exploration hence his allusion to a wreck during which he hoped to find, possibly had found already, objects of value that he intended to smuggle out of Crete. Doubtless he had succeeded in doing this the preceding year, and the Greek boatman would be well paid for holding his tongue.
This season, however, it had not worked to plan. My unfortunate predecessor at Chalet 62, Charles Gordon, himself an expert in antiquities, had grown suspicious. Stoll's allusion, 'You're like the other fellow. Nothing but a God-damn spy', made this plain. What if Gordon had received an invitation to Chalet 38, not to drink the spurious beer but to inspect Stoll's collection and be offered a bribe for keeping silent? Had he refused, threatening to expose Stoll? Did he really drown accidentally, or had Stoll's wife followed him down into the water in her rubber-suit and mask and flippers, and then, once beneath the surface…?
My imagination was running away with me. I had no proof of anything. All I knew was that nothing in the world would get me to Stoll's chalet, and indeed, if he attempted to pester me again, I should have to tell the whole story to the management.
I changed for dinner, then opened my shutters a fraction and stood behind them, looking out towards his chalet. The light shone on his balcony, for it was already dusk, but he himself had disappeared. I stepped outside, locking the shutters behind me, and walked up the garden to the hotel.
I was just about to go through to the reception hall from the terrace when I saw Stoll and his wife sitting on a couple of chairs inside, guarding, as it were, the passage-way to lounge and dining-room. If I wanted to eat I had to pass them. Right, I thought. You can sit there all evening waiting. I went back along the terrace, and circling the hotel by the kitchens went round to the car park and got into the Volkswagen. I would have dinner down in the village, and damn the extra expense. I drove off in a fury, found an obscure taverna well away from the harbour itself, and instead of the three-course hotel meal I had been looking forward to on my en pension terms-for I was hungry after my day in the open and meagre sandwiches on the salt-flats-I was obliged to content myself with an omelette, an orange and a cup of coffee.
It was after ten when I arrived back in the hotel. I parked the car, and skirting the kitchen quarters once again made my way furtively down the garden path to my chalet, letting myself in through the shutters like a thief. The light was still shining on Stoll's balcony, and by this time he was doubtless deep in his cups. If there was any trouble with him the next day I would definitely go to the management.
I undressed and lay reading in bed until after midnight, then, feeling sleepy, switched out my light and went across the room to open the shutters, for the air felt stuffy and close. I stood for a moment looking out across the bay. The chalet lights were all extinguished except for one. Stoll's, of course. His balcony light cast a yellow streak on the water beside his landing-stage. The water rippled, yet there was no wind. Then I saw it. I mean, the snorkel. The little pipe was caught an instant in the yellow gleam, but before I lost it I knew that it was heading in a direct course for the rocks beneath my chalet. I waited. Nothing happened, there was no sound, no further ripple on the water. Perhaps she did this every evening. Perhaps it was routine, and while I was lying on my bed reading, oblivious of the world outside, she had been treading water close to the rocks. The thought was discomforting, to say the least of it, that regularly after midnight she left her besotted husband asleep over his hell-brew of spruce and ivy and came herself, his under-water-partner, in her black-seal rubber suit, her mask, her flippers, to spy upon Chalet 62. And on this night in particular, after the telephone conversation and my refusal to visit them, coupled with my new theory as to the fate of my predecessor, her presence in my immediate vicinity was more than ominous, it was threatening.
Suddenly, out of the dark stillness to my right, the snorkel-pipe was caught in a finger-thread of light from my own balcony. Now it was almost immediately below me. I panicked, turned, and fled inside my room, closing the shutters fast. I switched off the balcony light and stood against the wall between my bedroom and bathroom, listening. The soft air filtered through the shutters beside me. It seemed an eternity before the sound I expected, dreaded, came to my ears. A kind of swishing movement from the balcony, a fumbling of hands, and heavy breathing. I could see nothing from where I stood against the wall, but the sounds came through the chinks in the shutters, and I knew she was there. I knew she was holding on to the hasp, and the water was dripping from the skin-tight rubber suit, and that even if I shouted, 'What do you want?' she could not hear. No deaf-aids under water, no mechanical device for soundless ears. Whatever she did by night must be done by sight, by touch.
She began to rattle on the shutters. I took no notice. She rattled again. Then she found the bell, and the shrill summons pierced the air above my head with all the intensity of a dentist's drill upon a nerve. She rang three times. Then silence. No more rattling of the shutters. No more breathing. She might yet be crouching on the balcony, the water dripping from the black rubber suit, waiting for me to lose patience, to emerge.
I crept away from the wall and sat down on the bed. There was not a sound from the balcony. Boldly I switched on my bedside light, half expecting the rattling of the shutters to begin again, or the sharp ping of the bell. Nothing happened, though. I looked at my watch. It was half-past twelve. I sat there hunched on my bed, my mind that had been so heavy with sleep now horribly awake, full of foreboding, my dread of that sleek black figure increasing minute by minute so that all sense and reason seemed to desert me, and my dread was the more intense and irrational because the figure in the rubber suit was female. What did she want?
I sat there for an hour or more until reason took possession once again. She must have gone. I got up from the bed and went to the shutters and listened. There wasn't a sound. Only the lapping of water beneath the rocks. Gently, very gently, I opened the hasp and peered through the shutters. Nobody was there. I opened them wider and stepped on to the balcony. I looked out across the bay, and there was no longer any light shining from the balcony of No. 38. The little pool of water beneath my shutters was evidence enough of the figure that had stood there an hour ago, and the wet footmarks leading down the steps towards the rocks suggested she had gone the way she came. I breathed a sigh of relief. Now I could sleep in peace.
It was only then that I saw the object at my feet, lying close to the shutter's base. I bent and picked it up. It was a small package, wrapped in some sort of waterproof cloth. I took it inside and examined it, sitting on the bed. Foolish suspicions of plastic bombs came to my mind, but surely a journey underwater would neutralise the lethal effect? The package was sewn about with twine, criss-crossed. It felt quite light. I remembered the old classical proverb, 'Beware of the Greeks when they bear gifts'. But the Stolls were not Greeks, and, whatever lost Atlantis they might have plundered, explosives did not form part of the treasure-trove of that vanished continent.
I cut the twine with a pair of nail-scissors, then unthreaded it piece by piece and unfolded the waterproof wrapping. A layer of finely-meshed net concealed the object within, and, this unravelled, the final token itself lay in my open hand. It was a small jug, reddish in colour, with a handle on either side for safe holding. I had seen this sort of object before-the correct name, I believe, is rhyton-displayed behind glass cases in museums. The body of the jug had been shaped cunningly and brilliantly into a man's face, with upstanding ears like scallop-shells, while protruding eyes and bulbous nose stood out above the leering, open mouth, the moustache drooping to the rounded beard that formed the base. At the top, between the handles, were the upright figures of three strutting men, their faces similar to that upon the jug, but here human resemblance ended, for they had neither hands nor feet but hooves, and from each of their hairy rumps extended a horse's tail.
I turned the object over. The same face leered at me from the other side. The same three figures strutted at the top. There was no crack, no blemish that I could see, except a faint mark on the lip. I looked inside the jug and saw a note lying on the bottom. The opening was too small for my hand, so I shook it out. The note was a plain white card, with words typed upon it. It read: 'Silenos, earth-born satyr, half-horse, half-man, who, unable to distinguish truth from falsehood, reared Dionysus, god of intoxication, as a girl in a Cretan cave, then became his drunken tutor and companion.'
That was all. Nothing more. I put the note back inside the jug, and the jug on the table at the far end of the room. Even then the lewd mocking face leered back at me, and the three strutting figures of the horsemen stood out in bold relief across the top. I was too weary to wrap it up again. I covered it with my jacket and climbed back into bed. In the morning I would cope with the laborious task of packing it up and getting my waiter to take it across to Chalet 38. Stoll could keep his rhyton-heaven knew what the value might be-and good luck to him. I wanted no part of it.
Exhausted, I fell asleep, but, oh God, to no oblivion. The dreams which came, and from which I struggled to awaken, but in vain, belonged to some other unknown world horribly intermingled with my own. Term had started, but the school in which I taught was on a mountain top hemmed in by forest, though the school buildings were the same and the classroom was my own.
My boys, all of them familiar faces, lads I knew, wore vine-leaves in their hair, and had a strange, unearthly beauty both endearing and corrupt. They ran towards me, smiling, and I put my arms about them, and the pleasure
