shouted her silly lyrics about striking it lucky.
Charles was silent. The performer beckoned him up onto the stage and clearly this was part of what had been pre-arranged but he shook his head and kept his seat, with no change in his expression. The boy/girl looked, puzzled, over to where Peter was sitting with a laughing Eric and a couple of the others. The act was grinding to a halt. In another moment, Peter jumped up onto the stage as her partner and the dance went on. Towards the end, Peter was given a cardboard jewel-box to present to her, which he did, going down on one knee. 'Edith' opened it and started to deck herself out in the glittering gewgaws within. I was reminded of Gillray's cartoon attacks on the actress, Elizabeth Farren, who succeeded in marrying the Earl of Derby in the 1790s. At the bottom of the box was a little coronet, a pantomime walk-down affair, bright with coloured glass. At the last note of the song 'Edith' took it up and planted it on her head.
In fairness to Peter Broughton I'm sure he hadn't quite hoisted in how fantastically offensive the cumulative effect of all this would be to Charles. Certainly the last thing he wanted was for the evening to end as it did. Peter was not one of the cleverest, poor soul, and I remember I thought then that Chase or one of the others must have embellished his original idea of simply having someone impersonate Edith, which, in itself, if 'she' had just sung a love song, could have been quite amusing. As it was, and without I think Peter's really knowing, she was lampooned as a greedy, social-climbing adventuress in front of her bridegroom. Chase and some of the others were applauding loudly. They were sitting behind Charles and so could not see the expression on his face, though for the life of me I can't imagine how they thought he was going to find it funny. But Chase was one of those who insults you and then says, 'Can't you take a joke?' and I suppose he had done this so often he had begun to think these insults really were jokes and that Charles, or anyone who couldn't take them, was simply being dull.
Charles stood up. 'I'm rather tired. I think I'm going back to the hotel,' he said.
Tommy and I volunteered to join him and that was that. We strode off, leaving the others to nurse the failure of Peter's prank.
'Shall we get a taxi?' said Tommy. It was late and the night was perceptibly cooler than it had been but Charles shook his head.
'Is it all right if we walk for a bit? I want some air.' We strode along in silence until he spoke again. 'That was rather unpleasant, wasn't it?'
'Well,' Tommy was placatory, 'I'm sure they didn't mean it to be. I dare say the girl, or boy or whatever she was, misunderstood the brief.'
'It was Peter's fault.'
'Well…'
Charles stopped walking for a minute and stood, looking mutely about him. 'Do you know what really depressed me about that?' We both had some pretty good ideas but naturally said nothing. 'It was because I suddenly realised how absolutely bloody stupid most of the people I know really are. These are supposed to be twelve of my best friends, for God's sake!' He chuckled bitterly. 'I'm embarrassed for them and I'm embarrassed for myself.'
In the end we walked home right across Paris. The others must all have gone to bed by the time we fell through the door in the Place Vendome. We parted and went to our rooms and I suppose, all in all, the evening must be rated as a flop —
particularly considering the planning and the cost — but in some odd and undefined way I found myself feeling rather encouraged by Charles's outburst. My assessment of his brain was not revised but I do not think I had appreciated before that night how thoroughly decent he was. It is not a fashionable quality these days but it seemed to me that Edith's happiness was in safer hands than I had realised.
SIX
When she opened her eyes she knew at once that this was the last morning in her life when she would awake as Edith Lavery.
Henceforth, that girl would have gone away and whatever might happen in the future she would not be coming back. Edith attempted to question herself as to what exactly she was feeling. Just as when you are forced into a decision it is often the mouthing of one choice that makes you realise you really want the other, so she wondered if her stomach would tell her that she was making a ghastly mistake simply because this was the day when the whole thing became irrevocable. But her stomach did not wish to play the part of a goat's entrails at Delphi and declined to give an opinion. She felt neither elated nor depressed
— simply that there was a lot to do. There was a faint knock on her door and her mother came in carrying a cup of tea.
It is no exaggeration to say that Stella Lavery was so happy on this morning she really felt she might burst, that her heart might stop, exhausted by pumping the feverish blood of satisfied ambition. It is not true to say she would have gladly sacrificed her daughter to a rich marquess's heir if she had thoroughly disliked him, simply that unless he had attacked her with a knife it was not physically possible that she
It had been a source of the faintest irritation to Stella that her daughter's title was not to be Countess
'Good morning, darling.' She whispered the words, gently conveying, as she thought, great tenderness. This was a moment when she knew it behoved her to feel some nostalgia and regret at losing the child of her heart. The fact remained, however, that, notwithstanding the very real and deep joy Edith had given her mother over the years, this morning Mrs Lavery was as happy as a sandboy. Not only was she gaining a son, as the saying goes, but, as she saw it, a whole new position in the firmament. Gates as rusty as the ones at Ham, locked after the departure of the last Stuart king, were everywhere springing open before her. Or so it seemed. Stella Lavery was not a complete fool. She did realise that it was up to her to make a success of this opportunity, that if some of the people she was going to meet, most particularly Lady Uckfield, could be induced to like her, could actually want her friendship, then she could turn herself into Edith's asset rather than being (as she very secretly and reluctantly suspected) her liability. She also knew enough to go slowly. Never must there be the slightest scent about her of a beast of prey in pursuit of its quarry. Softly, quietly, mutual interests must be unearthed, books must be lent, dress-makers must be suggested. In her mind, on this dizzy morning, were shining images, holographs of elegant
