“Not that long,” Joe said. “Ten minutes at most.” He

stiffened as Vito Patricelli emerged from the parlor

door that led into the living room.

“The meeting’s concluded,” Vito said in his unruffled manner. “I’ve made it clear to my clients where

their responsibilities lie and what they must do to carry

them out on behalf of Paradox Studios.”

Joe was equally unflappable. “Which is?”

A faintly sinister smile played at Vito’s thin lips.

“That they are not to leave the vicinity until the studio

knows exactly what happened to Bruno Zepf.”

Judith didn’t know whether to laugh or cry. She did

neither, remaining on the sofa until the sullen guests

exited the parlor.

Vito sat down opposite her, carefully arranging his

trousers to make sure the crease stayed in the proper

position. “I have some questions for you both,” he said

in that same, smooth voice.

Joe joined Judith on the sofa. “Fire away,” he said.

Vito removed his sunglasses, revealing wide-set

dark eyes that seemed to have a fire lit behind them.

“What time did Mr. Zepf die?”

“Around one A.M.,” Joe answered.

“Are you absolutely certain?” Vito asked.

146

Mary Daheim

“We can’t be precise,” Joe said reasonably. “My

wife and I weren’t with Bruno when it happened. The

time is an estimate, which is also what the ME gave

us.”

Only an almost imperceptible flicker of Vito’s eyelids indicated any emotion. “But,” he said, “you’re positive that Bruno died after midnight?”

“Definitely,” Joe replied. “Why is the time so important?”

The lawyer took a deep breath, then gave Joe what

was probably meant to be a confidential smile, but

looked a trifle piranhalike to Judith. “Let me explain

two things. First, Paradox Studios insures all members

of a shooting company when a picture is made. This is

standard procedure, to make sure there’s due compensation for anyone involved in the production suffering

a disabling injury or”—he paused to clear his throat—

“dying. The policy the studio took out on The Gasman

expired October thirty-first, which is today. The problem is, did it expire last night at midnight or is it still

valid until tomorrow, November first?”

Joe frowned. “Aren’t such policies specific?”

“Not in this case,” Vito replied. “There was also a

rider concerning postproduction. Bruno had stated—

verbally—that once The Gasman premiered, he

wouldn’t tinker with it. But last night he told Winifred

Best and Chips Madigan that it was clear there would

have to be some editing. He intended to pull the picture

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