“She’s fine. Her throat seems to be better. Should I send her to school tomorrow, Masao?”
“I don’t see why not.”
“I’m glad you said that. There’s only a few days of school left before the summer vacation, and she loves to go to school. Will you be coming home now?”
“Not now, I’m afraid. Later.”
“How much later? Masao, you hardly slept. Have you had dinner?”
“Yes,” he lied.
“I watched the television news about that awful thing that happened at the Beverly Glen Hotel. Please be careful.”
“I’m always careful. You know that, Kati.”
Frank Cooper was in charge of the plainclothes night shift, and Masuto asked him whether Wainwright had found Binnie Vance.
“She’s staying at the Ventura. She opens there tomorrow.”
“I know that. Did he reach her?”
“She’s opening the Arabian Room, first show on the opening night, and this got to happen. You know what I hear, I hear there’s big Arab money in the Ventura, but that could be a crock. You don’t hear of nothing these days except that there’s big Arab money in it. I don’t care how much loot these Saudis got, they can’t own everything.”
“What I want to know,” Masuto said patiently, “is whether she was informed of her husband’s death.”
“Yeah, according to the captain.”
“What was her reaction?”
“Damned if I know. I didn’t talk to her.”
“What about the Stillman case? Anything new?”
“Nope. But that F.B.I. guy, Clinton, he was here about an hour ago and sore as hell because he couldn’t reach you. According to him, you should have been sitting here waiting for him. They’re cute, those cookies. He wants you at the Feds’ office downtown at eleven tomorrow. He was pissed off because you never mentioned Stillman to him. He wanted to know what kind of idiots we were not to think of a connection between the drowned man and Stillman, especially when the call came from Stillman’s room in the hotel.”
“What did you tell him?”
“I told him I was a stranger here myself, and that I don’t get to work until six o’clock. Anyway, he wants you to bring everything you got on the case with you tomorrow. I guess he don’t have a high opinion of the Beverly Hills police.”
Masuto left the station house and drove downtown. He took Santa Monica Boulevard to Melrose Avenue, and from there he turned south on the Hollywood Freeway. The Ventura Hotel was clearly visible as he approached the downtown area, and Masuto reflected that it was indeed an incredible building. It consisted of four round towers, like four turrets of some ancient castle, with the body of the hotel seemingly suspended in the center; but the towers were of glass, shining in the night, with outside elevators crawling up and down the glass surface like black beetles. Improbable anyplace, the building was even more improbable here in this earthquake country, and Masuto wondered, as he had so often in the past, at the insistence of engineers and architects that the new Los Angeles be built mostly of glass. The hotel was part of a complex of new skyscrapers that had risen out of the clearance of some of the worst slums in the city, sitting on a hill that had once been climbed by a cable car known as Angel’s Flight.
The hotel, still minus the finishing touches of construction, was open to the public, the Arabian Room being the first of its large dining and entertainment rooms to open. The lobby of the new hotel was crowded. It was the end of June, and already the tourist flow into Los Angeles had begun.
Masuto went to the desk and asked for the number of Binnie Vance’s room.
“She’s not there,” the desk clerk said. “Miss Vance is rehearsing in the Arabian Room.”
“Where is the Arabian Room?”
The clerk looked at Masuto, a tall, long-limbed, tired Japanese man, hatless, tieless-and shook his head firmly.
“No, sir. It’s not open to the public.”
Masuto showed his badge.
“That’s Beverly Hills-”
“You want the Los Angeles cops?” Masuto snapped. “I’ll have them here in the lobby in five minutes, if that’s what you want. I want to talk to Miss Vance about her husband. Now use your head.”
“About her husband. Yes, sir. Terrible thing. You go up the escalator at the left. You’ll see the sign.”
“Thank you.”
He had almost lost his temper. The day was too long, and he was tiring, and it was no good for a policeman to tire. It was only eighteen hours since Wainwright had awakened him, but it seemed to Masuto that days had been compressed into that time. He had not tasted food since the lunchtime sandwich in his office, and he desperately desired a hot bath, steaming hot, and after that thirty or forty minutes of quiet meditation where he could look into himself and turn away from a world that was at best half mad. Well, very soon now.
There was the Arabian Room, and Masuto wondered why in this day and age in America a hotel would establish a nightclub so named, unless, indeed, there was Arab money invested in the hotel. Certainly it would not surprise him, but then, he reflected, very little surprised him these days.
He pushed open one of the double doors and entered. The room was shaped like a slice of pie, three tiers of tables sloping downward, with the stage where the point of the slice would be. The dominant colors in the decor were red, black, and silver, with tassels, crescent moon, and paired scimitars as a motif. In a pit between the tables and the stage, a four-piece orchestra played. Three men sat at one of the tables, and on the stage a woman in a body stocking undulated to the rhythm of the music. She moved slowly and sensuously, every movement controlled, calculated, exaggerated for the utmost sensual effect.
One of the three men at the table saw Masuto, rose, and walked back to the entrance where the detective stood watching.
“We’re closed, mister,” he said to Masuto. “We don’t open until tomorrow. And tomorrow we’re sold out.” He was a large, fat man with an unlit cigar clamped in his teeth.
“Who are you?”
“I’m the manager. Who are you?”
Masuto took out his badge. “Detective Sergeant Masuto. I have to talk to Miss Vance about what happened at the Beverly Glen Hotel this morning.”
The man’s tone changed. “Look, Officer, Miss Vance knows all about what happened in Beverly Hills this morning. It knocked the crap out of her, but she took it. Don’t make her take any more of it. Not tonight.”
“The show must go on and all that?”
“You’re damn right, and thank God she’s a trouper. We put out twenty thousand dollars’ worth of advertising on this opening-TV spots, radio spots, and the press. We’re sold out for three shows, and believe me, they ain’t coming to see no Arabian Room. They’re coming to see Binnie do her belly dance.”
As if taking the cue, one of the two men at the table down front stood up and called out, “Okay, Binnie, that does it for the opening. We’ll take a few bars of the belly dance and then we’ll wrap it up.”
She had come down to the edge of the stage, and both Masuto and the manager turned to watch her. She was not a tall woman, but she had a full, voluptuous figure-without being fat or even plump. She had brown hair that fell to her shoulders. Masuto thought her eyes might be green; at this distance, he was not certain.
“Stillman didn’t hurt it none. Just more publicity. It adds up, like a snowball rolling downhill.”
“I’m sure Stillman is grateful for that.”
“What is it, Officer? You got a bone to pick? The kid’s trying to turn a buck. She pays her own way. So lay off her.”
“What’s your name, manager?” Masuto asked coldly.
“Peterson.”
Binnie Vance was doing the belly dance now. Watching her, Masuto said, “Well, Mr. Peterson, I’m here to talk to Mrs. Stillman. I intend to. So when she’s finished, you will go over and tell her that.”
“Who the hell do you think you are, mister? In the first place, you’re a Beverly Hills cop-”
