A
Sweet.
Chapter Twelve
“DOES MY BLOODY armpit show?” Ric asked as we speed-walked from the elevator area into the slipstream of casino crowds.
I stopped to let him gain a couple steps on me, eyeing the left side of his suit coat, then caught up.
“Not at all with your arm down. The real question is, does it hurt?”
“Not at all with my arm down.” His smile broadened to showcase the usual Montoya confidence, that smile like a scimitar slash of white lightning against his bronzed south-of-the-border complexion.
“Honest. It doesn’t hurt at all anymore,” Ric was protesting. “Don’t be such a mother hen, Del. You must have seen some illusion, a fluke, maybe some spray from the blood river.”
I slowed my pace as his down-shifted to blend in with the tourists. By then we were among the crowds milling on the dance floor that surrounds the Inferno Bar and gives it that eternal one-o’clock-in-the-morning nightclub ambiance.
“Say, Daisy Mae,” a familiar voice hailed me. I turned to see Nora Charles in a striped long chiffon evening gown heading for us in a whirlwind of gray and white. “Good to see you two kids together again, as they said of Nicky and me for movie after movie.”
“Daisy Mae?” Ric questioned Nora’s nickname for me.
Nora eyed my bare feet. “Daisy Mae, from that new newspaper comic strip, Li’l Abner. My dear mother, Delta Mae—honestly and truly that was her name—told me it’s not good to be barefoot in a briar-patch world, dear, and especially on a dance floor. Here, take mine.”
Nora stepped back beside Ric, leaving a pair of silver satin thirties pumps standing empty on the blond wood floor.
While I stared, aghast, at the shoes, Nora murmured to Ric, “I see your visit to the L level was productive, dear boy.” I looked up to see her fingernails playfully running down his chest, just a centimeter away from actual contact, and Ric . . . blushing? Certainly his bronze skin showed a touch of burgundy. Nora was such a sophisticated flirt. Maybe that was why she was considered the perfect wife by men of her era. Hopefully that now didn’t include Ric!
“I can’t take your shoes,” I told Nora.
“Of course you can! I have dozens from the finest Hollywood designers.”
“But . . .” Balancing a hand on Ric’s shoulder—the poor guy was trapped between us now—I poked the shoe vamp opening with a testing big toe.
Holy high heels! The thing was physical. I pushed my toes all the way in, feeling like Cinderella trying on the glass slipper. Not a bad fit. First I cop a pair of ruby red slippers from the Emerald City Makeover Experience in Wichita, and now I’m being loaned CinSim shoes actually worn in the wildly popular Thin Man movie series.
Once my other foot was shod I didn’t feel shrimpy, and backwoodsy, next to Ric and Nora. Hey! That combo sounded way too good together. I slipped my left arm around Ric’s right one.
“Thanks, Nora. I’ll drop the shoes back to the Inferno Bar tomorrow.”
“Please don’t. I’m looking forward to an update in outfits and having no shoes will force the boss to order one.”
She smiled and wiggled her barely gray toes so the frothy hem of her gown did the cha-cha. The skirt was a floor-brusher anyway, so Nora wouldn’t look shoeless unless she chose to reveal it. With a swift turn and swirl of voluminous chiffon, she returned to the bar.
“Wow,” Ric said. “Having Nora Charles for a fairy godmother must be a kick for a film nut like you. Sexy shoes.”
I liked the glitzy shoes peeping out from my bell-bottoms, but the nightclub dance scene always on around the Inferno Bar was way more formal night and day than my casual outfit.
CinSim fans, known as “CinSymbiants” or “CinSymbs,” dressed up as their favorite movie stars to come here and boogie. That meant they painted their faces and any visible skin white and wore only clothing in white, black, silver, and shades of gray.
I tried to smooth my hair. “You’re always Mr. Cool,” I told Ric, “but I must look like a disheveled escapee from Hell the centaur dragged in.”
As I spoke, the silver familiar shivered up my spine and draped my collar bones with some dressy bling.
“It’s a tough job, being a mirror-jumping, life-saving do-gooder.” Ric grinned as he tweaked the ends of my hair.
The teasing gesture had pulled my face up. I was about to shake my hair loose when I saw his expression, and then I didn’t want to.
He stepped close, closer as the crowds parted expertly to flow around us.
“Actually, I’m more than in the mood for dallying with an escapee from Hell. Before the floor dropped out from under us on the elevator and put us on that murderous lower level, I was forced to interview a bunch of hot screen mamas from the forties serving as call girls in the Inferno’s lower depths. Those black-haired film fatales— Jane Russell, Ava Gardner, or Yvonne de Carlo—couldn’t hold a candle to you You’d know all their names better than I would.”
“Yeah? They were all probably Howard Hughes rejects.”
“Not you,” Ric said. “Even Hughes’s old, broken-down vampire self has a soft spot for you. Speaking of soft spots . . .” Ric’s hands on my hips pulled my pelvis against his while our mutual gaze never broke.
I’d come a long way since I’d been a skittish virgin and we’d first done the salsa among the werewolves at Los Lobos nightclub just months ago. Our brush with danger—and Ric’s puzzling sojourn among the Lust level’s available females—had revved both our libidos.
I smiled like the Mona Lisa, put my hands on his shoulders, and let my CinSim-slipper-shod feet do the walking, or shuffling, to the music we suddenly heard, “Bolero.” Those slow Latin steps in Nora’s borrowed heels produced a wiggle in the palms of his hands on my bare hips, which I could feel going from cozy-warm to fever-hot fast.
“Get a room,” a low ironic voice commented in passing.
I whipped my head around, indignant, only to see the back of Snow’s white-suited form threading through the dancers like an unseen ghost. Some stopped in their tracks anyway, as if sensing an invisible wind. Just as Ric and I had stopped, melded together.
The nerve,” I muttered. “He’s on another of his ghost walks through his domain, felt but not seen.”
Ric nodded as he drew me closer. “The nerve. He wants me to move in here to babysit the Silver Zombie.”
“Live at the Inferno? As if I’d want you back where you were in a coma, inhabiting what amounted to an ICU in the hotel bridal suite.”
“We could make it a bridal suite, period,” he said, feet moving in the mock-intercourse rhythm that kept our hips swaying three inches apart and then glued together again in an altogether indecent way. Our conversation continued in that same tantalizing way, murmured, private, always sexy under the surface, each coming together in almost a kiss, but not quite. It was like the famous Cary Grant–Ingrid Bergman serial kiss dialogue scene when the decency code forbade long kisses.
“This isn’t a proposal,
“Only for dirty dancing. Seriously. Christophe offered me an entire floor, and you a private elevator entrance.”
“After experiencing one of his private elevators today, I think not.”