missing Bob a great deal, he was very excited about working with such an enchanting Frenchman.
On the day of the proposed trip to the Palace, so many builders’ lorries and cars belonging to outraged planning officers were already whizzing in and out of Valhalla that the Fancy Fish frozen foods van slipped through the gates unnoticed. Famed for his cheeky, cheery manner, which could sell shellfish a la King to a barmitzvah party, Terry, the Fancy Fish rep, had long had designs on Valhalla, particularly now rumours were spreading of a film crew rolling up at the end of March.
Harriet Bussage, Rannaldini’s PA, had tipped Terry off that Sir Roberto was in rare residence. On his way to make his pitch Terry decided to pop into Bussage’s cottage, which nestled in a copse half-way up Valhalla’s drive, to deliver a cardboard box of sole Veronique as a thank-you present. Loading up other boxes, in case Bussage was tempted to place an order (Terry never missed a sales opportunity), he was just admiring the snowdrops and aconites in her little garden when he heard a male voice, sepulchral and terrifying:
‘How dare you spell Spinosissimo wrong!’ followed by a great thwack and a shriek.
‘I’m sorry, Maestro.’ It was a woman’s voice now, quavering, pleading. ‘Please don’t hurt me.’
‘How dare you put a comma in that letter to Lord Gowrie, when I dictated a semi-colon,’ intoned the man’s voice.
More thwacks were followed by even more piercing shrieks:
‘Punish me, Maestro, I’m so sorry.’
Rushing to the rescue through the back door, Terry froze with shock. A naked Miss Bussage was spread- eagled face down on the kitchen table, with wrists and ankles strapped to each wooden leg.
Beside her, an equally naked Rannaldini, with an erection rivalling the tower of Pisa, was laying into her reddening but surprisingly trim bottom with a hunting whip. Watching them with indifference was a large fluffy white cat.
Next moment sole Veronique, garlic king prawns, not to mention jumbo crispy cod fingers, destined for Little Cosmo, went flying all over the kitchen and Terry had fled.
‘It was the bleedin’ excitement on their faces fixed me,’ he told his wife that evening.
Five minutes later, Meredith and Tristan, having enjoyed a merry champagne brunch at the Heavenly Host, bounced into Bussage’s parlour to find Rannaldini, immaculate in a pinstripe suit and shocking pink tie, autographing a pile of photographs.
‘Helen said you were here,’ giggled Meredith. ‘The helicopter’s waiting. What the hell did you do to that sweet Fancy Fish man? He’s just taken the side off Tristan’s flash car.’
Booked in for a two-hour trip round the state rooms, which was all the time Rannaldini could spare, they lunched beforehand at Green’s in Bury Street. Over oysters, lobster and Sancerre, they decided they needed ideas for the Great Hall, which was going to be turned into Philip II’s bedroom. They also required a set, probably the Summer Drawing Room, into which Philip summoned Carlos from the polo field for a pep talk. This was a duet composed by Rannaldini, so he didn’t want a too-spectacular decor to distract people from his music. But they could go to town on the state room in which Philip had his great political debate with Posa, which had only been written by Verdi. For this Rannaldini had evil designs on Helen’s Blue Living Room.
Arriving at the Palace, Meredith commandeered the red guidebook. ‘That’s the arch through which diplomats and heads of state enter,’ he announced, as they peered down into the pink-gravelled quadrangle.
‘Her Majesty lives on the opposite side,’ said Rannaldini, pointing to a dark blue door.
‘Why don’t you give her a bell?’ suggested Meredith. ‘Ask if we can pop in for a brandy. You must have met her when she gave you your K.’
‘And on many other occasions,’ said Rannaldini icily. ‘Anyway,’ he added, looking up at the empty flagpole, ‘she is not in residence.’
‘“In 1826 George IV chose John Nash to design a new palace,”’ read out Meredith, ‘“but he was hampered by a chronic lack of funds.” Nash
Tristan was gazing up at the lion-coloured columns of the ambassadors’ entrance.
‘The English stole the idea for that double portico from the Louvre,’ he grumbled. ‘They steal all our decent ideas.’
‘Well, we won both of those,’ Meredith waved the guidebook at two panels celebrating the battles of Trafalgar and Waterloo, ‘so boo sucks.’
‘Weeth a little help from the Germans,’ said Rannaldini crushingly. ‘Now concentrate. Not now,’ he snarled, as a group of middle-aged tourists tiptoed up reverently in the hope of an autograph.
Meredith was disappointed the tour didn’t include the ballroom. ‘You’re only admitted’, announced Rannaldini pompously, ‘if you’re getting a decoration.’
‘Get you,’ said Meredith, who was now busily sketching a grand staircase, which unfurled like the frill round a golden wedding cake.
Tristan, lost in thought, was admiring a lovely marble of a lurcher having a thorn removed from its paw by Diana the huntress. He must find a postcard to send to Lucy Latimer. Thank God he’d booked her to do the make-up and to calm Hermione and Chloe when filming started. There were dogs in every painting too, which meant he’d have to include lots in the film. Dogs, he reflected wearily, were almost more of a nuisance than children.
‘This is the Green Room,’ Rannaldini paused on the threshold, ‘where one mingles before proceeding to the Throne Room to meet one’s hosts.’
‘How lucky we are to have you to initiate us,’ said Meredith gravely.
‘Stop taking the pees, you little popinjay,’ said Rannaldini. ‘How about this decor for one of the drawing rooms?’
‘No good for your colouring,’ said Meredith firmly. ‘Green’s awful with grey hair and a sallow complexion. Someone would spear you with a cocktail stick. Although we could drag the dungeons this colour to cast a sickly glow on poor, doomed Posa.’
Tristan kept having to hide his laughter by examining paintings.
‘This is how I want room where Posa defies Philip,’ said Rannaldini, as he hustled them into the Throne Room, which was the length of a cricket pitch. The crimson silk walls were lined with gold sofas. Huge cut-glass chandeliers glittered from the ceiling like a fleet of Jack Frost’s air balloons.
‘The ceilings at Valhalla are too low for chandeliers,’ protested Meredith.
‘Then raise them,’ said Rannaldini imperiously.
Through an arch flanked by white-winged genii holding gold paper chains, burgundy red steps led up to two crimson thrones, embroidered with the initials EIIR and P.
‘We must reproduce those for Elisabetta and Philip II,’ said Tristan in excitement.
‘And keep them permanently at Valhalla after filming’s over,’ giggled Meredith, ‘we can unpick the E and P and change it to R for Rannaldini and H for Hermione, or Helen or Harriet Bussage,’ he added slyly, ‘depending on who’s in favour.’
Rannaldini allowed himself a chill smile, but he could only think of a throne initialled T, with naked Tabitha sprawled on its faded damask, waiting for him to mount the burgundy red steps and her.
In every room there were beautiful clocks depicting heroic scenes. How slowly the minutes must have ticked by for the young Princess Diana, thought Tristan, and for Carlos and Elisabetta. How d’you cure a broken heart in a gilded cage, particularly when every ravishing piece of Sevres showed idyllic scenes of young shepherds and shepherdesses in love?
‘I want a scrolled codpiece for Christmas,’ said Meredith, bringing everyone back to earth.
‘Her Majesty enters the Throne Room through that emergency exit,’ murmured an official, who’d recognized Rannaldini, ‘so she doesn’t have to walk through a lot of rooms.’
‘That’s nice,’ piped up Meredith, ‘so she can always retreat down the backstairs for a squirt of Diorissimo.’
‘Half the big-looking glasses,’ confided the official, ‘despite being covered with gilt patterns of leaves and flowers, are actually hidden secret doors.’
Rannaldini’s eyes gleamed. How perfect for the to-ing and fro-ing of lovers and Inquisition spies, often the same thing in
