said.
I looked at my watch and didn't answer. Gable lit a thin black cigar with a gold lighter and put the lighter in his shirt pocket.
'What a character,' he said, without identifying his reference. 'You and Purcel must have made quite a pair.'
'Please don't smoke at the table,' Bootsie said.
Gable looked straight ahead in the silence, a smile frozen on his mouth. He rotated the burning tip of his cigar in the ashtray until it was out, and picked up his wineglass and drank from it, his hand not quite hiding the flush of color in his neck.
From behind the caked makeup on her face, Cora Gable watched her husband's discomfort the way a hawk on a telephone wire might watch a rabbit snared in a fence.
After lunch, as our group moved through the dining room and out onto the gallery and front walk, the sheriff hung back and gripped my arm.
'What the hell was going on in there?' he whispered.
'I guess I never told you about my relationship with Jim Gable,' I said.
'You treated him like something cleaned out of a drainpipe,' he said.
'Go on?' I said.
But Jim Gable was not the kind of man who simply went away after being publicly corrected and humiliated. While Micah was helping Cora Gable into the back of the limo, Gable stopped me and Bootsie as we were about to walk back to our car.
'It was really good to see y'all,' he said.
'You'll see more of me, Jim. I guarantee it,' I said, and once again started toward our car.
'You look wonderful, Boots,' he said, and took her hand in his. When he released it, he let his fingers touch her wrist and trail like water down the inside of her palm. To make sure there was no mistaking the insult, he rubbed his thumb across her knuckles.
Suddenly I was standing inches from his face. The sheriff was out in the street and had just opened the driver's door of his cruiser and was now staring across the roof at us.
'Is there something wrong, Dave?' Gable asked.
'Would you like to have a chat over in the alley?' I said.
'You're a lot of fun,' he said, and touched my arm good-naturedly. 'Twenty-five years on the job and you spend your time chasing down pimps and whores and talking about it in front of your new mayor.' He shook the humor out of his face and lit another cigar and clicked his lighter shut. 'It's all right to smoke out here, isn't it?'
I went BACK to the office and spent most of the afternoon doing paperwork. But I kept thinking about Jim Gable. In A.A. we talk about putting principles before personalities. I kept repeating the admonition over and over to myself. Each time I did I saw Gable's fingers sliding across my wife's palm.
When the phone rang I hoped it was he.
'I thought I'd check in,' the voice of Johnny Remeta said.
'You have a thinking disorder. You don't check in with me. You have no connection with my life.'
'You know a New Orleans cop named Axel?'
'No.'
'When I was chained up in that car, that cop Bur-goyne, the one who got smoked? He kept telling that other cop not to worry, that Axel was gonna be on time. He said, 'No fuss, no muss. Axel's an artist.''
'What's that supposed to mean?'
'I found out Burgoyne partnered with a guy named Axel. He's a sharpshooter, the guy they use for, what do they call it, a barricaded suspect. He's got two or three kills.'
'Maggie Glick says you used to come to her bar.'
'I never heard of her. I don't even drink. Does everybody down here lie?'
'Don't call here again unless you want to surrender yourself. Do you understand that? Repeat my words back to me.'
'You saved my life. I owe you. It's a matter of honor, Mr. Robicheaux. You got a cell phone in case I can't reach you at home?'
After I'd hung up on him I punched in Clete's apartment number.
'You know anybody named Axel?' I asked.
'Yeah, Axel Jennings. He's Don Ritter's buddy, the one who hit me in the back of the head with a set of brass knuckles.'
'Johnny Remeta just called me again. Maybe Jennings is the shooter who did Burgoyne by mistake.'
'I've got some plans about this guy Jennings. Worry about Remeta. He's got you mixed up with his father or something.'
'What do you mean you've got plans for Jennings?' I asked.
'How about I take y'all to dinner tonight? Dave, Remeta's a head case. Ritter and Axel Jennings are windups. Don't lose the distinction.'
17
A STORM HAD MOVED into the Gulf and the morning broke gray and cool and shrouded with mist, then it begin to rain. I glanced out my office window and saw Passion Labiche get out of a car and step over the flooded curb and run up the front walk of the courthouse. Her hair and skin were shiny with water when she knocked on my office glass. Under her right arm she carried a scrapbook or photo album wrapped in a cellophane bag.
'You want to dry off?' I asked.
'I'm sorry for the way I talked to you at my house. I have days I don't feel too good,' she said.
'It's all right. How about some coffee?'
She shook her head. 'I found that picture of Ms. Deshotel. The one I told her about when she came to my club. It was in the attic. My parents kept all the pictures of the places they lived and visited.'
She sat down in front of my desk and took a handkerchief from her purse and touched at her face.
'Why'd you decide to bring it in?' I asked.
' 'Cause you axed about it. 'Cause you been good to us.'
Passion turned the stiff pages of the album to a large black-and-white photo taken in a nightclub. The bar mirror was hung with Santa sleighs and reindeer and Styrofoam snowballs, and a group of five people, including Passion's parents, sat on stools looking back at the camera, their drinks balanced on their knees, their faces glowing with the occasion.
Someone had inked 'Christmas, 1967' in the corner of the photo, but there was no mistaking Connie Deshotel. She was one of those women whose facial features change little with time and are defined by their natural loveliness rather than by age or youth. She wore a black, sequined evening dress with straps and a corsage, and her champagne glass was empty and tilted at an angle in her hand. She was smiling, but, unlike the others, at someone outside the picture.
'Why should this picture be important to anybody?' Passion asked.
'Your folks were in the life. Connie Deshotel is attorney general.'
'They owned three or four dance halls. All kinds of people came in there. The governor, Earl K. Long, used to go in there.'
'Can I keep the photo?'
She popped the glued edges loose from the backing and handed it to me. Her consciousness of its content, or any importance it might have, seemed to be already lost by the time I had taken it from her hand.
