“I know. Can we look at it?”
“Not much to look at. Just some money. Nothing else. No identification.”
“How much money?”
“Here,” he said, handing Masuto an envelope. “Count it yourself.”
Masuto counted it. “Twelve dollars and twenty-five cents,” he told Beckman. “It fits. He gave the kid another ten dollars. I suppose he invented another errand, and that’s how he got the kid into the car.”
“It could be. He’s one cold-blooded bastard, Masao.”
“Do you guys know something about this killing?” the L.A. cop asked. “If you do, one of you ought to hang around until the investigators show up.”
“When will that be?”
“Any time now. We run a busy city. It’s not Beverly Hills.”
“We’re getting there,” Beckman said. “Don’t put down Beverly Hills.”
“You stay with it,” Masuto said to Beckman. “Tail after the investigators. You can tell them what we’ve got, which is nothing. I don’t remember one like this. We have nothing-no lead, no motive, no direction.”
“We know one thing,” Beckman said.
“What’s that?”
“That this son of a bitch kills people the way we kill flies.”
“He’s insane. So are a thousand others walking around on the streets of this city. It doesn’t help now. Maybe later. See what you can find out about the kid. It’s possible that our killer just picked him up on the street; it’s also possible that they had a previous acquaintance. Maybe the kid had friends and one of them saw something. It’s just barely possible that the money is a coincidence-possible, but not likely. So if you have a chance, poke around the bakery again. Get a death picture. I hate to use them, but someone around the bakery might recognize it.”
“I can get the bakery lady down to the L.A. morgue.”
“I wouldn’t put an old lady through that. Get the picture and show it to her. That ought to do it.”
“Where will you be?”
“Damned if I know,” Masuto said, shaking his head. “I’ll be at Laura Crombie’s house, but not until ten o’clock tonight.” Then he added, “I’ll call in. You’d better do the same.”
Masuto went back to his car, sat for a moment or two staring through the windshield, then took out his notebook and called headquarters on his radiophone.
“Polly,” he said to the lady who answered the phone, “this is Masao. Jot down this number.” He gave it to her. “Dial it and patch it through to me.”
“For you, Masao, it’s a pleasure.”
He always reacted in surprise at the fact that women liked him. He never thought of himself as likable or lovable, a tall, dour-faced second generation Japanese man, yet nothing pleased him more than this almost consistent response on the part of women. He pardoned himself; he argued to himself that he had a good wife whom he loved, that he was scrupulous in his behavior as a policeman, that he was content. Or was he?
This was no time to debate it. Laura Crombie’s voice came over the phone.
“This is Sergeant Masuto, Mrs. Crombie. There was a question I didn’t ask-at least I can’t remember asking it. Who received the pastry when it was delivered?”
“Didn’t I tell you? Ana did.”
“And of course she never mentioned who delivered it?”
“No. It wouldn’t be of any importance.”
“Yes. And since I left you, anything?”
“No, nothing out of the ordinary. I called the ladies. They’ll all be here.”
“I’d like to change that,” Masuto said.
“Oh, no!”
“Please. I’d like you to call them again and get them to your house right now. And then I’m going to have a policeman sitting in his car across the street from your house.”
“But why?”
“I’ll tell you why very bluntly and plainly-because I’m afraid.”
“Sergeant Masuto, we don’t live in a jungle. This is Beverly Hills.”
“I know it is. Will you please do as I say?”
“I suppose so. When will you be here?”
“About ten, as I said.”
“And we just sit here and wait for you? Come on, you can’t be serious!”
“I am very serious. I know what I ask is a nuisance, but I’m trying to keep you alive-all of you.”
“Aren’t you being dramatic?”
“I hope so. Enough to impress you.”
He finished with Laura Crombie and was talking to Polly again when Beckman came over to the car and stood by the open window. Masuto had just asked her to get a make from L.A.P.D. on Tony Cooper.
“Who’s Tony Cooper?” Beckman asked him.
“A hairdresser. You’ve seen his place on Camden Road.”
“How does he fit into all this?”
“I don’t know. I look where the light is, because everywhere else it’s dark.”
“And what’s that supposed to mean?”
“Not very much. They tell the story of a man crawling around under a lamp post on his hands and knees. Another man stops and asks him why, and the man on his hands and knees says that he lost a gold cufflink. ‘Where did you lose it?’ the man asks, and the man on his hands and knees replies that he lost it a hundred feet down the street. ‘Then why are you looking here?’ the second man asks. And the man who lost the cufflink replies, ‘Because it’s light here.’”
“That don’t make much sense,” Beckman said.
“What does in this crazy case? There are your investigators,” Masuto said, pointing to where a car had pulled up. “Give it about an hour, Sy, and then I want you to drive over to Laura Crombie’s place. I asked her to get the other three women over there, and they should be there by then. I don’t want anyone else going into that house without your say-so.”
“Come on, Masao, you can’t do that. Wainwright would have my scalp if I tried anything like that.”
“I’m not telling you to pull any rough stuff. We’re putting the house under police protection. There’s nothing illegal about that.”
“What do you mean, we’re putting it under police protection?”
“I’ll fix it with Wainwright.”
“So I see someone going in. Do I stop them?”
“No. Just find out why. Park near the door. If Mrs. Crombie says it’s okay, let them in. But stay right on top of it, and don’t take your eyes off that door for two minutes.”
“That’s great. When do you get there?”
“About ten. Maybe earlier-not later.”
“And when do I eat?”
“Get a sandwich on the way. And grab those investigators. They’ve given it their five minutes.”
“Masao,” Beckman said, “why is L.A.P.D. the only police force in the country that calls its detectives investigators?”
“Ask them,” Masuto said, and put his car in gear and drove off.
At Rexford Drive, Captain Wainwright listened bleakly to Masuto’s account of the day’s events.
“Assumptions,” he said without enthusiasm. “All you got is a series of assumptions. We still don’t know but maybe this Mexican girl died of the damn eclairs, and you link up the kid on Mulholland Drive with a group of wild guesses. You tell me we got a lunatic who’s killed two people already, but all I see that I can put a finger on is a food poisoning and a killing that belongs to L.A.P.D.”
“I beg to disagree. We have a murderer who is indifferent to human life. He’s killed two people and a dog, and he’ll kill anyone who stands in his way.”
“What in hell do you mean, stands in his way? What is his way? What is he after?”
“I think he’s after those four women. I think he’s going to try to kill all four of them.”
