when shutting drawers and flinging wide an hotel wardrobe, or the impersonal shelves of a furnished villa, is a methodical matter of routine, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood.
This house sheltered us, we spoke, we loved within those walls. That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the.same again. Even stopping for luncheon at a wayside inn, and going to a dark, unfamiliar room to wash my hands, the handle of the door unknown to me, the wallpaper peeling in strips, a funny little cracked mirror above the basin; for this moment, it is mine, it belongs to me. We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the tracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass.
And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, passed on, how I have advanced one step towards an unknown destiny.
We smile, we choose our lunch, we speak of this and that, but — I say to myself — I am not she who left him five minutes ago. She stayed behind. I am another woman, older, more mature…
I saw in a paper the other day that the Hotel Cote d'Azur at Monte Carlo had gone to new management, and had a different name. The rooms have been redecorated, and the whole interior changed. Perhaps Mrs Van Hopper's suite on the first floor exists no more. Perhaps there is no trace of the small bedroom that was mine. I knew I should never go back, that day I knelt on the floor and fumbled with the awkward catch of her trunk. The episode was finished, with the snapping of the lock. I glanced out of the window, and it was like turning the page of a photograph album. Those roof-tops and that sea were mine no more. They belonged to yesterday, to the past. The rooms already wore an empty air, stripped of our possessions, and there was something hungry about the suite, as though it wished us gone, and the new arrivals, who would come tomorrow, in our place. The heavy luggage stood ready strapped and locked in the corridor outside. The smaller stuff would be finished later. Waste-paper baskets groaned under litter. All her half empty medicine bottles and discarded face-cream jars, with torn-up bills and letters. Drawers in tables gaped, the bureau was stripped bare.
She had flung a letter at me the morning before, as I poured out her coffee at breakfast. 'Helen is sailing for New York on Saturday. Little Nancy has a threatened appendix, and they've cabled her to go home. That's decided me. We're going too. I'm tired to death of Europe, and we can come back in the early fall. How d'you like the idea of seeing New York?'
The thought was worse than prison. Something of my misery must have shown in my face, for at first she looked astonished, then annoyed.
'What an odd, unsatisfactory child you are. I can't make you out. Don't you realise that at home girls in your position without any money can have the grandest fun? Plenty of boys and excitement. All in your own class. You can have your own little set of friends, and needn't be at my beck and call as much as you are here. I thought you didn't care for Monte?'
'I've got used to it,' I said lamely, wretchedly, my mind a conflict.
'Well, you'll just have to get used to New York, that's all. We're going to catch that boat of Helen's, and it means seeing about our passage at once. Go down to the reception office right away, and make that young clerk show some sign of efficiency. Your day will be so full that you won't have time to have any pangs about leaving Monte!' She laughed disagreeably, squashing her cigarette in the butter, and went to the telephone to ring up all her friends.
I could not face the office right away. I went into the bathroom and locked the door, and sat down on the cork mat, my head in my hands. It had happened at last, the business of going away. It was all over. Tomorrow evening I should be in the train, holding her jewel case and her rug, like a maid, and she in that monstrous new hat with the single quill, dwarfed in her fur-coat, sitting opposite me in the waggon-lit. We would wash and clean our teeth in that stuffy little compartment with the rattling doors, the splashed basin, the damp towel, the soap with a single hair on it, the carafe half-filled with water, the inevitable notice on the wall 'Sous le lavabo se trouve une vase', while every rattle, every throb and jerk of the screaming train would tell me that the miles carried me away from him, sitting alone in the restaurant of the hotel, at the table I had known, reading a book, not minding, not thinking.
I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?'
'Well, I'll have to let you know'. And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.'
Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained.
'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping…' using words I had never used before. Ripping: what did it mean? — God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.
Sitting there, ridiculously, on the cork mat of the bathroom floor, I lived it all, and our journey too, and our arrival in New York. The shrill voice of Helen, a narrower edition of her mother, and Nancy, her horrid little child. The college boys that Mrs Van Hopper would have me know, and the young bank clerks, suitable to my station. 'Let's make Wednesday night a date.'
'D'you like Hot music?' Snub-nosed boys, with shiny faces. Having to be polite. And wanting to be alone with my own thoughts as I was now, locked behind the bathroom door…
She came and rattled on the door. 'What are you doing?'
'All right — I'm sorry, I'm coming now,' and I made a pretence of turning on the tap, of bustling about and folding a towel on a rail.
She glanced at me curiously as I opened the door. 'What a time you've been. You can't afford to dream this morning, you know, there's too much to be done.'
He would go back to Manderley, of course, in a few weeks; I felt certain of that. There would be a great pile of letters waiting for him in the hall, and mine amongst them, scribbled on the boat. A forced letter, trying to amuse, describing my fellow passengers. It would lie about inside his blotter, and he would answer it weeks later, one Sunday morning in a hurry, before lunch, having come across it when he paid some bills. And then no more. Nothing until the final degradation of the Christmas card. Manderley itself perhaps, against a frosted background. The message printed, saying 'A happy Christmas and a prosperous New Year from Maximilian de Winter.' Gold lettering. But to be kind he would have run his pen through the printed name and written in ink underneath 'from Maxim', as a sort of sop, and if there was space, a message, 'I hope you are enjoying New York'. A lick of the envelope, a stamp, and tossed in a pile of a hundred others.
'It's too bad you are leaving tomorrow,' said the reception clerk, telephone in hand; 'the Ballet starts next week, you know. Does Mrs Van Hopper know?' I dragged myself back from Christmas at Manderley to the realities of the waggon-lit.
Mrs Van Hopper lunched in the restaurant for the first time since her influenza, and I had a pain in the pit of my stomach as I followed her into the room. He had gone to Cannes for the day, that much I knew, for he had warned me the day before, but I kept thinking the waiter might commit an indiscretion and say: 'Will Mademoiselle be dining with Monsieur tonight as usual?' I felt a little sick whenever he came near the table, but he said
