Like what?

You, for one thing, Mr. Blank.

Is that why she asked you to fill in for her this afternoon?

I think so.

I've had a pretty awful day so far, but finding her again has done me a lot of good. I don't know what I'd do without her.

She feels the same way about you.

Anna … But Anna what? I've spent hours trying to remember her last name. I think it begins with a B, but I can't get any further than that.

Blume. Her name is Anna Blume.

Of course! shouts Mr. Blank, striking his forehead with the palm of his left hand. What the hell is wrong with me? I've known that name all my life. Anna Blume. Anna Blume. Anna Blume …

Now Sophie is gone. The stainless steel cart is gone, the soup-splattered white shirt is gone, the wet and dirty clothes from the tub are gone, and once again, having taken a proper, uneventful pee in the bathroom with Sophie's help, Mr. Blank is alone, sitting on the edge of the narrow bed, palms spread out on his knees, head down, staring at the floor. He ponders the details of Sophie's recent visit, chastising himself for not having asked her any questions about the things that concern him most. Where he is, for example. Whether he is allowed to walk in the park without supervision. Where the closet is, if indeed there is a closet, and why he hasn't been able to find it. Not to mention the eternal enigma of the door—and whether it is locked from the outside or not. Why did he hesitate to bare his soul to her, he wonders, she who is nothing if not a sympathetic person who holds no grudge against him? Is it simply a question of fear, he asks himself, or does it have something to do with the treatment, the noxious, debilitating treatment that has slowly robbed him of the power to stand up for himself and fight his own battles?

Not knowing what to think, Mr. Blank shrugs, slaps his hands on his knees, and rises from the bed. Several seconds later, he is sitting at the desk, the ballpoint pen in his right hand, the little pad in front of him, opened to the first page. He searches the list for Anna's name, discovers it on the second line directly below James P. Flood, and prints out the letters B-l-u-m-e, thus changing the entry from Anna to Anna Blume. Then, because all the lines on the first page have been filled, he turns to the second page and adds two more entries to the list:

John Trause

Sophie

As he closes the pad, Mr. Blank is dumbfounded to realize that Trause's name returned to him with no effort at all. After so many struggles, so many failures to remember names and faces and events, he considers this to be a triumph of the first magnitude. He rocks back and forth in the chair to celebrate his accomplishment, wondering if the afternoon pills aren't responsible in some way for counteracting his memory loss of the previous hours, or if it isn't just a lucky fluke, one of those unexpected things that happen to us for no apparent reason. Whatever the cause, he decides to go on thinking about the story now, in anticipation of a visit from the doctor that evening, since Farr told him he would do everything possible to allow him to go on telling the story to the end—not tomorrow, when Mr. Blank will no doubt have forgotten the bulk of what he has recounted so far, but today. As the old man goes on tipping back and forth in the chair, however, his eyes fall upon the strip of white tape affixed to the surface of the desk. He has looked at that piece of tape no less than fifty or a hundred times during the course of the day, and each time he did so the white strip was clearly marked with the word DESK. Now, to his astonishment, Mr. Blank sees that it is marked with the word LAMP. His initial response is to think that his eyes have fooled him in some way, so he stops rocking back and forth in order to take a closer look. He leans forward, lowers his head until his nose is nearly touching the tape, and carefully studies the word. To his immense chagrin, he discovers that it still reads LAMP.

With a growing sense of alarm, Mr. Blank clambers out of the chair and begins shuffling around the room, stopping at each strip of white tape attached to an object in order to find out if any other words have been altered. After a thorough investigation, he is horrified to discover that not a single label occupies its former spot. The wall now reads CHAIR. The lamp now reads bathroom. The chair now reads DESK. Several possible explanations flare up in Mr. Blank's mind at once. He has suffered a stroke or brain injury of some kind; he has lost the ability to read; someone has played a nasty trick on him. But if he is the victim of a prank, he asks himself, who can be responsible for it? Several people have visited his room in the past few hours: Anna, Flood, Fair, and Sophie. He finds it inconceivable that either one of the women would have done such a thing to him. It's true, however, that his mind was elsewhere when Flood came in, and it's also true that he was in the bathroom flushing the toilet when Fair entered, but he can't imagine how either one of those men could have pulled off such an elaborate switching operation in the short period of time they were not in his field of vision—several seconds at most, scarcely any time at all. Mr. Blank knows that he is not in top form, that his mind is not working as well as it ought to, but he also knows that he is no worse now than he was when the day began, which would dispense with the stroke theory, and if he has lost the ability to read, how could he have made the two recent additions to his list of names? He sits down on the edge of the narrow bed and wonders if he didn't doze off for a few minutes after Sophie left the room. He doesn't remember having fallen asleep, but in the end that is the only explanation that makes sense. A fifth person entered the room, a person who was not Anna or Flood or Fair or Sophie, and switched the labels during Mr. Blank's brief, now forgotten plunge into oblivion.

An enemy is stalking the premises, Mr. Blank says to himself, perhaps several or many of them working in league with one another, and their only intention is to frighten him, to disorient him, to make him think he is losing his mind, as if they were trying to persuade him that the shadow-beings lodged in his head had transformed themselves into living phantoms, bodiless souls conscripted to invade his little room and cause as much havoc as possible. But Mr. Blank is a man of order, and he is offended by the childish mischief-making of his captors. From long experience, he has come to appreciate the importance of precision and clarity in all things, and during the years when he was sending out his charges on their various missions around the world, he always took great pains to write up his reports on their activities in a language that would not betray the truth of what they saw and thought and felt at each step along the way. It will not do, then, to call a chair a desk or a desk a lamp. To indulge in such infantile whimsy is to throw the world into chaos, to make life intolerable for all but the mad. Mr. Blank has not reached the point where he cannot identify objects that do not have their names affixed to them, but there is no question that he is in decline, and he understands that a day might come, perhaps soon, perhaps even tomorrow, when his brain will erode still further and it will become necessary for him to have the name of the thing on the thing in order for him to recognize it. He therefore decides to reverse the damage created by his unseen enemy and return each one of the scrambled labels to its proper spot.

The job takes longer to complete than he thinks it will, for Mr. Blank soon learns that the strips of tape on which the words have been written are endowed with almost supernatural powers of adhesion, and to peel one of them off the surface to which it is attached requires unstinting concentration and effort. Mr. Blank begins by using his left thumbnail to pry the first strip loose (the word wall, which has landed on the oak board at the foot of the bed), but no sooner does he manage to slide his nail under the lower right-hand corner of the tape than the tip of the nail snaps. He tries again with the nail of his middle finger, which is somewhat shorter and therefore less frangible, and diligently hacks away at the stubborn right-hand corner until enough tape has detached itself from the bed for Mr. Blank to put a small section between his thumb and middle finger and, tugging gently so as not to cause a tear, pull the whole strip from the oak board. A satisfying moment, yes, but one that has required a good two minutes of laborious preparation. Considering that there are twelve strips of tape to be removed in all, and considering that Mr. Blank breaks three more fingernails in the process (thus diminishing the number of usable fingers to six), the reader will understand why it takes him more than half an hour to finish the job.

These strenuous activities have worn out Mr. Blank, and instead of pausing to look around the room and admire his work (which, however small and insignificant it might appear to be, is for him nothing short of a symbolic undertaking to restore harmony to a broken universe), he shuffles off into the bathroom to rinse the sweat from his face. The old dizziness has returned, and he clutches the sink with his left hand as he splashes water onto himself with his right. By the time he turns off the spigot and begins to reach for a towel, he is suddenly feeling worse,

Вы читаете Travels in the Scriptorium
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