Armadale

'The next, and last, perplexity to settle relates, my dear, to the chances for and against your finding your way, in the capacity of governess, into Major Milroy's house. Once inside the door, with your knowledge of music and languages, if you can keep your temper, you may be sure of keeping the place. The only doubt, as things are now, is whether you can get it.

'In the major's present difficulty about his daughter's education, the chances are, I think, in favor of his advertising for a governess. Say he does advertise, what address will he give for applicants to write to?

'If he gives an address in London, good-by to all chances in your favor at once; for this plain reason, that we shall not be able to pick out his advertisement from the advertisements of other people who want governesses, and who will give them addresses in London as well. If, on the other hand, our luck helps us, and he refers his correspondents to a shop, post-office, or what not at Thorpe Ambrose, there we have our advertiser as plainly picked out for us as we can wish. In this last case, I have little or no doubt—with me for your reference—of your finding your way into the major's family circle. We have one great advantage over the other women who will answer the advertisement. Thanks to my inquiries on the spot, I know Major Milroy to be a poor man; and we will fix the salary you ask at a figure that is sure to tempt him. As for the style of the letter, if you and I together can't write a modest and interesting application for the vacant place, I should like to know who can?

'All this, however, is still in the future. For the present my advice is, stay where you are, and dream to your heart's content, till you hear from me again. I take in The Times regularly, and you may trust my wary eye not to miss the right advertisement. We can luckily give the major time, without doing any injury to our own interests; for there is no fear just yet of the girl's getting the start of you. The public reception, as we know, won't be ready till near the end of the month; and we may safely trust young Armadale's vanity to keep him out of his new house until his flatterers are all assembled to welcome him.

'It's odd, isn't it, to think how much depends on this half-pay officer's decision? For my part, I shall wake every morning now with the same question in my mind: If the major's advertisment appears, which will the major say— Thorpe Ambrose, or London?

'Ever, my dear Lydia, affectionately yours,

'MARIA OLDERSHAW.'

II. ALLAN AS A LANDED GENTLEMAN.

Early on the morning after his first night's rest at Thorpe Ambrose, Allan rose and surveyed the prospect from his bedroom window, lost in the dense mental bewilderment of feeling himself to be a stranger in his own house.

The bedroom looked out over the great front door, with its portico, its terrace and flight of steps beyond, and, further still, the broad sweep of the well-timbered park to close the view. The morning mist nestled lightly about the distant trees; and the cows were feeding sociably, close to the iron fence which railed off the park from the drive in front of the house. 'All mine!' thought Allan, staring in blank amazement at the prospect of his own possessions. 'Hang me if I can beat it into my head yet. All mine!'

He dressed, left his room, and walked along the corridor which led to the staircase and hall, opening the doors in succession as he passed them.

The rooms in this part of the house were bedrooms and dressing-rooms, light, spacious, perfectly furnished; and all empty, except the one bed-chamber next to Allan's, which had been appropriated to Midwinter. He was still sleeping when his friend looked in on him, having sat late into the night writing his letter to Mr. Brock. Allan went on to the end of the first corridor, turned at right angles into a second, and, that passed, gained the head of the great staircase. 'No romance here,' he said to himself, looking down the handsomely carpeted stone stairs into the bright modern hall. 'Nothing to startle Midwinter's fidgety nerves in this house.' There was nothing, indeed; Allan's essentially superficial observation had not misled him for once. The mansion of Thorpe Ambrose (built after the pulling down of the dilapidated old manor-house) was barely fifty years old. Nothing picturesque, nothing in the slightest degree suggestive of mystery and romance, appeared in any part of it. It was a purely conventional country house—the product of the classical idea filtered judiciously through the commercial English mind. Viewed on the outer side, it presented the spectacle of a modern manufactory trying to look like an ancient temple. Viewed on the inner side, it was a marvel of luxurious comfort in every part of it, from basement to roof. 'And quite right, too,' thought Allan, sauntering contentedly down the broad, gently graduated stairs. 'Deuce take all mystery and romance! Let's be clean and comfortable, that's what I say.'

Arrived in the hall, the new master of Thorpe Ambrose hesitated, and looked about him, uncertain which way to turn next.

The four reception-rooms on the ground-floor opened into the hall, two on either side. Allan tried the nearest door on his right hand at a venture, and found himself in the drawing-room. Here the first sign of life appeared, under life's most attractive form. A young girl was in solitary possession of the drawing-room. The duster in her hand appeared to associate her with the domestic duties of the house; but at that particular moment she was occupied in asserting the rights of nature over the obligations of service. In other words, she was attentively contemplating her own face in the glass over the mantelpiece.

'There! there! don't let me frighten you,' said Allan, as the girl started away from the glass, and stared at him in unutterable confusion. 'I quite agree with you, my dear; your face is well worth looking at. Who are you? Oh, the housemaid. And what's your name? Susan, eh? Come! I like your name, to begin with. Do you know who I am, Susan? I'm your master, though you may not think it. Your character? Oh, yes! Mrs. Blanchard gave you a capital character. You shall stop here; don't be afraid. And you'll be a good girl, Susan, and wear smart little caps and aprons and bright ribbons, and you'll look nice and pretty, and dust the furniture, won't you?' With this summary of a housemaid's duties, Allan sauntered back into the hall, and found more signs of life in that quarter. A man-servant appeared on this occasion, and bowed, as became a vassal in a linen jacket, before his liege lord in a wide-awake hat.

'And who may you be?' asked Allan. 'Not the man who let us in last night? Ah, I thought not. The second footman, eh? Character? Oh, yes; capital character. Stop here, of course. You can valet me, can you? Bother valeting me! I like to put on my own clothes, and brush them, too, when they are on; and, if I only knew how to black my own boots, by George, I should like to do it! What room's this? Morning-room, eh? And here's the dining-room, of course. Good heavens, what a table! it's as long as my yacht, and longer. I say, by-the-by, what's your name? Richard, is it? Well, Richard, the vessel I sail in is a vessel of my own building! What do you think of that? You look to me just the right sort of man to be my steward on board. If you're not sick at sea—oh, you are sick at sea? Well, then, we'll say nothing more about it. And what room is this? Ah, yes; the library, of course—more in Mr. Midwinter's way than mine. Mr. Midwinter is the gentleman who came here with me last night; and mind this, Richard, you're all to show him as much attention as you show me. Where are we now? What's this door at the back? Billiard-room and smoking-room, eh? Jolly. Another door! and more stairs! Where do they go to? and who's this coming up? Take your time, ma'am; you're not quite so young as