Judith ascended to another plain door and opened

it. She came out into another narrow hall, where she

saw two identical doors.

The first one led into the main corridor, but judging

from her position in the restaurant, the second door

had to go into the Smith party’s private dining room. In

the shadows just beyond the door was a busing area.

On tiptoes, she approached the second door and cautiously opened it just a crack.

“. . . lose my investment” were the first words she

managed to hear, and they were spoken by a nasal male

voice she didn’t recognize. Heathcliffe MacDermott,

alias the Wienie Wizard? Judith peered through the

sliver of open doorway. All she could see was Morris

Mayne with his head down on the table and Dade

Costello’s blunt profile.

“Not necessarily,” said a smooth voice that Judith

identified as belonging to Vito Patricelli. “Paradox

may not shelve the picture. They have an investment,

too, even larger than yours, Mr. MacDermott.”

SILVER SCREAM

255

“Idiots,” snapped a waspish female voice that didn’t

sound like Winifred, Ellie, or Eugenia. “Idiots,” the

woman repeated. Judith figured the speaker had to be

Mrs. MacDermott.

“I don’t get it,” declared Heathcliffe MacDermott.

“The movie’s a dud. If I made wienies like Zepf made

movies, I’d be wearing a paper hat and peddling hot

dogs at minor league baseball games instead of running a billion-dollar empire.”

“The studio can make changes,” Vito said, his voice

unperturbed. “They’ll have free rein—under the circumstances.”

“You beast,” murmured Winifred. “How can you

say such things when Bruno has been dead less than

twenty-four hours?” Though Judith couldn’t see her, it

sounded as if Winifred was close to the service door.

“What kind of changes?” Ellie asked, not quite as

pert as usual.

“Cutting, for one thing,” Vito replied. “No one can

argue that the picture should be shortened by at least

an hour.”

“Are you saying,” Heathcliffe asked in a slightly

confused voice, “that Paradox can do whatever it wants

now that Bruno Zepf is dead?”

“Exactly,” Vito responded. “The studio has the

major chunk of money invested in the picture. They

can do as they please.”

Except for the creak of chairs and shuffling of

limbs, a silence fell over the room. Judith glanced at

the door to the stairs to make sure the coast was

clear. As far as she could tell, no one seemed to be

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