“You rest, Li Po, sleep, live happily. I’ll take care of you forever.”
When she left Li Po behind in her room and went out of the house, her childhood instincts led her to enact, as if in a garden, the feat of returning to the natural world-so abundant, so “prodigal,” but above all so detailed, close, and certain to the gaze and touch of the child who was growing up surrounded with latent forest and impatient lake and renascent coffee groves: that was the way Aunt Virginia put it in her loud, sonorous voice.
“And supremely fertile,” she added, so not a word would be left out.
But the fingers of the house held her in, like the vines in the richly detailed world of the tropical forest. Aunt Hilda was playing the piano. (I get dizzy and exalted at the same time, I’m ashamed, but it gives me a secret pleasure to use my ten fingers to abandon myself, get out of myself, to feel and say to everyone that the music they’re hearing is not mine and neither am I, it’s Chopin’s, I play it, I’m the one who lets this marvelous sound pass through my hands, my fingers, in full knowledge that outside on her rocker, my mother listens to me, my mother who did not let me stay in Germany to study and become an important pianist, a real artist, and my father also listens to me, my father who has locked us up in this village with no future, and I reproach them both for the loss of my own destiny, Hilda Kelsen, the Hilda I might have been, the Hilda I’ll never be now, no matter how I try, even if some good fortune I cannot control, to which I could say:
Aunt Hilda was playing the piano; Aunt Virginia was still writing with a quill pen; her mother Leticia was cooking not only because she liked to but because she had a genius for the Veracruz art of uniting rice, beans, plantain, and pork, shredding the meat and adding lemon juice for the dish called
“None of that, now. I don’t want to know about Mexico’s past: the New World is only future,” declared the grandfather firmly whenever these topics came up. For that reason, he went out less and less to after noon gatherings and dinners, and no longer to taverns, ever since he forgot himself that tired night… At first he didn’t go to Mass either, under the pretext that first he was a socialist and second a Protestant. But small towns are big hells, so he ended up yielding to the customs of a Veracruz that believed in God and miracles but not in the Church and its priests. This pleased Felipe, not because he was a cynic but because it was more comfortable. But the entire town became uncomfortable when Don Elzevir Almonte appeared, a young, dark skinned, and intolerant parish priest sent from the very puritanical clerical city of Puebla de los Angeles. He, along with a good dozen other priests from Mexico’s central plateau, had been charged by the Archbishop of Mexico with establishing discipline and good habits among the lax (if not dissolute) faithful of the Gulf coast.
Cosima Reiter, the mail-order bride, had been born and raised Protestant. Philip-Felipe, who was agnostic, had realized that he’d never find a nonbelieving wife in Mexico; here even atheists believed in God and Protestants were Catholic, Apostolic, and Roman.
To order an atheist bride from the Germany of Kaiser Wilhelm seemed not so much like an offense as a tropical joke. Philip went along with the advice of friends and relatives on both sides of the Atlantic; however, what really captivated him was that daguerreotype of the girl holding a fan in her right hand, her black hair divided into two perfectly symmetrical curves by a strict part.
The young Lassallist did not anticipate that the moment his still very young wife reached Veracruz a conformist streak-the rule, no matter how notable the exceptions, in religious communities-would for many reasons become pronounced in her. Social pressure was the least important of those reasons. More significant was her inevitable discovery that Philip, or Felipe, had not lived a saint’s life during his Veracruz bachelorhood. This foreign boy with long wavy hair, blond beard, and Greek profile would never follow a monastic rule. Rumors circulating in the small lakeside population reached Cosima’s ears as soon as she’d unpacked. Twenty-three hours after the civil ceremony, the beautiful, upright German informed her stupefied husband: “Now I want a Catholic, religious wedding.”
“But you and I were confirmed as Protestants. We’ll have to disavow our faith.”
“We’re Christian. No one has any reason to know more.”
“I don’t see the reason for this.”
“It’s so your mulatta daughter can be my maid of honor and carry the train of my wedding dress.”
Thus did Maria de la O, almost on the first day, enter the home of the newlyweds. Cosima took it upon herself to assign a bedroom to the young lady, ordering the servants to address her as “senorita.” She gave her a place at the table, treated her as a daughter, and refused to acknowledge anything about her origin. No one except Maria de la O herself heard what Cosima Reiter said to her real mother: “Madam, choose the way in which you’d like your daughter to grow up. Go live in a place where you can make a life for yourself-Tampico or Coatzacoalcos, and you won’t lack for anything.”