Snobs: A Novel

I nodded in a half-hearted fashion. 'Quite. I thought the dinner was pretty filthy. Poor old Bob. He blenched visibly at the bill.' There was another silence. I suppose neither of us was clear about how to get on to the subject that was uppermost in both our minds. This time I tried the opener. 'You didn't come in.'

Simon shook his head. 'There was a bit of an awkwardness with that frightful brother-in-law when we got back. I thought I'd better just hop it.'

So that was it. No wonder Simon wanted to talk about it. Eric had made his presence known. The chances of his keeping his secret were statistically reduced to zero. Eric had made a scene. This, in my experience, generally happens when people want to make a scene. 'I heard about that,' I said.

Simon looked up. 'Oh? Who from? Not from Edith?'

I shook my head. 'From Charles's mother.'

I could see that this was a bit of a facer — as well it might be — but at the same time, while the flushed embarrassment of discovery was spreading over Simon's features, it brought in its wake, in the shy smile that he threw at me, a certain ominous delight in being the central figure in what I soon perceived he saw as a romantic drama. My heart sank even further at the realisation that with his actor's perverse pleasure in crisis, Simon would soon be all set to enjoy this chance of notoriety. 'Does Charles know?'

'Not when I left. Should he? Is there anything to know?'

Simon was not to be had so easily. He laughed gently and shrugged as he helped himself to another tot. I looked as paternal as I could. 'Don't start making a mess, Simon.' But still he only smiled and winked at me with that infuriating sexual confidence of the never-refused who think moral laws are designed for lesser mortals. My only recourse seemed to be some sort of appeal to his better nature. 'Edith is an old friend of mine.'

'I know.'

'And I don't want to see her made unhappy.'

'She's unhappy now.'

There was some truth in this, though much less than either he or Edith knew. 'She's not half as unhappy as she's going to be if you start making some silly little scandal for no better reason than that she's here and you're bored.' Again he smiled and shrugged. Of course I was on a hiding to nothing as few things could have given Simon more pleasure than to be begged to avert the arc-light of his fatal charm from some tender victim. Here was I, pleading with the Great Lord to have pity on a poor damsel. He was thrilled. I tried a new and faintly dishonourable tack. 'What about your wife?'

'What about her?'

'Won't she be upset?'

This, to my delight, did at last make him slightly uncomfortable — or at least irritated. 'Who's going to tell her? You won't.'

This was obviously true as far as it went and for a moment I did wonder if I wasn't over-reacting when I heard a knock on the glass behind me. I turned and to my complete amazement I saw Edith, in an Hermes scarf loosely knotted on her chin, rapping at the window and begging, like Cathy Earnshaw, to be let in from the night. Simon, however, was no Heathcliff and it was I, not he, who jumped up to open the back door.

'What the hell are you doing here?' I said, but she pushed past me and sauntered over to the Aga to warm her hands.

'Don't you scold me as well. I've had enough for one night I can assure you.'

'Does Charles know?'

'Of course. Eric told him.'

'But does he know you're here? And why are you here, for God's sake? Don't make everything worse than it is.'

All this time Simon had neither moved nor spoken. Now, very deliberately he rose from his chair, put down his glass, walked over to Edith and slowly, for my benefit I assume, enfolded her in his arms and bent his head to kiss her with the slow, moist, hungry motion of a modern film star in close-up. He looked as if he were eating her tongue. For a moment I watched their two blond heads rocking against each other and behind them, like the ghosts in Richard Ill's tent, I saw Charles and his mother and the wretched Mrs Lavery whose dreams were being incinerated in a farmhouse kitchen in Sussex as I stood there.

And behind them, the more distant figures of the Cumnors, and old Lady Tenby and her daughters, and all those others who would be enthralled and secretly (or not so secretly) delighted at the ruin that was being encompassed by these two silly people.

'Well?' said Adela, whom I had promised I would report to before turning in. She rolled over in bed, blinking herself into concentration.

'Hopeless,' I said.

'Wouldn't he listen?'

'He's loving it, I'm afraid. Anyway, I didn't say that much. I was just getting started when Edith turned up. She's down there now.'

Adela was quiet for a second. 'Oh,' she said. And then: 'So it is hopeless. Poor Charles.' And she rolled back into her pillow, pulling the covers up around her face.

Some time after this I proposed and was accepted. It was rather a tense period for me, I must confess, as I was inspected by an endless series of my intended's disapproving relations, most of whom were seriously unnerved by the thought of their beloved Adela relying on a stage career in future. 'Well, all I can say is good luck with that artistic temperament,' was the advice she received from a particularly unpleasant aunt. After a couple of months of this sort of thing, I was anxious to end the waiting. We decided to be married in April and, since it is a notoriously unpredictable month, to have a London ceremony.

As Adela remarked, 'Country weddings can be such muddy affairs.' It was a 'Society Event', I suppose, though not quite on the scale of the Broughtons, but even so, anyone who has ever played a central part in a large wedding, let alone a large London wedding with all the paraphernalia it involves, will understand that I had very