Jon Armstrong

GREY

For my parents, Carole and Russ Armstrong

One

Nora and I finished our fried whale and plum sandwiches, our cream coffees, and the cocoa and coca pastries, and sat in a comfortable silence as landscapes of buildings and millions of well-wishers whirred past the windows at six hundred kilometers per hour. Halfway on our train-date, after the conductor blew the massive, buzzing horn, and the waitresses in their black-and-yellow-striped honeybee uniforms, complete with dangerously sharp-looking stingers, cleared the dishes, Nora closed her right eye and gazed at me with her left; I, in turn, did the same, and it was like we were the perfect couple.

This was our fourth and last date before our marriage, and while the whole thing had been arranged between our parents to complete the merger of our families’ companies, I could not have imagined or wished for someone as wonderful as she. Standing just an inch below my six foot three, with shiny black hair, a light walnut complexion, and obsidian eyes, her features were wide and open like an innocent doll, but she was also intelligent and witty. Most impressive of all was that she, like myself, loved the fashion magazine Pure H. We quoted from it, dressed and struck poses like the models, and felt that we were just like the beautiful and tragic people of our dreams.

Two of her attendants, all in black, helped Nora from her chair and adjusted her clothes as she walked. Her long, grey, satellite-cotton coat had spherical metal buttons with craters exactly like the moon. Beneath her grey suit, her shirt had a high collar like mine, and the material looked so smooth it could have been made of fine powder. The cut and tailoring was impeccable, of course, as she worked with October 13th, the best woman’s tailor in the world.

Since the date took place on the inaugural voyage of a new, super-luxury Bee Train, which circled the Pacific Rim, Nora and I were obliged to tour all the cars with a camera crew. She seemed to enjoy the nature car best. And it was a calming space with its small trees, shrubs, and manicured lawn where sat an arrangement of lemon and lime chaise lounges. Before we exited, she stopped to pet one of the tigers, and I watched the gentle curve of her gloved fingers against the striped fur. Growing up, Nora had studied classical dance, and unlike the wild and useless gyrations of my youth, her training had given her a supple, athletic grace which permeated all her movements.

The way she stroked the beast, reminded me of just how elegant were her gestures. During our first date, in the city of Kong at the top of Convolution Tower before a thousand cameras and five oceans of lights, as we had sampled white rhinoceros tartar, black truffle sugar, and fugu tarts, it had been her grace which most impressed me. And later as I reviewed the recording, I watched her charcoal-gloved hands move like two elegant sea nettles undulating in warm ocean currents. When she held her wine glass, her spare pinky hovered effortlessly to the side; when picking up her silverware, her fingers curled around the metal slowly like miniature constricting snakes, and at the end of our date when she waved goodbye, she cupped her hands slightly, with her fingers together, arched, and tranquil.

During that first date, we just glanced at each other shyly. I had been nervous and not because of how many people were watching or what it meant to the companies, but because I knew I was in the presence of a rare person. We said not a word until moments before we began our post-date interviews. She leaned toward my ear and whispered, “Embellishments.” The breathiness and sexiness of her tone was one I hadn’t heard on any of the recordings I had reviewed prior to our date. I shivered. And her word—her single, perfect word—was luminous. Quoted from an ad in Pure H for a company that sold plutonium buttons, it read: Embellishments. A week of green rain.

The ad’s photoR6 is of a couple in identical charcoal frock coats, vests, and boots laying side by side in an elaborate garden of trimmed bushes and flowering poisonous lantana. Their dry eyes stare blankly. Their skin is ashen, and their lips, blue. Between them their hands are both upturned and yearning, but unconnected. Perhaps their rigor mortis caused their previously held hands to pull apart, but whatever it was, now the lovers are tragically separated by a fraction of an inch. My advisor had called the ad gloomy and morbid, but the way Nora said the word so sensually, emphasizing the bell syllable, made it evocative, even anticipatory.

The Bee Train began to decelerate and unfortunately that meant our date was ending. As our attendants gathered our things, and we pulled in the new station where Bee Train employees stood at attention all along the track, their striped uniforms forming what looked like a black-and-yellow staff of noteless music, Nora and I readied ourselves to meet the press.

We stepped before the doors as the train inched into place. Beyond the translucent cement walls of the station, I could see hordes of people filling the streets. All of our dates had been mobbed. In fact, our second, held in the desert metropolis of Seattlehama, forced the city to close down because so many tourists and fans had clogged the streets.

“I wasn’t sure about you,” she whispered.

Her hushed voice surprised me, and I was afraid she was saying something bad. “Sure about what?”

“Even in your grey suits,” she said, gazing at my chest, perhaps noting the fibers in my dark tie, taken from the bras of one hundred alcoholic teenage girls, “I figured you were still garish and loud.”

“No,” I said, wishing, as I often did, that my life had always been quiet and grey. “That was years ago.”

She smiled knowingly; then her expression turned cold. “But I had no idea how lonely you are.”

I felt exposed and broken. “I didn’t know either,” I said. “Until I met you.”

Her gaze circled my face as if studying me, judging the sincerity of my words. “What I want… ” she began slowly, her lips beginning to tremble, “is to be alone… alone with you.” She glanced away, and I saw her cheeks flush. “You?”

“Yes,” I said. “That’s exactly what I feel. From the first photo I saw of you… from the first report I read, I sensed that we were parts of each other.”

“I was afraid to meet you, at first.”

She hadn’t admitted to anything like that before. “Why?”

Swallowing, she said, “I was afraid of what you would mean. How you would change me and make me who I am.”

Her words were exactly my own feelings and I craved to touch her, to finally make contact with the surface of her body, but just as I raised my right hand toward her face, the train doors slid open, and the cool air of the station poured over us. Part of me wanted to slam them shut, take the controls of the train and head back to the wide circular track. We could live in constant motion, in the seclusion of the nature car, and never have to take another step in the rest of the world. But then I thought of a story in Pure H of a man who lived his whole life on a train. At eighty-three, when he is finally forced off, he stumbles on solid ground and cracks his skull.

“Will we?” she asked, so quietly I barely heard. “In this awful world, will we?”

She meant: Would we find silence, solitude, and love? I took her gloved hand in mine, inhaled her delicate sassafras, sandalwood, and ambergris. “We will,” I said, as I led us from the train. We walked past the bowing Bee Girls and the conductor in his three–foot-tall, blue-and-white-striped hat. Frankly, I was unhappy that our dates were so commercialized, but Father was hungry for any publicity angle and glad to take their cash. With a nod, I thanked him, and wished he and the Bee Train Corporation good luck with their launch.

Camera crews scurried around us as we made the too-long trek across the new glass and titanium station, christened, as it was, by our presence. At the atrium doors, we paused for just a second. The new station was quiet, hollow, and still, but beyond the doors, the stage, and the podium, we could see thousands of reporters and tens of thousands of fans waiting for our comments and post-date impressions.

Nora and I glanced at each other, and I thought I saw weariness in her. Once we were married, I told myself,

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