succeeded in producing working antigravity.
“And you think I have? Then why wouldn’t I use it to get to your play?”
“I suppose because you don’t want it to be seen.”
“Nonsense. It’s a regular prosthetic device. You buy them at the surgical stores. She twisted around in her seat until she could look up at me, her face so like my father’s, and her lifeless legs like the sticks David and I used as little boys when, doing parlor magic, we wished Mr Million to believe us lying prone when we were in fact crouched beneath our own supposed figures. “Puts out a superconducting field, then induces eddy currents in the reinforcing rods in the floors. The flux of the induced currents oppose the machine’s own flux and I float, more or less. Lean forward to go forward, straighten up to stop. You look relieved.”
“I am. I suppose antigravity frightened me.”
“I used the iron banister when I went down the stairs with you once; it has a very convenient coil shape.”
Our play went smoothly enough, with predictable cheers from members of the audience who were, or at least wished to be thought, descended from the old French aristocracy. The audience, in fact, was better than we had dared hope, five hundred or so besides the inevitable sprinkling of pickpockets, police, and streetwalkers. The incident I most vividly recall came toward the latter half of the first act, when for ten minutes or so I sat with few lines at a desk, listening to my fellow actors. Our stage faced the west, and the setting sun had left the sky a welter of lurid color: purple-reds striped gold and flame and black. Against this violent ground, which might have been the massed banners of Hell, there began to appear, in ones and twos, like the elongate shadows of fantastic grenadiers crenelated and plumed, the heads, the slender necks, the narrow shoulders, of a platoon of my father’s demimondaines; arriving late, they were taking the last seats at the upper rim of our theatre, encircling it like the soldiery of some ancient, bizarre government surrounding a treasonous mob.
They sat at last, my cue came, and I forgot them; and that is all I can now remember of our first performance, except that at one point some motion of mine suggested to the audience a mannerism of my father’s, and there was a shout of misplaced laughter—and that at the beginning of the second act, Sainte Anne rose with its sluggish rivers and great grassy meadowmeres clearly visible, flooding the audience with green light; and at the close of the third I saw my father’s crooked little valet bustling among the upper rows, and the girls, green-edged black shadows, filing out.
We produced three more plays that summer, all with some success, and David and Phaedria and I became an accepted partnership, with Phaedria dividing herself more or less equally between us—whether by her own inclination or her parents’ orders I could never be quite sure. When her ankle knit she was a companion fit for David in athletics, a better player of all the ball and racket games than any of the other gkls who came to the park; but she would as often drop everything and come to sit with me, where she sympathized with (though she did not actually share) my interest in botany and biology, and gossiped, and delighted in showing me off to her friends since my reading had given me a sort of talent for puns and repartee.
It was Phaedria who suggested, when it became apparent that the ticket money from our first play would be insufficient for the costumes and scenery we coveted for our second, that at the close of future performances the cast circulate among the audience to take up a collection; and this, of course, in the press and bustle easily lent itself to the accomplishment of petty thefts for our cause. Most people, however, had too much sense to bring to our theater, in the evening, in the gloomy park, more money than was required to buy tickets and perhaps an ice or a glass of wine during intermission; so no matter how dishonest we were the profit remained small, and we, and especially Phaedria and David, were soon talking of going forward to more dangerous and lucrative adventures.
At about this time, I suppose as a result of my father’s continued and intensified probing of my subconscious, a violent and almost nightly examination whose purpose was still unclear to me and which, since I had been accustomed to it for so long, I scarcely questioned, I became more and more subject to frightening lapses of conscious control. I would, so David and Mr Million told me, seem quite myself though perhaps rather more quiet than usual, answering questions intelligently if absently, and then, suddenly, come to myself, start, and stare at the familiar rooms, the familiar faces, among which I now found myself, perhaps after the mid-afternoon, without the slightest memory of having awakened, dressed, shaved, eaten, gone for a walk.
Although I loved Mr Million as much as I had when I was a boy, I was never able, after that conversation in which I learned the meaning of the familiar lettering on his side, quite to re-establish the old relationship. I was always conscious, as I am conscious now, that the personality I loved had perished years before I was born; and that I addressed an imitation of it, fundamentally mathematical in nature, responding as that personality might to the stimuli of human speech and action. I could never determine whether Mr Million is really aware in that sense which would give him the right to say, as he always has, “I think,” and “I feel.” When I asked him about it he could only explain that he did not know the answer himself, that having no standard of comparison he could not be positive whether his own mental processes represented true consciousness or not; and I, of course, could not know whether this answer represented the deepest meditation of a soul somehow alive in the dancing abstractions of the simulation, or whether it was merely triggered, a phonographic response, by my question.
Our theater, as I have said, continued through the summer and gave its last performance with the falling leaves drifting, like obscure, perfumed old letters from some discarded trunk, upon our stage. When the curtain calls were over we who had written and acted the plays of our season were too disheartened to do more than remove our costumes and cosmetics, and drift ourselves, with the last of our departing audience, down the whip-poorwill- haunted paths to the city streets and home. I was prepared, as I remember, to take up my duties at my father’s door, but that night he had stationed his valet in the foyer to wait for me, and I was ushered directly into the library, where he explained brusquely that he would have to devote the latter part of the evening to business and for that reason would speak to me (as he put it) early. He looked tired and ill, and it occurred to me, I think for the first time, that he would one day die—and that I would, on that day, become at once both rich and free.
What I said under the drugs that evening I do not, of course, recall, but I remember as vividly as I might if I had only this morning awakened from it, the dream that followed. I was on a ship, a white ship like one of those the oxen pull, so slowly the sharp prows make no wake at all, through the green water of the canal beside the park. I was the only crewman, and indeed the only living man aboard. At the stern, grasping the huge wheel in such a flaccid way that it seemed to support and guide and steady him rather than he it, stood the corpse of a tall, thin man whose face, when the rolling of his head presented it to me, was the face that floated in Mr Million’s screen. This face, as I have said, was very like my father’s, but I knew the dead man at the wheel was not he.
I was aboard the ship a long time. We seemed to be running free, with the wind a few points to port and strong. When I went aloft at night, masts and spars and rigging quivered and sang in the wind, and sail upon sail towered above me, and sail upon white sail spread below me, and more masts clothed in sails stood before me and behind me. When I worked on deck by day, spray wet my shirt and left tear-shaped spots on the planks which dried quickly in the bright sunlight.
I cannot remember ever having really been on such a ship, but perhaps, as a very small child, I was, for the sounds of it, the creaking of the masts in their sockets, the whistling of the wind in the thousand ropes, the crashing of the waves against the wooden hull were all as distinct, and as real, as much themselves, as the sounds of laughter and breaking glass overhead had been when, as a child, I had tried to sleep; or the bugles from the citadel which sometimes, then, woke me in the morning.
I was about some work, I do not know just what, aboard this ship. I carried buckets of water with which I dashed clotted blood from the decks, and I pulled at ropes which seemed attached to nothing—or rather, firmly tied to immovable objects still higher in the rigging. I watched the surface of the sea from bow and rail, from the mastheads, and from atop a large cabin amid ships, but when a starcrosser, its entry shields blinding-bright with heat, plunged hissing into the sea far offl reported it to no one.
And all this time the dead man at the wheel was talking to me. His head hung limply, as though his neck were broken, and the jerkings of the wheel he held, as big waves struck the rudder, sent it from one shoulder to the other, or back to stare at the sky or down. But he continued to speak, and the few words I caught suggested that he was lecturing upon an ethical theory whose postulates seemed even to him doubtful. I felt a dread of hearing this talk and tried to keep myself as much as possible toward the bow, but the wind at times carried the words to me with great clarity, and whenever I looked up from my work I found myself much nearer the stern, sometimes in fact almost touching the dead steersman, than I had supposed.
After I had been on this ship a long while, so that I was very tired and very lonely, one of the doors of the
