The house Auberon grew up in wasn’t quite the same house his mother had grown up in. As Smoky and Daily Alice had come into possession, the natural directors of a household composed of their children and Alice’s parents, the reins of an old orderliness were loosened. Daily Alice liked cats, as her mother hadn’t, and as Auberon grew up the number of cats in the house grew by geometrical progression. They lay in heaps before the fireplaces, their airborne down coated the furniture and the rugs as though with a dry and permanent hoarfrost, their self- possessed small demon faces looked out at Auberon from the oddest places. There was a calico tiger whose striped pelt made fierce false eyebrows above her eyes, two blacks or three, a white with discrete and complex black patches, like a melting chessboard. On cold nights Auberon would awake oppressed, toss within his bedclothes, and displace two or three compact dense bodies out of a deep enjoyment.
Lilacs and Fireflies
Besides cats, there was the dog Spark. He was descended from a long line of dogs who all looked (so Smoky said) like natural sons of Buster Keaton: light patches above Spark’s eyes gave him the same faintly reproachful, enormously alert, long-nosed face. Spark when fabulously aged impregnated a visiting cousin and fathered three anonymous dogs and another Spark; his lineage assured, he curled up in Doc’s favorite chair before the fire for the rest of his life.
It wasn’t only the animals (and Doc expressed himself clearly enough without ever speaking about his dislike for pets) that pushed Doc and Mom aside. Itwas as though, while losing no dignity or place, they were being silently sailed into the past on a quick and heaping tide of toys, cookie crumbs, birds’ nests, diapers, Band-aids and bunk beds. Mom, since her daughter was a mom too, became Mom Drinkwater, then Mom D., then Momdy, which she couldn’t help feeling was an uncomfortable kind of kicking-upstairs for one who had always served hard and well below. And Somehow over the years the many clocks in the house began to chime unsynchronized, though Doc, usually with one or two children around his knees, used to set them and wind them and peer at their mechanisms often.
The house itself aged, gracefully on the whole and still sound at heart, but sagging here and loosening there; its maintenance was a huge job and never done. At its perimeters, rooms had to be closed off: a tower, an extravagance, a glass orangery whose barley-sugar panes lay scattered amid the flower-pots, fallen square by diamond out of the icing of white wrought iron into which John Drinkwater had puttied them. Of the many gardens and flowerbeds around the place, the kitchen-garden’s was the slowest downfall and the longest decadence. Though whitewash flaked from the pretty cutout porch and the grape-leaves strangled up the ogee arches, though the steps sagged and the flagstone path disappeared under dock and dandelion muscling up through its crevices, still for as long as she was able Great-aunt Cloud tended the flowerbeds and they brought forth blossoms. Three crabapple trees had grown up at the garden’s end, grown old and hale and gnarled; every autumn they scattered their hard fruit on the ground to inebriate the wasps as it rotted. Momdy made jelly of a fraction of it. Later on, when he became a collector of words, the word “crabbed” would bring to Auberon’s mind those puckered orange apples withering in their useless sourness amid the weeds.
Auberon grew up in the kitchen-garden. When at last the spring came when Cloud decided that trying to keep up the garden, her back and legs being as they were, and failing would be more painful than letting it go altogether, then Auberon liked it better: now the flower beds weren’t forbidden him. And as it was abandoned, the garden and its buildings took on some of the attractions of a ruin: the tools in the earth-smelling potting shed were dusty and remote, and spiders spun webs across the openings of watering cans, giving them the fabulous antiquity of casques in a buried hoard. The pump house had always had for him this quality of the remote, the barbaric, with its useless tiny windows and peaked roof and miniature eaves and cornices. It was a heathen shrine, and the iron pump was the long-crested, great-tongued idol. He would stand on tiptoe to raise the pump-handle, raise it and lower it with all his strength while the idol choked hoarsely, until there came a catch in its throat as the handle met some mysterious resistance, and he must pull himself almost off his feet to draw it down, and again, and then with a magical sudden ease and release the water would sluice down the pump’s broad tongue and splash in a continuous smooth clear sheet onto the worn stones.
The garden was huge then to him. Seen from the vast, slightly undulating deck of the porch it went on great as a seascape to the crabapples and then broke in a high surf of overgrown flowers and indomitable weed against the stone wall and the X-gate forever shut in it which led into the Park. It was a sea and a jungle. He alone knew what had become of the flagstone path, because he could go on all fours beneath the overarching leaves where it ran secretly, its stones as cool and gray and smooth as water.
At evening there were fireflies. He was always surprised by them, how one moment there seemed to be none, and then, when evening turned blue and he looked up from some absorbing thing— the making inch by inch of a molehill maybe—they would be alight in the velvet darkness. There was an evening when he decided to sit on the porch as day turned to night, sit and watch only and nothing else, and catch the first one to light itself, and the next and the next: for the sake of some completeness he hankered after—would always hanker after.
The porch steps were that summer just throne height to him, and so he sat, sneakered feet planted firmly, not so rigidly attentive that he didn’t look up at the phoebe’s nest modeled neatly in the porch rafters, or at the silver pen-stroke of an unseen jet’s smoke; he even sang, without a tune, the words a meaningless onomatopoeia of the fading twilight. All the while he kept watch; yet in the end it was Lilac who saw the first firefly.
“There,” she said, in her little gravelly voice; and off amid the jungle of the ferns the light did go on, as though created by her pointing finger. When the next lit, she pointed with a toe.
Lilac wore no shoes, she never did, not even in winter, only a pale blue dress without sleeves or a belt that came midway down her satiny thighs. When he told his mother so, she asked didn’t Lilac ever get cold, and he couldn’t answer; apparently not, she never shivered, it was as though with the blue dress on she was complete, whole, needed no further protection; her dress, unlike his flannel shirts, was part of her, and not put on to cover or disguise.
The whole nation of the fireflies was coming into being. Whenever Lilac pointed and said “there” another one, or many, lit their pale candles, whitey-green like the phosphorescent tip of the light pull in his mother’s closet. When they were all present, the only clarity in a garden grown vague and colorless and massy, Lilac circled her finger in the air and the fireflies began to gather, slowly, by jumps, as though reluctant, in the middle of the air whore Lilac pointed; and when they had gathered they began to wheel there, at the direction of Lilac’s finger, a twinkling circle, a solemn pavane. He could almost hear the music.
“Lilac made the fireflies dance,” he told his mother when at length he came in from the garden. He circled his finger in the air as Lilac had and made a hum.
“Dance?” His mother said. “Don’t you think it’s time for you to go to bed?”
“Lilac stays up,” he said, not comparing himself to her— there were no rules for her—but only associating himself with her: even though he had to go to bed, wrongly, when blue light still suffused the sky and not all the birds were yet asleep, still he knew someone who did not; who would sit up in the garden deep into the night as he lay dreaming, or walk in the Park and see the bats, and never sleep at all if she so chose.
“Ask Sophie to turn on your bath,” his mother said. “Tell her I’ll be up in a minute.”
He stood looking up at her a moment, considering whether to protest. Bathing was another thing Lilac never did, though often she sat on the edge of the tub, studying him, aloof and immaculate. His father rattled his paper and made a noise in his throat, and Auberon went out of the kitchen, a good little soldier.
Smoky put down his paper. Daily Alice had fallen silent at the sink, the dishclout in her hand, her eyes elsewhere.
“A lot of kids have imaginary friends,” Smoky said. “Or brothers or sisters.”
“Lilac,” Alice said. She sighed and picked up a cup; she looked at the tea leaves in it as though to divine from them.
That’s a Secret
