for this use with knowledge and power. And I think his promise may yet be fulfilled.'
He seemed to be glancing at something behind me. It was the oldest trick in the world, but I turned. There was no one there. Immediately, I spun back to face him.
He held the black dagger. It must have been up his sleeve. He lunged at me, thrusting, mouthing fresh incantations.
I stepped back and swirled my cloak at him. He disengaged himself, sidestepping and slashing, turned and advanced again. This time he came in low, trying to circle me, his lips still moving. I kicked at the knifehand, but he snapped it back. I caught up the left edge of my cloak then, wrapped it about my arm. When he struck again, I blocked the thrust and seized his biceps. Dropping lower as I drew him forward, I caught hold of his left thigh with my right hand, then straightened, raising him high in the air, and threw him.
As I turned my body, completing the throw, I realized what I had done. Too late. With my attention focused on my adversary I had not kept track of the rapid, grinding advance of the destroying winds. The edge of Chaos was much nearer than I had thought, and Melman had time for only the most abbreviated of curses before death took him where he would incant no more.
I cursed, too, because I was certain there was still more information that I could have gotten from him; and I shook my head, there at the center of my diminishing world. The day was not yet over and it was already my most memorable Walpurgisnacht ever.
CHAPTER 4
It was a long walk back. I changed my clothes on the way. My exit from the labyrinth took the form of a narrow alleyway between a pair of dirty brick buildings. It was still raining and the day had made its way into evening. I saw my parked car across the street at the edge of a pool of light cast by one of the unbroken streetlamps. I thought wistfully for a moment of my dry garments in the trunk, then I headed back toward the Brutus Storage sign.
A small light burned within the first-floor office, spilling a little illumination into the otherwise dark entranceway. I trudged on up the stairs, terminally moist and reasonably alert. The apartment door opened when I turned the knob and pushed. I switched on the light and entered, bolting the door behind me.
A quick prowl showed me that the place was deserted, and I changed out of my wet shirt into one from Melman's closet. His trousers were too big in the waist and a bit long for me, though. I transferred my Trumps to a breast pocket to keep them dry.
Step two. I began a systematic ransacking of the place.
After a few minutes, I came across his occult diary in a locked drawer in his bedside table. It was as messy as the rest of the place, with misspellings, crossed-out words, and a few beer and coffee stains. It seemed to contain a lot of derivative stuff mixed with the usual subjective business dreams and meditations. I flipped farther along in it, looking for the place where he'd met his master. I came to it and skimmed along. It was lengthy; and seemed mostly comprised of enthusiastic ejaculations over the workings of the Tree he had been given. I decided to save it for later and was about to stow it when a final riffling of the pages brought a brief poem into view. Swinburnian, overly allusive and full of rapture, the lines that first caught my eye were, '-the infinite shadows of Amber, touched with her treacherous taint.' Too much alliteration, but it was the thought that counted. It revived my earlier feeling of vulnerability and caused me to ransack faster. I suddenly wanted only to get out, get far away and think.
The room held no further surprises. I departed it, gathered an armload of strewn newspapers, carried them to the john, tossed them into the bathtub, and set fire to them, opening the window on the way out. I visited the sanctum then, fetched out the Tree of Life painting, brought it back and added it to the blaze. I switched aff the bathroom light and closed the door as I left. I'm one hell of an art critic.
I headed for the stacks of miscellaneous papers on the bookshelves then and began a disappointing search among them. I was halfway through my second heap when the telephone rang.
The world seemed to freeze as my thoughts sprinted. Of course. Today was the day when I was supposed to find my way here and be killed. Chances seemed decent that if it were going to happen it would -have happened by now. So this could well be S, calling to learn whether my obituary had been posted. I turned and located the phone, back on the shadowy wall near the bedroom. I had known immediately that I was going to answer it. Moving toward it, I was allowing two to three rings-twelve to eighteen seconds-in which to decide whether my response was to consist of a wisecrack, an insult and a threat, or whether I was going to try to fake it and see what I might learn. As satisfying as the former could be, spoilsport prudence dictated the latter course and also suggested I confine myself to low monosyllables and pretend to be injured and out of breath. I raised the receiver, ready to hear S's voice at last and find out whether I knew him.
'Yes?' I said.
'Well? Is it done?' came the response.
Damn pronoun. It was a woman. Wrong gender but a right sounding question. One out of two isn't bad, though. I exhaled heavily, then: 'Yeah.'
'What's the matter?'
'I'm hurt,' I croaked.
'Is it serious?'
'Think so. Got something-here-though. Better come-see.'
'What is it? Something of his?'
'Yeah. Can't talk. Getting dizzy. Come.'
I cradled the phone and smiled. I thought it very well played. I'd a feeling I'd taken her in completely.
I crossed the living room to the same chair I had occupied earlier, drew up one of the small tables bearing a large ashtray, seated myself, and reached for my pipe: Time to rest, cultivate patience, think a bit.
Moments later I felt a familiar, almost electrical tingling. I was on my feet in an instant, snatching up the ashtray, butts flying like bullets about me, cursing my stupidity yet again as I looked frantically about the room.
There! Before the red drapes, beside the piano. Taking form . . .
I waited for the full outline, then hurled the ashtray as hard as I could.
An instant later she was there-tall, russet-haired, darkeyed, holding what looked like a .38 automatic.
The ashtray hit her in the stomach and she doubled forward with a gasp.
I was there before she could straighten.
I jerked the gun out of her hand and threw it across the room. Then I seized both her wrists, spun her around and seated her hard in the nearest chair. In her left hand she still held a Trump. I snatched it away. It was a representation of this apartment, and it was done in the same style as the Tree and the cards in my pocket.
'Who are you?' I snarled.
'Jasra,' she spat back, 'dead man!'
She opened her mouth wide and her head fell forward. I felt the moist touch of her lips upon the back of my left forearm, which still held her own right wrist against the chair's arm. Seconds later I felt an excruciating pain there. It was not a bite, but rather felt as if a fiery nail had been driven into my flesh.
I let go her wrist and jerked my arm away. The movement was strangely slow, weakened. A cold, tingling sensation moved down into the hand and up along the arm. My hand dropped to my side and seemed to go away. She extricated herself easily from my grip, smiled, placed her fingertips lightly upon my chest and pushed.
I fell backward. I was ridiculously weak and I couldn't control my movements. I felt no pain when I struck the floor, and it was a real effort to turn my head to regard her as she rose to her feet.
'Enjoy it,' she stated. 'After you awaken, the remainder of your brief existence will be painful.'
She passed out of my line of sight, and moments later I heard her raise the telephone receiver.
I was certain she was phoning S, and I believed what she had just said.
At least, I would get to meet the mysterious artist . . .
Artist! I twitched the forgers of my right hand. They still functioned, albeit slowly. Straining every bit of will and anatomy that remained under my control, I tried then to raise the hand to my chest. The movement that
