and drums in a driving rhythm repeated a musical refrain first in one register, then another. Of late some Ethiopian music adopted a Western sound, with horns, snare drums, and a repeating electric guitar riff that took the place of the muffled strings of the
The door was open a crack.
She stood barefoot in the center of the room, her back to me. A white slip exposed her shoulders and ended at the back of her knees. Her head went from side to side, and her long, straight hair, conked with chemicals, followed as if welded to her skull. Her hips were driven by the bass line, while her upraised right hand kept the melody. Her left hand must have been pressed to her belly, because the elbow jutted out like the handle of a teacup. The music had entered her; it lubricated her joints, softened her bones and flesh to produce this gyrating, fluid, and sensual movement.
She turned. Her eyes were closed and her face was tilted up. The lower lip was twisted, as if it had been split and had healed out of alignment.
I knew that lip, that faintly pockmarked face, though now the pocks textured the skin and exaggerated her cheekbones. It was the body I didn't recognize. She'd been a student probationer forever, until Matron, taking pity on her, gave her a new title, Staff Probationer, which transformed her. From being on the long-term plan, a perpetual student, she became an instructor for incoming probationers. In the classroom, with textbooks that she knew by heart, she could both drive facts into the probationers’ heads and demonstrate that it was possible to keep them there, by the manner in which she regurgitated her material, never looking at the text.
Normally she wore her hair pulled off her forehead and neck and gathered into a top bun so tight that it arched her eyebrows. When she crowned this with the winged nurse's cap, it looked as if she'd inverted an ice- cream cone on her head.
Other than her precarious hairdo, I'd always thought of the Staff Probationer as plain. At school, I knew girls who were neither ugly nor beautiful but who saw themselves one way or the other, and that conviction made it come true. Heidi Enqvist was gorgeous, but alas not in her own eyes, and so she lacked the mystery and allure of Rita Vartanian, who despite her overbite and prominent nose managed to make Heidi envious.
The probationer was of the Heidi mold. I think that's why she made herself a willing prisoner of a stiff, starched uniform and adopted an unsmiling expression to go with it. The only identity she had was that of being in the nursing profession; in her own eyes, and in the light of the world, she thought she was nobody. Id always felt the probationer's discomfort around us. But then she was shy around everybody.
But I could see now that there was more to her than nursing. The uniform concealed a body full of curves, like the figures Shiva used to draw, and the body moved in ways that would have made a harem dancer jealous.
Her eyes were closed. Were she to see me she'd be startled, embarrassed, and probably furious. I was about to step back when, to my surprise, she stepped forward and pulled me in by my hand, as if a phrase in the song was my cue. She kicked the door shut. The music was louder and more intense inside the room.
She had me taking little steps in time to the beat, moving my body this way and that. I was embarrassed at first. I wanted to laugh or say something clever, the way an adult would. But her expression and the throbbing beat made me feel anything but dancing would have been like talking in church. My steps became effortless. I imitated her, my shoulders moving in the opposite direction from my hips. My hands drew figures in the air. The trick was not to think. My body felt segmented, and each segment answered the call of a particular instrument. The pattern of our steps felt inevitable.
Just when I mastered that, she pulled me to her, my cheek against her neck, my chest against her breasts, separated from them by the thinnest of materials. I'd never danced before, certainly not like this. I breathed in her perfume and her sweat. She squeezed, taking my breath away, as if to make our two bodies one. She guided my arm so that it was around her, my hand over her sacrum, and I held her close. We never stopped moving. She led.
I anticipated her every step, clueless as to where that knowledge came from. We spun, then surged this way, then that, like one organism. I thought of Genet. Emboldened, I led and she followed. I pressed against the soft flesh where her legs came together only because she pressed, too, grinding her hips into me. Blood surged to my face, to my arms, into my stomach, my groin. The world had fallen away. I was in an elaborate dialogue with
