'May I have his phone number?'
Jillian Becker held my gaze for a moment, then turned away and found Jack Ellis's number in her briefcase. I used the phone behind the bar, called Ellis at the hotel, told him what was going on and that I had been hired by Mr. Warren for Mr. Warren's personal security. Jillian Becker took the phone and confirmed it. Ellis had a thick, coarse voice that put him in his fifties. He said, 'What do the cops think about all this?'
'The cops don't know. Mr. Warren thinks they'd be bad for business.' When I said it Jillian Becker pursed her lips and went back to shuffling papers within the briefcase. Disapproving my tone of voice, no doubt.
Ellis said, 'You like that?'
'I think it's lousy.' More disapproval. The down-turned mouth. The posture. That kind of thing.
Ellis said, 'I'll bring in my night people. That'll be enough to cover the Angeles Room, where they're gonna be, follow him in and out, watch the kitchen and the hallways.' There was a pause. 'He didn't tell the cops, huh?'
'Bad for business. Also, too many unsightly cops might ruin the banquet.' Jillian Becker put the Cross pen down and looked at me with the cool eyes.
'Son of a bitch.'
'That's right.'
I hung up and looked at Jillian Becker looking at me. I smiled. 'Want to hear my Mel Gibson imitation?'
She said, 'If you knew more about Bradley, you wouldn't dislike him the way you do.'
'I don't know. I sort of like disliking him.'
'That's obvious. Either way, as long as you're in his employ, you might be more circumspect in sharing your feelings with fellow employees. It breeds discontent.'
'Discontent. How Upper Management.'
The nostrils tightened.
I said, 'I think he's behaving like a self-absorbed ass, and so do you.'
Her left eyebrow arched. 'However he's behaving, he's still my employer. I will treat him accordingly. So should you.' My country right or wrong.
Pretty soon Joe Pike came back, scrubbed and fresh and bright-eyed. It's never easy to tell if someone is bright-eyed when they're wearing sunglasses, but one makes certain assumptions.
He put his gym bag on the floor, then leaned with his back against the bar and his elbows up on the bar rail and stared out at infinity. 'You really know how to pick'm,' he said.
A little bit after that Bradley Warren came back resplendent in different shoes, and Sheila Warren came back smelling fresh and clean, and Mimi Warren came back looking and smelling pretty much the same, and we were all together. One big happy family. We trooped out to the limo, Bradley and Jillian and Sheila and me and Mimi and Pike, all single file. I broke into 'Whistle While You Work,' but no one got it. Pike might've got it, but he never tells. Bradley and Jillian took the forward-facing seat and Mimi and Sheila and I got the seat facing the rear, Sheila and Mimi on either side of me, Sheila sitting so that her leg was pressed against mine. Sheila said, 'Don't they have a bar in these damn things?' Everyone ignored her. Pike said something to the limo driver, then went over to his Jeep. Sheila Warren said, 'He's not coming with us?'
'Nope.'
'Mother fuck.'
Traffic was light. We went down Beverly Glen to Wilshire, then east. We stayed on Wilshire through Beverly Hills and past the La Brea tar pits with the full-sized models of the mammoths they have there and past MacArthur Park and into downtown L.A. until Wilshire ended at Grand. We went up to Seventh, then over on Broadway, and pulled up under the entrance of the New Nippon Hotel.
One thing you could say about Bradley Warren, he built a helluva hotel. The New Nippon was a thirty-two- story cylindrical column of metallic blue glass and snow-white concrete midway between Little Tokyo, Chinatown, and downtown L.A. There were dozens of limos and taxis and MBs and Jaguars. Suitcases were going in and out and doormen in red uniforms were whistling for the next taxi in line and guys I took to be tourists who looked like they made a lot of money were with tall slender women who looked like they cost a lot of money to keep up. None of them looked like gunsels or thugs or art thief-maniacs, but you can never be sure.
'You got a McDonald's in there?' I said.
Bradley Warren smiled at me.
Sheila Warren murmured, 'Piece of shit.'
We pulled to a stop by a clump of men and women who smiled as they watched the limo drive up. Two doormen trotted over, one with a lot of braid who was probably the boss, and opened the doors. Pike pulled up behind us, gave his keys to a parking attendant, and moved to stand by the lobby entrance twenty feet away.
The group of smiling people gathered around Bradley and congratulated him and said it was long deserved and didn't Sheila look lovely and wasn't Mimi getting pretty. Somebody took a photo. Sheila gave everyone an arc- light smile and draped herself on her husband's arm and looked adoring and proud and was everything he could have wanted her to be. She didn't look like she hated it or hated him or hated the goddamned building. Nancy Reagan would've been proud.
A square-faced guy in gray slacks and a blue blazer and a gold and yellow rep tie moved up to Jillian's elbow, said something, then the two of them moved over to me. He put out his hand. 'Jack Ellis. You Cole?'
'Yeah. Where'd you do your time?' Ellis wore
'You can tell, huh?'
'Sure.'
'Detroit.'
'Rough beat.'
Ellis nodded, pleased. 'Murder City, brother. Murder City.' Murder City. These cops.
We moved into the lobby and up an escalator to the mezzanine floor. The lower three floors were boutiques and travel agencies and bookstores and art galleries surrounding a lobby interior big enough to park the Goodyear blimp. There was a sign at the top of the escalator that read PACIFIC MEN'S CLUB LUNCHEON with ANGELES ROOM beneath it and an arrow pointing down a short corridor. People who looked like guests milled around and two overweight guys dressed like Ellis stood off to the side, looking like security. Ellis said, 'I've got eight people in for this. Two up here on the mezzanine, two more in the Angeles Room, two in the lobby, and two in the kitchen entrance behind the podium.'
Bradley and his knot of admirers continued along the corridor, passing the Angeles Room. I thought about saying something, but after all, it was their hotel. They should know where we were going.
I said, 'There any other halls or entrances off the Angeles Room besides the kitchen entrance?'
'The Blue Corridor. I got no people there because that's where we'll be. We wait in there and when they're ready for the show to start we can get into the Angeles Room from a side door.'
I nodded and looked at Jillian Becker. 'What's on the program?'
'It shouldn't take more than an hour and a half. First, lunch is served, then the president of the association makes a few introductory remarks, and then Bradley speaks for about fifteen minutes and we go home.'
We went through an unmarked door and along a sterile tile corridor and through another unmarked door and then we were in the Blue Corridor and then the Blue Room. Both the corridor and the room were blue. Four successful-looking Asian-American men were there, along with a tall black man and an older white guy with glasses and the mayor of Los Angeles. Everybody smiled and kissed Sheila's cheek and shook Bradley's hand. There was back-slapping and more photographs and everybody ignored Mimi. She stood to the side with her head down as if she were looking for lint on her dress.
I leaned close to her and whispered, 'How you doin'?'
She looked up at me the way you look at someone when they've said something that surprises you. I patted her shoulder and said softly, 'Stay close, kid. I'll take care of you.'
She gave me the serious goldfish face, then went back to staring at her dress.
'Hey, Mimi.'
She looked at me again.
'I think the dress looks great.'
Her mouth tightened and bent. A smile.
Jillian Becker came up behind me and tapped at her wrist. 'Ten minutes.'
'Maybe we should synchronize watches.'
