wife and if she wants to see him and if he, as I suspect, also wants to see her, then hadn't we better get out of the way?'

A momentary flicker of irritation shadowed her face. 'Why do you think he wants to see her?'

'Because he's still in love with her.'

She said nothing for a moment but poked among the sandwiches to find an egg one, which she nibbled with exaggerated delight. 'Aren't these good!' she whispered covertly, as if we must prevent anyone else hearing at all costs. She looked at me with her darting, cat-like eyes. 'You think I've been unfair to Edith.'

I shook my head. 'No. I think you don't like her but I don't think you've been particularly unfair to her.'

She nodded in acknowledgement of this. 'I don't like her. Much. However, that's not the point.'

'What is the point?'

'The point is that she cannot make Charles happy. Whether I like her or not is neither here nor there. I detested my mother-in-law and yet I was fully aware of what a success she had made of Broughton and of Tigger's wretched father. It took me twenty years to bury her memory. Do you think it would matter to me if I simply didn't like her? I'm not a schoolgirl.'

'No.' I sipped my tea. This was flattering indeed. For some reason Lady Uckfield had decided to draw aside the curtain that habitually clothed all her private thoughts and actually talk to me. She had not finished.

'Let me tell you about my son. Charles is a good, kind, uncomplicated man. He's much nicer than I am, you know. But he is less…' She faltered, searching for a loyal adjective that would fit the need.

'Intelligent?' I ventured.

Since I had said it, she let it pass. 'He needs a wife who values not just him but who he is, what he does. What their life is.

He is not one to be able to give weight to a different philosophy in his own home. He could not be married to a socialist opera singer and respect her for her different views. It is not in him.'

'I don't think it's in Edith either,' I said.

'Edith married an idea of a life that she had gleaned from novels and magazines. She thought it meant travel and fashion shows and meeting Mick Jagger. She saw herself throwing parties for Princess Michael in Mauritius…' She shrugged. I was quite impressed that she'd heard of Mick Jagger. 'I don't know if some people live like that. Maybe. What I do know is that will never be Charles's life. His whole existence is the farming calendar. For the next fifty years he will shoot and farm and farm and shoot and go abroad for three weeks in July. He will worry about the tenants and have fights with the vicar and try to get the government to contribute to rewiring the east wing. And his friends, with very few exceptions, will be other people reroofing their houses and farming and shooting and trying to get government grants and exemptions. That is his future.'

'And you're sure it could never be Edith's?'

'Aren't you?'

I could remember Edith sobbing with boredom on the shoot at Broughton and sulking through evening after evening of Tigger's stories and Googie's charm. But of course, what Lady Uckfield did not know and I suspected, was how bored and depressed Edith was with her new life. I thought of her at Fiona Grey's party being led around like a prize heifer. Lady Uckfield interpreted my silence as agreement and her manner warmed. 'It's not entirely her fault. Even I can see that. That terrible mother has stuffed her head with a lot of Barbara Cartland nonsense. What chance had she?'

'Poor old Mrs Lavery,' I said. Lady Uckfield shuddered with a tiny grimace. This was the woman Mrs Lavery had planned to share scrumptious lunches with and trips to the milliner.

'I'm not a snob,' started Lady Uckfield but this was really too much and I could not prevent at least one eyebrow rising.

She attempted to rebuke me. 'I'm not! I know people can marry up and bring it off. I have lots of different sorts of friends. I do!' She was quite indignant. I suppose she believed she was telling the truth.

'Who?' I said.

She thought for a moment. 'Susan Curragh and Anne Melton. I like them both very much. I defy you to say that I don't.'

She had named an immensely rich American heiress who was now the wife of a rather dull junior minister and the daughter of a clothing millionaire who had married an impoverished Irish earl thereby putting him on the social map. I knew neither woman but I trembled for Edith if Lady Uckfield thought them good examples of 'marrying up'. 'You don't believe me, I know, but I was brought up not to think in terms of 'class'.'

What interested me in this was that Lady Uckfield could have made that statement quite safely on a lie detector while the truth was, of course, that she had been brought up to think in terms of nothing else and she had largely (if not entirely) been true to her teaching. She continued. 'The important thing is not Edith's class, whatever that means, but that she simply doesn't enjoy the job. She and her frightful mother are 'London Ladies'. They want to lunch in Italian restaurants and go to charity balls and fly to the sun for the winter. Running a house like Broughton, or Feltham for that matter, is just slog once the gilt's worn off. It's paperwork and committees. It's arguing with English Heritage inspectors who all hate you for living there and want to make everything as difficult for you as they possibly can. It's pleading with government departments and economising on the heating. Those houses are fun to stay in. Even 'London Ladies' like that. But they're hard, hard work to own. She could never take either pleasure or satisfaction in that life. I don't even blame her but she couldn't. And to be quite frank,' she paused, almost hesitating in case she was giving away too much ammunition, 'I'm not sure how much she likes Charles.'

I thought of that far away engagement dinner with Caroline Chase on my left. It's frightfully dreary down here… flower shows all summer, freezing pipes all winter. I could hear the echo of her cold, hard voice. I suppose Edith's ready for all that? And how triumphant Edith had seemed. How she had swept the pool and gained the prize.

'If what you say is true then where's the danger of letting them meet?'

'Because I suspect that eight months with an out-of-work actor in Ebury Street has reminded her of why she

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