Charm City

The song wasn't recognizable at first, not in this dirgelike incarnation. 'Thunder Road.' Tess actually heard a few hisses in the audience, which apparently considered itself too avant-garde for Springsteen, Wink's beloved Boss. But something about Crow's face, and the unadorned beauty of his voice, snuffed out the crowd's initial hostility.

Did Crow remember this was the song that had been playing on Wink's stereo the night he died? He had been so taken with the detail at the time, intent on discussing various suicide-suitable songs. Now everyone knew it hadn't been Wink's choice at all, but Jack Sterling's. A town full of losers, indeed. Baltimore did have a knack for memorable losses-the '69 Orioles, the '84 Colts, 1996's American League Championship series, stolen by a twelve-year-old Yankee fan with a big glove-but it made for a gracious city. Anyone could win with elan. Baltimore knew how to lose, and how to go on, still strangely hopeful.

His song done, Crow tried to leave the stage, but the audience insisted on an encore, stamping their feet until he returned.

'It never entered my mind,' he said. At first, Tess thought he was acknowledging the crowd's enthusiasm, but then he began to sing and she realized he had simply been announcing the song's title, one of her favorite Rodgers and Hart ballads. Men seldom sang it, given that it was impossible to make the kind of rhyming cheats necessary to change the gender of the song's forlorn lover, who worried about mudpacks and face powder.

Once, you warned me, that if you scorned me

I'd sing the maiden's prayer again

And wish that you were there again

To get into my hair again

It never entered my mind.

Crow shook his head until the long braid unraveled and his black hair fanned out around his shoulders. He looks like someone I know, Tess thought. Willie Nelson? No, it's me. That's me up there, singing about the mistake I made when I let him go. Does he know I feel that way? Or does he simply hope I feel that way? Or do I hope he hopes I feel that way?

The set over, she worked her way down front, not caring if she was just one of several women working their way toward Crow at this precise moment. Lovely young things crowded around him, falling back when they saw her. Apparently Maisie and Lorna hadn't gotten the news out that Tess no longer had any claim on Crow.

'Rodgers and Hart,' she said.

'It sank in.'

'I guess anything will, if you wait long enough.'

He shrugged noncommittally. This cool, taciturn Crow made her nervous, and she began babbling: 'I still have Esskay. Spike got out of the hospital, and he's okay-well, his leg bothers him, but he goes to therapy-but he let me keep her. Then Whitney sent me this birdhouse from Japan and it made me think-'

Crow stared at her. She had wanted him to be older, more mature. Now he was, thanks to her. She had hurt him into adulthood.

'I'm graduating,' he said at last. 'My parents are so thrilled, they've given me the money they put aside for next year's tuition. We-the band and I-are going to Texas. To Austin.'

'To Austin,' she repeated stupidly.

'I know, it's kind of a cliche, but at least people there still get excited about music.'

'For how long? I mean, how long will you be there?'

'I don't know.' He hesitated-Crow, who never thought about what he was going to say next, or how to say it, or how it might sound when he did say it. 'I might not like it, anyway.'

'Then where will you go?'

'I don't know.'

She cast around for something more to say, something that might shatter this stranger's mask and reveal the man she had known, the man she had loved without knowing she loved him, without knowing he was more of a man than the illusion of one she had desired.

'Crow-I made a mistake.'

Again, he thought before he said anything. 'Yes, you did.'

Tess wandered outside, where she briefly considered some Scarlett O'Hara histrionics: throwing herself to the ground with wracking sobs, then lifting a luminous tear-streaked face to the heavens, vowing to get him back tomorrow. But in this neighborhood, hurling one's body about in such a heedless fashion would only result in contact with a discarded needle or a broken bottle of Pabst Blue Ribbon. She sat down gingerly on the curb, wishing she had a drink or some chocolate. But there was nothing close at hand. Even the methadone was locked up securely for the night. Methadone, now there was a concept: a drug for life that blocked the effects of the drug you really yearned for. Were there such remedies for one's heart?

Now, if Feeney were here, he would have quoted poetry, pointing out there would be world enough and time, or that we must love one another or die. But Feeney was at home, sleeping the contented sleep of a reporter with a great story. Besides, as his good buddy Auden liked to say, poetry never made anything happen.

Kitty would have said something at once maddeningly wise and banal, the lover de nuit bobbing his head in dreamy agreement. Tyner would have recommended stepping up her workouts: no time for your heart to hurt while your muscles were sore. Spike would advise playing the odds.

And inscrutable Whitney was in scrutable Japan, where it was already tomorrow. Perhaps Tess should call her and find out what the next day held. No-she'd much rather be surprised.

About the Author

LAURA LIPPMAN was a newspaper reporter at the Baltimore Sun for fifteen years. Her Tess Monaghan novels-Baltimore Blues, Charm City, Butchers Hill, In Big Trouble, The Sugar House, and The Last Place-have won the Edgar, Agatha, Shamus, Anthony and Nero Wolfe awards, and her novel, In a Strange City, was named a New York Times Notable Book of the Year. Her latest standalone crime novel, Every Secret Thing, was published by William Morrow in September 2003.

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