I began to see things by her light. Of course, it was all a silly nonsense that was only horrid because it could hurt Charles if he found out. Yes, it was a pity that Eric had seen them. That was the pity. Her charming, even voice beat back the threat of anarchy and storm that had seemed to envelop us for a moment and returned us to the shore. 'I'll do my best,' I said.
'Of course you will, and the film's nearly over anyway. Too sad to be losing you,' she added hastily, remembering herself,
'but all the same…'
I nodded and she started towards the door. Her work was done. She had acted to contain the damage and that had necessitated taking me into her confidence. But I was already her ally. Things might have been worse.
'Lady Uckfield,' I said. She stopped and turned, her hand still resting on the gleaming door knob. 'Don't be too hard on Edith.'
'Of course not,' she laughed. 'You may not believe it but I was young once too, you know.' Then she was gone and I knew beyond a shadow of a doubt that she hated her daughter-in-law as fiercely as she would have hated any woman who had made her only son cry.
FOURTEEN
'What on earth was going on?' said Adela as soon as we drove away from the front of the house.
'What do you mean?'
'Well, first of all you two slope off and everyone looks haunted. Then Eric vanishes. Brief calm and then suddenly we're into farce with people running in and out of doors with stricken faces. I, meanwhile, am sitting there throughout with Lord Uckfield who's trying to explain something about trout farming. What happened to you? I thought I was going to have to ring and ask for a bed.' I told her everything of course and we drove on in silence for a while. Adela broke it. 'What can you possibly say to Simon? Unhand this lady? Won't he hit you on the nose?'
'I shouldn't think so. He doesn't look the type.'
'Well?'
I didn't really have an answer for her as I also could not quite envisage how to play this most embarrassing of scenes. And by what right was I even to open my mouth on the subject?
Adela gave me my motive. 'I suppose you'll just have to do your best for poor old Edith. It'll be a shame if she buggers it up after all that effort. And for such a nothing.'
We arrived at the farmhouse to find Simon sitting at the kitchen table nursing a glass of wine. His mood and the mere fact that he had not gone to bed seemed to suggest the desire for an unburdening talk although he could not have guessed that I already knew what he had to unburden. This was a worrying sign. We had already discovered, Bella and I, that Simon liked to talk of his romances, despite an almost constant stream of doting references to his children and their mother languishing at home. I did not then realise that for him the fame abroad was quite as pleasurable as the deed itself and this is a most dangerous characteristic in a married lover of married women. Adela went straight up to her room and I took Simon's proffered drink with a heavy heart. We sat in silence for a moment or two. At last he could curb his impatience no longer.
'Good evening?' he said.
I nodded in a half-hearted fashion. 'Quite. I thought the dinner was pretty filthy. Poor old Bob. He blenched visibly at the bill.' There was another silence. I suppose neither of us was clear about how to get on to the subject that was uppermost in both our minds. This time I tried the opener. 'You didn't come in.'
Simon shook his head. 'There was a bit of an awkwardness with that frightful brother-in-law when we got back. I thought I'd better just hop it.'
So that was it. No wonder Simon wanted to talk about it. Eric had made his presence known. The chances of his keeping his secret were statistically reduced to zero. Eric had made a scene. This, in my experience, generally happens when people want to make a scene. 'I heard about that,' I said.
Simon looked up. 'Oh? Who from? Not from Edith?'
I shook my head. 'From Charles's mother.'
I could see that this was a bit of a facer — as well it might be — but at the same time, while the flushed embarrassment of discovery was spreading over Simon's features, it brought in its wake, in the shy smile that he threw at me, a certain ominous delight in being the central figure in what I soon perceived he saw as a romantic drama. My heart sank even further at the realisation that with his actor's perverse pleasure in crisis, Simon would soon be all set to enjoy this chance of notoriety. 'Does Charles know?'
'Not when I left. Should he? Is there anything to know?'
Simon was not to be had so easily. He laughed gently and shrugged as he helped himself to another tot. I looked as paternal as I could. 'Don't start making a mess, Simon.' But still he only smiled and winked at me with that infuriating sexual confidence of the never-refused who think moral laws are designed for lesser mortals. My only recourse seemed to be some sort of appeal to his better nature. 'Edith is an old friend of mine.'
'I know.'
'And I don't want to see her made unhappy.'
'She's unhappy now.'
There was some truth in this, though much less than either he or Edith knew. 'She's not half as unhappy as she's going to be if you start making some silly little scandal for no better reason than that she's here and you're bored.' Again he smiled and shrugged. Of course I was on a hiding to nothing as few things could have given Simon more pleasure than to be begged to avert the arc-light of his fatal charm from some tender victim. Here was I, pleading with the Great Lord to have pity on a poor damsel. He was thrilled. I tried a new and faintly dishonourable tack. 'What about your wife?'
'What about her?'
'Won't she be upset?'
