lemon punch and was cheerful and excited, but the minute I was alone I knew I was going to cry my eyes out. I slid to the floor in my nightgown and began by saying my prayers, very fervently. Then I drew my knees to my chest, lay my head on my arms and cried, all huddled up on the bare floor. A loud sob brought me back down to earth, and I choked back my tears, since I didn't want anyone next door to hear me. Then I tried to pull myself together, saying over and over, 'I must, I must, I must. . . ' Stiff from sitting in such an unusual position, I fell back against the side of the bed and kept up my struggle until just before ten-thirty, when I climbed back into bed. It was over! And now it's really over. I finally realized that I must do my schoolwork to keep from being ignorant, to get on in life, to become a journalist, because that's what I want! I know I can write. A few of my stories are good, my descriptions of the Secret Annex are humorous, much of my diary is vivid and alive, but. . . it remains to be seen whether I really have talent. 'Eva's Dream' is my best fairy tale, and the odd thing is that I don't have the faintest idea where it came from. Parts of 'Cady's Life' are also good, but as a whole it's nothing special. I'm my best and harshest critic. I know what's good and what isn't. Unless you write yourself, you can't know how wonderful it is; I always used to bemoan the fact that I couldn't draw, but now I'm overjoyed that at least I can write. And if I don't have the talent to write books or newspaper articles, I can always write for myself. But I want to achieve more than that. I can't imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death! And that's why I'm so grateful to God for having given me this gift, which I can use to develop myself and to express all that's inside me! When I write I can shake off all my cares. My sor- row disappears, my spirits are revived! But, and that's a big question, will I ever be able to write something great, will I ever become a journalist or a writer?
I hope so, oh, I hope so very much, because writing allows me to record everything, all my thoughts, ideals and fantasies.
I haven't worked on 'Cady's Life' for ages. In my mind I've worked out exactly what happens next, but the story doesn't seem to be coming along very well. I might never finish it, and it'll wind up in the wastepaper basket or the stove. That's a horrible thought, but then I say to myself, 'At the age of fourteen and with so little experience, you can't write about philosophy.' So onward and upward, with renewed spirits. It'll all work out, because I'm determined to write!
Yours, Anne M. Frank
THURSDAY, APRIL 6, 1944
Dearest Kitty,
You asked me what my hobbies and interests are and I'd like to answer, but I'd better warn you, I have lots of them, so don't be surprised.
First of all: writing, but I don't really think of that as a hobby. Number two: genealogical charts. I'm looking in every newspaper, book and document I can find for the family trees of the French, German, Spanish, English, Austrian, Russian, Norwegian and Dutch royal famthes. I've made great progress with many of them, because for ! a long time I've been taking notes while reading biogra- I, phies or history books. I even copy out many of the passages on history.
So my third hobby is history, and Father's already bought me numerous books. I can hardly wait for the day when I'll be able to go to the public library and ferret out Iii the information I need.
Number four is Greek and Roman mythology. I have various books on this subject too. I can name the nine Muses and the seven loves of Zeus. I have the wives of Hercules, etc., etc., down pat.
My other hobbies are movie stars and family photographs. I'm crazy about reading and books. I adore the history of the arts, especially when it concerns writers, poets and painters; musicians may come later. I loathe algebra, geometry and arithmetic. I enjoy all my other school subjects, but history's my favorite!
Yours, Anne M. Frank
TUESDAY, APRIL 11, 1944
My dearest Kitty,
My head's in a whirl, I really don't know where to begin. Thursday (the last time I wrote you) everything was as usual. Friday afternoon (Good Friday) we played Monopoly; Saturday afternoon too. The days passed very quickly. Around two o'clock on Saturday, heavy firing ii began-machine guns, according to the men. For the rest, everything was quiet.
Sunday afternoon Peter came to see me at four-thirty, at my invitation. At five-fifteen we went to the Ii front attic, where we stayed until six. There was a beautil ful Mozart concert on the radio from six to seven-fifteen; I especially enjoyed the Kleine Nachtmusik. I can hardly bear to listen in the kitchen, since beautiful music stirs me to the very depths of my soul. Sunday evening Peter couldn't take his balli, because the washtub was down in the office kitchen, filled with laundry. The two of us went to the front attic together, and in order to be able to sit comfortably, I took along the only cushion I could find in my room. We seated ourselves on a packing crate. Since both the crate and the cushion were very narrow, we were sitting quite close, leaning against two other crates; Mouschi kept us company, so we weren't without a chaperon. Suddenly, at a quarter to nine, Mr. van Daan whistled and asked if we had Mr. Dussel's cushion. We jumped up and went downstairs willi the cushion, the cat and Mr. van Daan. This cushion was the source of much misery. Dussel was angry because I'd taken the one he uses as a pillow, and he was afraid it might be covered with fleas; he had the entire house in an uproar because of this one cushion. In revenge, Peter and I stuck two hard brushes in his bed, but had to take them out again when Dussel unexpectedly decided to go sit in his room. We had a really good laugh at this little intermezzo. But our fun was short-lived. At nine-thirty Peter knocked gently on the door and asked Father to come upstairs and help him with a difficult English sentence.
'That sounds fishy,' I said to Margot. 'It's obviously a pretext. You can tell by the way the men are talking that there's been a break-in!' I was right. The warehouse was being broken into at that very moment. Father, Mr. van Daan and Peter were downstairs in a flash. Margot, Mother, Mrs. van D. and I waited. Four frightened women need to talk, so that's what we did until we heard a bang downstairs. After that all was quiet. The clock struck quarter to ten. The color had drained from our faces, but we remained calm, even though we were afraid. Where were the men? What was that bang? Were they fighting with the burglars? We were too scared to think; all we could do was wait. Ten o'clock, footsteps on the stairs. Father, pale and nervous, came inside, followed by Mr. van Daan. 'Lights out, tiptoe upstairs, we're expecting the police!' There wasn't time to be scared. The lights were switched off, I grabbed a jacket, and we sat down upstairs.
'What happened? Tell us quickly!'
There was no one to tell us; the men had gone back downstairs. The four of them didn't come back up until ten past ten. Two of them kept watch at Peter's open window. The door to the landing was locked, the book- case shut. We draped a sweater over our night-light, and then they told us what had happened: Peter was on the landing when he heard two loud bangs. He went downstairs and saw that a large panel was missing from the left half of the warehouse door. He dashed upstairs, alerted the 'Home Guard,' and the four of them went downstairs. When they entered the warehouse, the burglars were going about their business. Without thinking, Mr. van Daan yelled 'Police!' Hur- ried footsteps outside; the burglars had fled. The board was put back in the door so the police wouldn't notice the gap, but then a swift kick from outside sent it flying to the floor. The men were amazed at the burglars' audacity. Both Peter and Mr. van Daan felt a murderous rage come over them. Mr. van Daan slammed an ax against the floor, and all was quiet again. Once more the panel was replaced, and once more the attempt was foiled. Outside, a man and a woman shone a glaring flashlight through the opening, lighting up the entire warehouse. 'What the . . .' mumbled one of the men, but now their roles had been reversed. Instead of policemen, they were now burglars. All four of them raced upstairs. Dussel and Mr. van Daan snatched up Dussel's books, Peter opened the doors and windows in the kitchen and private office, hurled the phone to the ground, and the four of them finally ended up behind the bookcase.
END OF PART ONE
In all probability the man and woman with the flashlight had alerted the police. It was Sunday night, Easter Sunday. The next day, Easter Monday, the office was going to be closed, which meant we wouldn't be able to move around until Tuesday morning. Think of it, having to sit in such terror for a day and two nights! We thought of nothing, but simply sat there in pitch darkness-in her fear, Mrs. van D. had switched off the lamp. We whispered, and every time we heard a creak, someone said, 'Shh, shh.'
It was ten-thirty, then eleven. Not a sound. Father and Mr. van Daan took turns coming upstairs to us. Then, at eleven- fifteen, a noise below. Up above you could hear the whole family breathing. For the rest, no one moved a muscle. Footsteps in the house, the private office, the kitchen, then. . . on the staircase. All sounds of breathing stopped, eight hearts pounded. Foot- steps on the stairs, then a rattling at the bookcase. This moment is indescribable. 'Now we're done for,' I said, and I had visions of all fifteen of us being dragged away by the Gestapo that very night.
More rattling at the bookcase, twice. Then we heard a can fall, and the footsteps receded. We were out of danger, so far! A shiver went though everyone's body, I heard several sets of teeth chattering, no one said a word. We stayed like this until eleven-thirty.
There were no more sounds in the house, but a light was shining on our landing, right in front of the bookcase. Was that because the