She smiled. 'Don't worry, I'm quite safe. I live in London.'
He laughed and his fleshy, hearty features looked momentarily quite attractive. He took off his hat and revealed that fair, Rupert Brooke hair, crinkly curls at the nape of the neck, that is so characteristic of the English aristocrat. 'I hope you liked the house.'
Edith smiled and said nothing, leaving Isabel to reel off her silly gleanings from the guide-book.
I stepped in with the pardon. 'We ought to be off. David will be wondering what's happened to us.'
We all smiled and nodded and touched hands, and a few minutes later we were back on the road.
'You never said you knew Charles Broughton,' said Isabel in a flat tone.
'I don't.'
'Well, you never said you'd met him.'
'Didn't I?'
Although, naturally, I knew I hadn't. Isabel drove the rest of the way in silence. Edith turned from the front passenger seat and made a that's-torn-it expression with her mouth. It was clear I had failed and Isabel was noticeably cool to me for the rest of the weekend.
TWO
Edith Lavery was the daughter of a successful chartered accountant, himself the grandson of a Jewish immigrant who had arrived in England in 1905 to escape the pogroms of the late, and to Edith's father, unlamented Tsar Nicholas II. I do not think I ever knew the family's original name, Levy, perhaps, or Levin. At any rate, the Edwardian portraitist, Sir John Lavery, was the inspiration for the change, which seemed, and almost certainly was, a good idea at the time. When asked if they were connected to the painter, the Laverys would answer, 'Vaguely, I think,' thus linking themselves with the British establishment without making any disputable claims. It is quite customary for the English, when asked if they have met so-and-so, to say,
'Yes, but they wouldn't remember me,' or 'Well, I've met them but I don't know them,' when they have not met them.
This is because of a subconscious urge on their part to create the comforting illusion that England, or rather the England of the upper-middle and upper classes, is crisscrossed with a million invisible silken threads that weave them together into a brilliant community of rank and grace and exclude everybody else. There is little dishonesty in it for as a rule they understand each other. To an Englishman or woman of a certain background the answer, 'Well, I've met them but they wouldn't remember me' means 'I have not met them.'
Mrs Lavery, Edith's mother, considered herself a bird of quite different feather to her spouse, fond as she was of him. Her own father had been an Indian army colonel but the salient detail was that
They lived in a large flat in Elm Park Gardens, which was almost at the wrong end of Chelsea and not quite to Mrs Lavery's taste. Still, it was not exactly Fulham nor, worse, Battersea, names that had only recently begun to appear on Mrs Lavery's mental map. She still felt the thrill of the new, like an intrepid explorer pushing ever further from civilization, whenever she was invited for dinner by one of her friends' married children. She listened perkily as they discussed what a good investment the 'toast rack' was or how the children loved Tooting after that poky flat in Marloes Road. It was all Greek to Mrs Lavery. So far as she was concerned she was in Hell until she got back over the river, her own personal Styx, that forever divided the Underworld from Real Life.
The Laverys were not rich but nor were they poor and, having only one child, there was never any need to stint. Edith was sent off to a fashionable nursery school and then Benenden ('No,
Stella Lavery had not been a debutante herself. This was something of which she was deeply ashamed. She would seek to conceal it under a lot of laughing references to the fun she'd had as a girl and, if pushed for specifics, she might sigh that her father had taken rather a tumble in the thirties (thereby connecting herself with the Wall Street Crash and echoes of Scott Fitzgerald and Gatsby). Alternatively, fudging her dates, she would blame it on the war. The truth, as Mrs Lavery was forced to admit to herself in the dark night of the soul, was that in the less socially free-wheeling world of the 1950s, there had been clearer demarcation lines between precisely who was in Society and who was not. Stella Lavery's family was not. She envied those of her friends who had met as debutantes with a deep and secret envy that gnawed at her entrails. She even hated them for including her in their reminiscences about Henrietta Tiarks or Miranda Smiley as if they believed that she, Stella Lavery, had 'come out' when they knew, and she knew they knew, she had not. For these reasons she had been determined from the outset that no such gaps would shadow the life of her beloved Edith. (The name Edith incidentally was chosen for its fragrant overtones of a slower, better England and perhaps, half-consciously, to suggest that it was a family name handed down from some Edwardian beauty. It was not.) At all events, the girl was to be propelled into the charmed circle from the first. Since by the eighties Presentation at Court (which might have posed a problem) was a thing of the distant past, all Mrs Lavery had to do was to convince her husband and her daughter that it would be time and money well spent.
They did not need much persuasion. Edith had no concrete plans for how she was to pass her adult life and to delay the decision-making process with a year-long round of parties seemed a pretty good idea. As for Mr Lavery, he enjoyed the vision of his wife and his daughter in the
The only reservation for Mrs Lavery was that when the Season was over, when the last winter Charity Balls had finished and the
Edith had obviously been entertained by the daughters of several peers — including one duke, which was