That's one of the features. Because there aren't any windows of course. But the point is. What's the point, Matty?'
'I don't know. Tell me.'
'Did they do all this to protect the kids from Soviet bombs or from our bombs and our fallout?'
'I don't know. Both. What did you say to the kids?'
'I spoke in tongues,' Eric said. 'I mean think about it. I'm standing in an underground room at the northern edge of a great desert with filtering systems for fallout and a fully equipped morgue and there are crayon drawings pinned above the blackboard of piglets and cows. Incidentally.'
'What?'
'I have a chess set in my room. What about a game?'
The Pocket was one of those nice tight societies that replaces the world. It was the world made personal and consistently interesting because it was what you did, and others like you, and it was self-enclosed and self- referring and you did it all together in a place and a language that were inaccessible to others.
Janet Urbaniak was Matt's girlfriend, a registered nurse. They were off-and-on serious, mostly on, often impatient with each other but always strongly joined, the kind of star-matched couple born to meet and disagree.
He called Janet on her days off and she told him where she'd gone and what she'd seen or bought, and who with, and for how long, and he listened and commented and asked for details.
She worked in a trauma unit now. She told him about her nights there but he said almost nothing about his own work and of course she understood and did not probe.
Janet called his mother twice a week to find out how she was doing and then she called Matt to give him a report and then Matt called his mother to confirm everything, to clarify the particulars of an ache or pain, and he liked all these calls, the ones he made and the ones he heard about-they gave him a life outside the Pocket.
He drove his borrowed jeep past a protester alone, a woman struggling to keep the sign upright in a dry stiff wind that beat across the flats. He wanted to stop and talk to her. Give her a hand, have a chat. He wanted to show his tolerance of her viewpoint, allow himself to be convinced by some of her arguments, make certain trenchant points of his own and then drive her to the nondescript room where she lived at the edge of this or that town, with a partial view of the mountains, and have soft, moaning and mutually tolerant sex in her rumpled bed, but he slowed only slightly as he drove past.
Later someone told him the protesters lived in a ruined school bus in the Sacramento Mountains. Matt kind of liked that. He liked the idea of people leaving everything behind to pursue an idea. He thought of Sister Edgar in sixth grade talking about desert saints, pillar saints, stylites, and she hoisted herself up on her desk and crossed her legs under the habit, a saint lotused on a column in the Sinai, and spoke to the class in snatches of Latin and Hebrew and he remembered liking that-he liked to think of a godstruck band of wanderers haunting the test ranges and silos of the West.
It was part of the reason he'd come here in the first place. For the questions and challenges. For the self- knowledge he might find in a sterner life, in the fixing of willful limits.
Did you do grad work on solar energy? Did you do a paper on the trigger principle of nuclear fission? Do you go to the dentist every six months for a prophy and a polish? Are you a physicist with a grudge against your mother? Are you a systems engineer who masturbates in secret while your wife is watching reruns of 'The Honeymooners'? Do you wish to hell you could see a tower shot with all the special effects, with the sun coming up ass-backwards and the trees casting shadows in the wrong direction, the spectacle of the unmattered atom, the condensation cloud arranged split-secondly on the shock disc, sort of primly place-centered, and the visible shock approaching, and the biblical wind that carries sagebrush, sand, hats, cats, car parts, condoms and poisonous snakes, all blowing by in the desert dawn?
Eric kept after him to play chess. But he didn't want to play chess. He didn't talk about his chess. His chess was old dark difficult history, suppressed forever. The history of a chess homunculus. No one knew about his chess. Janet knew a little and only Janet and no one else but his mother and brother and Mr. Bronzini, of those who might tend to remember.
''You don't get the point,' Eric said in the jeep.
'You're spreading rumors you don't even believe. That's the point,' Matt said.
'They had to throw up roadblocks because the cloud was moving into populated areas. Neuroblastomas. Beta burns. Two-headed lambs. Or entire herds of sheep dead in the fields. Or you wake up one morning and your teeth start flipping out of their sockets, painlessly and bloodlessly.'
Two or three teeth, say. Sort of gently expelled with the faintest kind of squishy sound, Eric said. And you wrap them in cold wet gauze and jump in your car and drive to the dentist's office confident that he'll be able to reinsert the teeth because don't doctors do amazing things with severed limbs. Or he will not reinsert the teeth. He will send the teeth to a lab at the new medical center where they have equipment so advanced it can learn more about you in a passing glance than you could figure out yourself if you lived to be a thousand.
But at the first red light you take the gauze out of your pocket and unfold it for a brief peek, Eric said, and there's nothing there but a small mound of powder because your teeth have completely crumbled. These hard strong reliable structures designed for biting and gnawing, for tearing flesh. These things that last a million years in the jaws of prehistoric people, in the skulls that we dig up and study. Turned to dust in your pocket in six frigging minutes.
He called Janet and talked. He talked and listened. The smaller the talk, the better he felt. He took satisfaction in the details of her day, the matters of barely passing interest that struck him in his lonely love as items of privileged witness.
Sometimes she talked about her work, trauma duty deep in the night, and she was matter-of-fact about it, bodies flopping on the just-mopped floor of the corridor, relatives dragging in a knife victim or OD, the uncle and mother gripping the man's head and legs and a cluster of small kids at the edges, two to each arm.
She described scenes that were like paintings of the European masters, the ones who did miracles and wars.
Her strength in these matters made her beautiful to him. She was a smallish woman, they were both fairly short and Janet was slight as well, and he liked to imagine her in a scrub suit plunging a fist into someone's chest cavity and coming out with a bullet or a chicken bone. Her shyness did not conceal her eloquence of mettle and will. He saw and heard it often. She clung to him persistently to make a point.
He thought they were too damn earnest. They wanted a family and each other but were periodically beset by the complexity of the undertaking, the plans, the chances, the cities, the idea of marriage and children and jobs and how hard it is to do everything right, and they agreed and bargained and argued, they planned and fought.
He looked at Landsat photos shot from space a year or two earlier. The pictures were false-color composites that revealed signs of soil erosion, geological fracture and a hundred other events and features. They showed stress and drift and industrial ravage, billion-bit data converted into images.
He saw how remote sensors pulled hidden meanings out of the earth. How sweeps and patches of lustrous color, how computer fuchsias or rorschach pulses of unnamed shades might indicate a change in water temperature or where the dwindling grizzlies go to forage and mate. He looked at spindly barrier beaches that showed white as shanked bone. He found sizable cities pixeled into mountain folds and saw black lakes high in the ranges, kettle holes formed by glacial drift.
He could not stop looking.
The photo mosaics seemed to reveal a secondary beauty in the world, ordinarily unseen, some hallucinatory fuse of exactitude and rapture. Every thermal burst of color was a complex emotion he could not locate or name.
And he thought of the lives inside the houses embedded in the data on the street that is photographed from
