'Don't excite yourself,' he said, with a sullen suppression of the mocking manner in which he had spoken thus far.
Mr. Bashwood sat down again, and passed his handkerchief over his forehead. 'No,' he said, nodding and smiling at his son. 'No, no—no excitement, as you say—I can wait now, Jemmy; I can wait now.'
He waited with immovable patience. At intervals, he nodded, and smiled, and whispered to himself, 'Something to frighten Mr. Armadale in
Bashwood the younger finished his breakfast slowly, out of pure bravado; lit a cigar with the utmost deliberation; looked at his father, and, seeing him still as immovably patient as ever, opened the black bag at last, and spread the papers on the table.
'How will you have it?' he asked. 'Long or short? I have got her whole life here. The counsel who defended her at the trial was instructed to hammer hard at the sympathies of the jury: he went head over ears into the miseries of her past career, and shocked everybody in court in the most workman-like manner. Shall I take the same line? Do you want to know all about her, from the time when she was in short frocks and frilled trousers? or do you prefer getting on at once to her first appearance as a prisoner in the dock?'
'I want to know all about her,' said his father, eagerly. 'The worst, and the best—the worst particularly. Don't spare my feelings, Jemmy—whatever you do, don't spare my feelings! Can't I look at the papers myself?'
'No, you can't. They would be all Greek and Hebrew to you. Thank your stars that you have got a sharp son, who can take the pith out of these papers, and give it a smack of the right flavor in serving it up. There are not ten men in England who could tell you this woman's story as I can tell it. It's a gift, old gentleman, of the sort that is given to very few people—and it lodges here.'
He tapped his forehead smartly, and turned to the first page of the manuscript before him, with an unconcealed triumph at the prospect of exhibiting his own cleverness, which was the first expression of a genuine feeling of any sort that had escaped him yet.
'Miss Gwilt's story begins,' said Bashwood the younger, 'in the market-place at Thorpe Ambrose. One day, something like a quarter of a century ago, a traveling quack doctor, who dealt in perfumery as well as medicines, came to the town with his cart, and exhibited, as a living example of the excellence of his washes and hair-oils and so on, a pretty little girl, with a beautiful complexion and wonderful hair. His name was Oldershaw. He had a wife, who helped him in the perfumery part of his business, and who carried it on by herself after his death. She has risen in the world of late years; and she is identical with that sly old lady who employed me professionally a short time since. As for the pretty little girl, you know who she was as well as I do. While the quack was haranguing the mob and showing them the child's hair, a young lady, driving through the marketplace, stopped her carriage to hear what it was all about, saw the little girl, and took a violent fancy to her on the spot. The young lady was the daughter of Mr. Blanchard, of Thorpe Ambrose. She went home, and interested her father in the fate of the innocent little victim of the quack doctor. The same evening, the Oldershaws were sent for to the great house and were questioned. They declared themselves to be her uncle and aunt—a lie, of course!—and they were quite willing to let her attend the village school, while they stayed at Thorpe Ambrose, when the proposal was made to them. The new arrangement was carried out the next day. And the day after that, the Oldershaws had disappeared, and had left the little girl on the squire's hands! She evidently hadn't answered as they expected in the capacity of an advertisement, and that was the way they took of providing for her for life. There is the first act of the play for you! Clear enough, so far, isn't it?'
'Clear enough, Jemmy, to clever people. But I'm old and slow. I don't understand one thing. Whose child was she?'
'A very sensible question. Sorry to inform you that nobody can answer it—Miss Gwilt herself included. These Instructions that I'm referring to are founded, of course, on her own statements, sifted by her attorney. All she could remember, on being questioned, was that she was beaten and half starved, somewhere in the country, by a woman who took in children at nurse. The woman had a card with her, stating that her name was Lydia Gwilt, and got a yearly allowance for taking care of her (paid through a lawyer) till she was eight years old. At that time, the allowance stopped; the lawyer had no explanation to offer; nobody came to look after her; nobody wrote. The Oldershaws saw her, and thought she might answer to exhibit; and the woman parted with her for a trifle to the Oldershaws; and the Oldershaws parted with her for good and all to the Blanchards. That's the story of her birth, parentage, and education! She may be the daughter of a duke, or the daughter of a costermonger. The circumstances may be highly romantic, or utterly commonplace. Fancy anything you like—there's nothing to stop you. When you've had your fancy out, say the word, and I'll turn over the leaves and go on.'
'Please to go on, Jemmy—please to go on.'
'The next glimpse of Miss Gwilt,' resumed Bashwood the younger, turning over the papers, 'is a glimpse at a family mystery. The deserted child was in luck's way at last. She had taken the fancy of an amiable young lady with a rich father, and she was petted and made much of at the great house, in the character of Miss Blanchard's last new plaything. Not long afterward Mr. Blanchard and his daughter went abroad, and took the girl with them in the capacity of Miss Blanchard's little maid. When they came back, the daughter had married, and become a widow, in the interval; and the pretty little maid, instead of returning with them to Thorpe Ambrose, turns up suddenly, all alone, as a pupil at a school in France. There she was, at a first-rate establishment, with her maintenance and education secured until she married and settled in life, on this understanding—that she never returned to England. Those were all the particulars she could be prevailed on to give the lawyer who drew up these instructions. She declined to say what had happened abroad; she declined even, after all the years that had passed, to mention her mistress's married name. It's quite clear, of course, that she was in possession of some family secret; and that the Blanchards paid for her schooling on the Continent to keep her out of the way. And it's equally plain that she would never have kept her secret as she did if she had not seen her way to trading on it for her own advantage at some future time. A clever woman, as I've told you already! A devilish clever woman, who hasn't been knocked about in the world, and seen the ups and downs of life abroad and at home, for nothing.'
'Yes, yes, Jemmy; quite true. How long did she stop, please, at the school in France?'
Bashwood the younger referred to the papers. 'She stopped at the French school,' he replied, 'till she was seventeen. At that time something happened at the school which I find mildly described in these papers as 'something unpleasant.' The plain fact was that the music-master attached to the establishment fell in love with Miss Gwilt. He was a respectable middle-aged man, with a wife and family; and, finding the circumstances entirely hopeless, he took a pistol, and, rashly assuming that he had brains in his head, tried to blow them out. The doctor saved his life, but not his reason; he ended, where he had better have begun, in an asylum. Miss Gwilt's beauty having been at the bottom of the scandal, it was, of course, impossible—though she was proved to have been otherwise quite blameless in the matter—for her to remain at the school after what had happened. Her 'friends' (the Blanchards) were communicated with. And her friends transferred her to another school; at Brussels, this time—What are you sighing about? What's wrong now?'
'I can't help feeling a little for the poor music-master, Jemmy. Go on.'
'According to her own account of it, dad, Miss Gwilt seems to have felt for him too. She took a serious turn;
