Both men nodded, and took a step forward, except it was Napoleon who hesitated.
'Who's that?' he asked abruptly.
Francis and Big Black pivoted about, following Napoleon's glance.
They both saw the same thing, at the same moment. Another man had failed to get out of bed that morning. He had gone unnoticed in the attention Napoleon had drawn to Francis. The man lay motionless, a misshapen lump on a steel bunk.
'What the hell,' the huge attendant said, more irritated than anything else.
Francis stepped forward several paces, and saw who it was.
'Hey,' Big Black said loudly, but there was no response.
Francis took a deep breath and then walked across the dormitory room, angling between crowded beds, to the supine man's side.
It was the Dancer. The elderly man who'd been transferred into Amherst the day before. The retarded man's bunkmate.
Francis looked down and saw the man's rigid, stiff limbs. No more flowing, graceful motions listening to music only he could hear, Francis thought.
The Dancer's face was set hard, almost porcelain in appearance. His skin was white, as if he'd been made up to go onstage. His eyes were wide open, as was his mouth. He looked surprised, maybe even shocked, or even more, perhaps terrified at the death that had come for him that night.
Chapter 24
Peter the Fireman sat cross-legged on the steel bunk in the isolation cell, like a young and impatient Buddha eagerly awaiting enlightenment. He had slept little the previous night, although the padding on the walls and ceiling had muffled most of the sounds of the unit, save the occasional high-pitched scream or disconnected angry shout that emerged from one of the other rooms very much like the one he was confined within. These random cries meant as much to him as animal sounds that echoed through a forest after dark; they bore no obvious logic or purpose except for the person that uttered them. Midway through the long night, Peter had wondered whether the screams that he heard were actually happening, or were more likely sounds that had been issued sometime in the past by long-dead patients, and like radio beacons shot into space, were destined to reverberate through eternity into the darkness, never stopping, never ceasing and never finding a home. He felt haunted.
As daylight crept hesitantly into the cell through the small observation portal in the door, Peter pondered the bind he was in. He had no doubt that the offer from the Cardinal was sincere, although that was probably not the correct word, because sincerity didn't seem to have much to do with his situation. The offer simply required him to disappear. Walk away from all the tangible aspects of his life and vanish into a new existence. The only location where his home, his family, his past, would continue to live was in his memory. There would be no returning once he accepted the offer. Who he was, and what he had done, and why he had done it, were all to evaporate from the collective consciousness of the Boston Archdiocese, to be replaced by something new and shiny and with glistening spires that reached heavenward. In his own family, he'd be the brother who died under hushed circumstances, or the uncle who went away, never to return, and, as years passed, his family would come to believe whatever myth the Church helped to create, and who he had been would crumble away.
He assessed his alternatives: prison; MCI Bridgewater; maximum security; lockdowns and beatings. Probably for much of the rest of his life, because the considerable weight of the Archdiocese, which at this moment was pressuring prosecutors to allow him to vanish into a program in Oregon, would shift if he rejected the plan, and come down heavily on him. He knew there would be no other deals.
Peter could hear the distinctive clanging sound of a jail door being closed and hydraulic locks shutting with a whooshing noise. This made him smile, because he thought it about as close as he was likely to get to one of his friend C-Bird's hallucinations, only this one was uniquely his.
For a moment, he remembered poor Lanky, filled with fear and delusion, his grasp on the little life that the hospital provided him dropping away, turning and pleading with Peter and Francis to help him. He wished, in that second, that Lucy could have heard those cries. It seemed to him that throughout his entire life people had been calling to him for help and that every time he'd tried to come to their assistance, no matter how fine his intentions, something had always gone wrong.
Peter could hear some sounds from the corridor beyond the bolted door to the isolation cell, and there was a thudding noise of another door being opened, then slammed shut. He couldn't refuse the Cardinal's offer. And, he couldn't leave Francis and Lucy alone to face the Angel.
He understood, that however he managed it, he had to propel the investigation forward, as rapidly as possible. Time no longer allied itself with him.
Peter looked up at the locked door, as if he expected someone to open it right at that second. But there was no sound, not even from the restless corridor beyond, and he remained seated, trying to check his impatience, thinking that in some small way the situation he was in resembled his whole life. Everywhere he'd been, it was as if there was a locked door preventing him from moving freely.
So he waited for someone to come for him, dropping ever deeper into a canyon walled with contradictions, unsure whether he would be able to climb out.
'I see no apparent signs of foul play,' the medical director said stiffly, almost formally.
Doctor Gulptilil was standing next to the Dancer's body where it lay porcelain-toned and death-rigid on the bunk. Mister Evil was at his side, as were two other psychiatrists and a psychologist from other housing units. One of the men, Francis had learned, doubled as the hospital's pathologist, and he was bending closely over the Dancer, inspecting him cautiously. This physician was tall and slender, with a hawk nose and thick glasses and the nervous habit of clearing his throat before saying anything and nodding his head up and down so that his slightly unkempt shock of black hair bobbed, regardless whether he was agreeing or disagreeing. He had a clipboard, with a form on it, and he was taking some notes, jotting them down rapidly as Gulp-a-pill spoke.
'No signs of a beating,' Gulptilil said. 'No external signs of trauma. No obvious wounds of any note.'
'Sudden heart failure,' the vulturelike doctor said, head moving rapidly. 'I see from his records that he had been treated for a heart condition in the past couple of months.'
Lucy Jones was hovering just behind the doctors. 'Look at his hands,' she said abruptly. 'The nails are torn and bloody. Those could be defensive wounds.'
The doctors all turned to her, but it was Mister Evil that took it upon himself to respond. 'He was caught up in a fight yesterday, as you well know. Really, just a bystander who got drawn into it, when two men slammed into him. Not something he would have participated in, but he struggled to get free from the melee. I suspect that's how his nails were affected.'
'I suppose you would say the same about the scratches on his forearms?'
'Yes.'
'And the way the sheet and blanket are tangled around his feet?'
'Heart attack can be very fast and very painful and he might have twisted about for an instant before being overcome.'
The physicians all murmured in agreement. Gulp-a-pill turned to Lucy.
'Miss Jones,' he said, speaking slowly, patiently, which only underscored how impatient he truly was. 'Death, alas, is not uncommon in the hospital. This unfortunate gentleman was elderly and had been confined here for many years. He had suffered one heart attack in the past, and there is little doubt in my mind that the emotional stress of moving from Williams to Amherst in the past days, coupled with the fight he was caught up in through no fault of his own, and the debilitating effect of substantial courses of medications over the years, all had conspired to weaken his cardiovascular system further. A most normal, to be sure, and not remarkable death, here at Western State. I thank you for your observation…'
