in youth, introduced him to many women, and the Seventh Saint provided others. But talk about ghosts. Now and then two of these real women rolled into one (when on occasion he could persuade them to be so rolled) gave him a rude bliss, if he concentrated, that was intense. But his imaginings, working on the sturdy though desperately fine stuff of memory, were of a different order of intensity altogether.

He would not have had it so; he honestly believed that. He even knew, in moments of great clarity, that it would not have been so had he not been who he was, that his disability didn’t lie in what had happened to him at all, but in his flawed nature, that not everyone, perhaps no one but he, would have ended up thus becalmed after being touched only by Sylvie as though in passing— what a stupid and antique disease that was, and one that had been all but eliminated from the modern world, he resented deeply at times that he should be, apparently, the last victim of it and thus excluded, as though by some rule of common hygiene, from the broad banquet that the City, even in decline, could still show. He wished, he wished he could do as Sylvie had done: say Fuck destiny, and escape. And so he could, too, he just wasn’t trying very hard; he knew that, too, but there it was: flawed. And it was no comfort to think that perhaps to have such a flaw, to be thus inadequate to the world, was just what it was to be in the Tale he could no longer deny that he was in: that perhaps the Tale was the flaw, that the flaw and the Tale were the same thing; that being in the Tale meant nothing more than being suited to your role in it and good for nothing else, like having a cast in your eye, by which you saw always something elsewhere, but which to everyone else (even most of the time to yourself) seemed only a disfigurement.

He rose, annoyed with his thoughts for having fallen into that old bag. There was work to do; that should be enough; most of the time it was, and he was grateful. The amount he accomplished, and the pittance he was paid, would have astonished the mild and affable man (dead now of an accidental overdose) to whom Auberon had first shown scripts. Life had been easy then… He poured himself a small whiskey (gin was verboten, but his adventure had left him with a persistent small habit, more like a sweet tooth than an addiction) and addressed himself to the mail which Fred had brought from uptown. Fred, his old guide, was his associate now, and so described to Auberon’s employers. He was farmhand as well, and memento mori or at least an object-lesson of some kind for Auberon; he could not now any longer get along without him, or so it seemed to him. He tore open an envelope.

“Tell Frankie he’s going to break his mother’s HEART carrying on like that. Doesn’t he see that, how can he be so BLIND. Why doesn’t he get a good woman and settle down.” Auberon never got used to the suspension of disbelief his viewers were capable of, it always gave him a guilty thrill. Sometimes he felt the MacReynolds’s were real, and it was the viewers, like this lady, who were imaginary; pale fictions hungering after the flesh-and-blood life Auberon created. He tossed the letter into the woodbox. Settle down, huh; a good woman. Not a chance. Lot of blood under the bridge before Frankie settles down.

He saved for the last a letter from Edgewood, some weeks in transit, a good long one from his mother, and settled to it like a squirrel to a large nut, hoping to find something within he could use for next month’s episodes.

Something He Could Steal

“You asked what happened to the Mr. Cloud that Great-aunt Cloud was married to,” she wrote. “Well, that’s really sort of a sad story. It happened a long time before I was horn. Momdy sort of remembers. His name was Harvey Cloud. His father was Henry Cloud, the inventor and astronomer. Henry used to spend his summers up here, he had that pretty little cottage where the Junipers later lived. I think he had a lot of patents he lived on. Old John had put some money into his inventions—engines, I think, or astronomical things, I guess; I don’t know what. One of his things though was the old orrery at the top of the house—you know. That was an invention of Henry’s—I mean not orreries in general, they were invented by a Lord Orrery believe it or not (Smoky told me that). But Henry died before it was finished (it cost a lot of money I think) and about that time Nora, Great-aunt Cloud, married Harvey. Harvey was working on it too. His father’s son. I saw a picture of him once that Auberon took, in his shirtsleeves and a stiff collar and tie (I guess he wore them even when he was working), looking very fierce and thoughtful, standing next to the engine of the orrery before they installed it. It was HUGE and complicated and took up most of the picture. And then when they were done installing it (John was long dead by then) there was an accident, and poor Harvey fell off the very tip-top of the house and was killed. I guess then everybody forgot about the orrery, or didn’t want to think about it. I know Cloud never talked about it. You used to hide out up there, I remember. Now, you know, Smoky’s up there all the time, trying to see if it will ever run, and studying books on machinery and clockwork—I don’t know how he’s doing.

“So he used to just live here, Harvey I mean, with Nora, in her room; and go up and work on the orrery; and then he fell off. So there you are.

“Sophie says to tell you to be careful of your throat because of bronchitis, in March.

“Lucy’s baby’s going to be a boy.

“Isn’t the winter dragging on!

“Your loving mother.”

Well. Still further dark or at least odd corners in his family’s life he hadn’t known about. He remembered saying once to Sylvie that nothing terrible had ever happened in his family. That was before he had learned much about the true and false Lilacs, of course; and here now was poor Harvey Cloud, a young husband, tumbling off the roof at the moment of his greatest triumph.

He could work that in. There was nothing, he had begun to think, that he couldn’t work in. He had a gift for such work: a real gift. Everybody said so.

But meanwhile, his scene switched back to the City. This was the easy part, a rest from the other, more complex scenes; it was all simple in the City—predation, chase, escape, triumph and defeat; the weak to the wall, and only the strong survive. He chose, from a long row of them which had replaced George’s anonymous paperbacks on the shelf, one of Doc’s old books. He had sent to Edgewood for them when he had become a writer, and they had proved very useful, as he had thought they might. The one he had was one of the Gray Wolf’s adventures; and, sipping his whiskey, he began to thumb through it, looking for some material he could steal.

Escapements

The moon was silver. The sun was gold, or at least goldplated. Mercury was a mirrored globe—mirrored with mercury, of course. Saturn was heavy enough to be lead. Smoky remembered something from the Architecture that associated various metals with various planets; but those weren’t these planets, they were the dream-planets of magic and astrology. The orrery, brass-bound and oak-cased, was one of those turn-of-the-century scientific instruments that couldn’t have been more solidly rational, material, engineered: a patented universe, made of rods and balls, meshing gears and electroplated springs.

Then why couldn’t Smoky understand it?

He stared hard again at the mechanism, a sort of detached escapement, which he was about to disassemble. If he disassembled it before he understood its function, though, he doubted whether he could put it back together. On the floor, on tables in the hall below, there were several such, all cleaned and wrapped in oily rags, and wrapped too in mystery; this escapement was the last. He supposed (not for the first time) that he should never have begun this. He looked again at the diagram in the Cyclopedia of Mechanics which most resembled the dusty, rusted thing before him.

“Let E be a four-leaved scape-wheel, the teeth of which as they come around rest against the bent pall GFL at G. The pall is prevented from flying too far back by a pin H and kept up to position by a very delicate spring K.” God it was cold in here. Very delicate spring: this thing? Why did it seem to be in here backwards? “The pall B engages the arm FL, liberating the scape-wheel, a tooth of which, M…” Oh dear. As soon as the letters got past the middle of the alphabet, Smoky began to feel helpless and bound, as though tangled in a net. He picked up a pliers, and put it down again.

The ingenuity of engineers was appalling. Smoky had come to understand the basic principle of clockwork,

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