The Million-Dollar Wound

tomorrow. Back on the war-plant circuit. I can find what I need in any town I want. All I got to do is find a new doctor each time-they’ll give it to me. They know who I am, they’ll trust me. They know I’m traveling with a Navy party on this tour…they got no reason to think I’m looking for anything but just one shot of morphine for a malaria flare-up.”

“Sure,” I said. “That’ll work. And when you run out of doctors, you can go back to the street, to the pushers. But not here. Not in Chicago.”

“Nate… I live here.”

“You used to. Maybe you better move to Hollywood with your movie-star wife. You can go make your connection out there. I can’t stop that.”

“Nate! What are you doing to me?”

“What are you doing to yourself?”

“I’ll get past this.”

“That’s a good idea. Get past it. Get some help. Kick this thing.”

He screwed his face up, sweat still beading his brow. “You know what the papers’ll do with this? Look what happened to D’Angelo-all that poor bastard did was write some love letters, and they ruined him.”

I shrugged. “I talked to him a couple of days ago. He’s fine. They’re fitting him a leg. He’ll be working someplace, before you know it. He understands that this thing we went through, we got to put it behind us. You got to put the Island behind you, too, Barney.”

He was almost crying, now. “How could I ever face people? How can I tell Cathy? What would Ma say, and my brothers and my friends? What…what would Rabbi Stein think? Barney Ross, the kid from the ghetto who became champ, the guy they call a war hero and the idol of kids, a sickening, disgusting dope addict! The shame of it, Nate. The shame…”

I got up from behind the desk and put a hand on his shoulder. “You got to do it, Barney. You got to check in someplace and take the cure. You can keep the publicity down to a minimum if you go into a private sanitarium, you know.”

“I… I hear the best place is the government hospital at Lexington. But then everybody’d know…”

“They’d understand. People know what we went through. They don’t understand the extent of it. But they’ll forgive you.”

“I don’t know, Nate.”

“You could start with forgiving yourself.”

“What…what do you mean?”

“For killing Monawk.”

He looked up at me, the tragic brown eyes managing to hold still long enough to lock mine. “You…you know?”

“Yeah.”

He looked away. “H-how long have you known?”

“A little over a month. The night some people broke into my office, it was. Like you, I’d been having nightmares. I dreamed I killed him myself, in one, that night. But when I woke up, I knew I hadn’t. After I thought about it, though, I knew why I’d dreamed that-you killing that poor son of a bitch was the same as me killing him. It was as hard for me to accept, to live with, as if I’d done it myself. That’s why I blocked it, pal. You been sticking a needle in your arm to forget. I managed to forget without any help.”

He was shaking his head. “God, God. I didn’t mean to.”

I squeezed his shoulder. “I know you didn’t. He was screaming, giving us away; you had the forty-five in your hand, and you put a hand over his mouth like you did before, only this time the gun just went off. It was an accident.”

“But I killed him, Nate.”

“Not really. The war killed him. You were trying to save all us poor wounded bastards, him included.”

“I didn’t know anybody else saw it happen.”

“I don’t think anybody did, but me. We were all hurting so bad we were floating in and out of it. But if anybody did, they’ll never say a word.”

He was looking at the floor. “I… I should have reported it. Admitted it. I let them hang this hero shit on me…what kind of man would do that?”

“That’s just it. You’re just a man, Barney. And fuck, you were a hero that night. I wouldn’t be here if you hadn’t been.”

“I killed him. I kill him over and over in my dreams…”

“The dreams will pass.”

“You shouldn’t have done it, Nate. You shouldn’t have cut off my supply.”

I patted the shoulder. “Someday you’re going to have to learn to live with it. Until that time, go on from town to town selling bonds by day, and scrounging up your fix by night. But don’t do it in Chicago.”

“This is my hometown, Nate-my family’s here…”

“They’ll be here when you decide to come back, too. And so will I.”

He stood, shakily. “I know you did this out of friendship…but it was still wrong…”

“No it wasn’t,” I said.

He and his voodoo cane stumbled out of the inner office; I didn’t help him.

“You might try the abortionist across the hall,” I said.

“You bastard,” he said. But some of the old fight was in his eyes. Barney was still in there, somewhere, in that shell. Someday maybe he’d crawl out.

Barney wasn’t the only local boy to make it big in the papers as a war hero. There was also E. J. O’Hare’s son, “Butch”-a.k.a. Lieutenant Commander Edward Henry O’Hare, a combat pilot who in 1942 received the Congressional Medal of Honor for shooting down five Jap bombers. He died in aerial combat in 1943, and in ’49, Chicago’s International Airport was renamed O’Hare, honoring the son of the proud father who had died eight years earlier, in combat of another sort.

Antoinette Cavaretta, Mrs. Frank Nitti, looked after her stepson well. She managed her late husband’s finances, battling (and winning) various IRS assaults; and she continued receiving payments from an Outfit source, namely her old Sportsman’s Park crony Johnny Patton. In 1955 she requested mob banker Moe Greenberg turn over the capital of a trust fund Frank had set up for his boy Joe. The boy was twenty-one, now, and it only seemed fair. Greenberg refused. The Outfit sided with Mrs. Nitti. Moe Greenberg turned up dead on December 8, 1955.

The boy, Joseph, grew up to be a successful businessman.

Les Shumway, incidentally, was still working at Sportsman’s Park as late as the early sixties. How his charmed life extended beyond Nitti’s death, I never knew; perhaps the widow Nitti’s fine hand was at work there as well.

As for the others, many are dead, of course. Jack Barger, in ’59, having branched out from burlesque into pioneering the drive-in movie business. Johnny Patton. Stege. Goldstone. Campagna. Wyman. Sapperstein. Sally. Eliot. When you get to my age, such lists grow long; they end only when your own name is at the bottom-and you’re not alive to put it there, so what the hell.

Pegler had quite a run, for the ten years following the Pulitzer he won for the Browne/Bioff expose. But he grew even more arrogant, once he’d been legitimized by the prize. His anti-Semitism, his hatred for the Roosevelts, his blasts at the unions, at “Commies,” became an embarrassment. His offkilter opinionated writing grew increasingly self-destructive, until finally he met his downfall when he libeled his old friend Quentin Reynolds. In the 1954 court battle, Louis Nizer-your classic New York Jew liberal lawyer-skewered him; it was never the same after that. By the end-June 1969-he’d lost his syndicated column and was reduced to contributing monthly ramblings to a John Birch Society publication.

Montgomery, of course, continued to star in motion pictures through the late forties; but he began directing, as well, and was a pioneer in the early days of TV. His interest in politics and social concerns never abated; he was the first TV media adviser to a U.S. president (Eisenhower) and was a vocal critic of the abuses of network TV, being an early advocate of public television. He also continued to be outspoken on the subject of the mob’s influence on Hollywood; his Chicago contact in such matters was Bill Drury.

Bill waged his war against the mob for the rest of his short life, despite largely trumped-up charges of