But tonight I was back in the summer of my freshman year in college, July of 1957, deep in the Atchafalaya marsh, right after Hurricane Audrey had swept through southern Louisiana and killed over five hundred people in Cameron Parish alone. I worked offshore seismograph then, and the portable drill barge had just slid its iron pilings into the floor of a long, flat yellow bay, and the jugboat crew had dropped me off by a chain of willow islands to roll up a long spool of recording cable that was strung through the trees and across the sand spits and sloughs. The sun was white in the sky, and the humidity was like the steam that rises from a pot of boiled vegetables. Once I was inside the shade of the trees, the mosquitoes swarmed around my ears and eyes in a gray fog as dense as a helmet.

The spool and crank hung off my chest by canvas straps, and after I had wound up several feet of cable, I would have to stop and submerge myself in the water to get the mosquitoes off my skin or smear more mud on my face and shoulders. It was our fifth day out on a ten-day hitch, which meant that tonight the party chief would allow a crew boat to take a bunch of us to the levee at Charenton, and from there we'd drive to a movie in some little town down by Morgan City. As I slapped mosquitoes into a bloody paste on my arms and waded across sand bogs that sucked over my knees, I kept thinking about the cold shower that I was going to take back on the quarter-boat, the fried-chicken dinner that I was going to eat in the dining room, the ride to town between the sugarcane fields in the cooling evening. Then I popped out of the woods on the edge of another bay, into the breeze, the sunlight, the hint of rain in the south.

I dropped the heavy spool into the sand, knelt in the shallows, and washed the mud off my skin. One hundred yards across the bay, I saw a boat with a cabin moored by the mouth of a narrow bayou. A Negro man stepped off the bow onto the bank, followed by two white men. Then I looked again and realized that something was terribly wrong. One of the white men had a pistol in his hand, and the black man's arms were pinioned at his sides with a thick chain that had been trussed around his upper torso.

I stared in disbelief as the black man started running along a short stretch of beach, his head twisting back over his shoulder, and the man with the pistol took aim and fired. The first round must have hit him in the leg, because it crumpled under him as though the bone had been snapped in two with a hammer. He half rose to his feet, stumbled into the water, and fell sideways. I saw the bullets popping the surface around him as his kinky head went under. The man with the pistol waded after him and kept shooting, now almost straight down into the water, while the other white man watched from the bank.

I didn't see the black man again.

Then the two white men looked across the flat expanse of bay and saw me. I looked back at them, numbly, almost embarrassed, like a person who had opened a bedroom door at the wrong moment. Then they walked calmly back to their boat, with no sign of apprehension or urgency, as though I were not even worthy of notice.

Later, I told the party chief, the sheriff's department, and finally anybody who would listen to me, about what I had seen. But their interest was short-lived; no body was ever found in that area, nor was any black man from around there ever reported as missing. As time passed, I tried to convince myself that the man in chains had eluded his tormentors, had held his breath for an impossibly long time, and had burst to the surface and a new day somewhere downstream. At age nineteen I did not want to accept the possibility that a man's murder could be treated with the social significance of a hangnail that had been snipped off someone's finger.

At nine sharp the morning after I had stopped Elrod T. Sykes for drunk driving, a lawyer, not Elrod Sykes, was in my office. He was tall and had silver hair, and he wore a gray suit with red stones in his cuff links. He told me his name but it wouldn't register. In fact, I wasn't interested in anything he had to say.

'Of course, Mr. Sykes is at your disposal,' he said, 'and both he and I appreciate the courtesy which you extended to him last night. He feels very bad about what happened, of course. I don't know if he told you that he was taking a new prescription for his asthma, but evidently his system has a violent reaction to it. The studio also appreciates-'

'What is your name again, sir?'

'Oliver Montrose.'

I hadn't asked him to sit down yet. I picked up several paper clips from a small tin can on my desk and began dropping them one by one on my desk blotter.

'Where's Sykes right now, Mr. Montrose?'

He looked at his watch.

'By this time they're out on location,' he said. When I didn't respond, he shifted his feet and added, 'Out by Spanish Lake.'

'On location at Spanish Lake?'

'Yes.'

'Let's see, that's about five miles out of town. It should take no longer than fifteen minutes to drive there from here. So thirty minutes should be enough time for you to find Mr. Sykes and have him sitting in that chair right across from me.'

He looked at me a moment, then nodded.

'I'm sure that'll be no problem,' he said.

'Yeah, I bet. That's why he sent you instead of keeping his word. Tell him I said that, too.'

Ten minutes later the sheriff, with a file folder open in his hands, came into my office and sat down across from me. He had owned a dry-cleaning business and been president of the local Lions Club before running for sheriff. He wore rimless glasses, and he had soft cheeks that were flecked with blue and red veins. In his green uniform he always made me think of a nursery manager rather than a law officer, but he was an honest and decent man and humble enough to listen to those who had had more experience than he had.

'I got the autopsy and the photographs on that LeBlanc girl,' he said. He took off his glasses and pinched the red mark on the bridge of his nose. 'You know, I've been doing this stuff five years now, but one like this-'

'When it doesn't bother you anymore, that's when you should start to worry, sheriff.'

'Well, anyway, the report says that most of it was probably done to her after she was dead, poor girl.'

'Could I see it?' I said, and reached out my hand for the folder.

I had to swallow when I looked at the photographs, even though I had seen the real thing only yesterday. The killer had not harmed her face. In fact, he had covered it with her blouse, either during the rape or perhaps before he stopped her young heart with an ice pick. But in the fourteen years that I had been with the New Orleans Police Department, or during the three years I had worked off and on for the Iberia Parish sheriff's office, I had seen few cases that involved this degree of violence or rage against a woman's body.

Then I read through the clinical prose describing the autopsy, the nature of the wounds, the sexual penetration of the vagina, the absence of any skin samples under the girl's fingernails, the medical examiner's speculation about the moment and immediate cause of death, and the type of instrument the killer probably used to mutilate the victim.

'Any way you look at it, I guess we're talking about a psychopath or somebody wired to the eyes on crack or acid,' the sheriff said.

'Yeah, maybe,' I said.

'You think somebody else would disembowel a nineteen-year-old girl with a scalpel or a barber's razor?'

'Maybe the guy wants us to think he's a meltdown. He was smart enough not to leave anything at the scene except the ice pick, and it was free of prints. There weren't any prints on the tape he used on her wrists or mouth, either. She went out the front door of the jukejoint, by herself, at one in the morning, when the place was still full of people, and somehow he abducted her, or got her to go with him, between the front door and her automobile, which was parked only a hundred feet away.'

His eyes were thoughtful.

'Go on,' he said.

'I think she knew the guy.'

The sheriff put his glasses back on and scratched at the corner of his mouth with one fingernail.

'She left her purse at the table,' I said. 'I think she went outside to get something from her car and ran into somebody she knew. Psychopaths don't try to strongarm women in front of bars filled with drunk coonasses and oil-field workers.'

'What do we know about the girl?' I took my notebook out of the desk drawer and thumbed through it on top

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