then plumped down among the cushions.

The orchestra had been instructed to play only when the last guest was seated, so the musicians watched in silence as the harem cavalcade poured in. After Talfa came a stream of young girls, recently adopted into the imperial family-the whites purchased in Circassia, or in the market at Istanbul. They fluttered to the divan, or stole humbly into its shadow. Behind them came the other girls, Abdulmecid’s girls-led by two matrons of honor, barely seventeen, who had borne him children in his days as prince-who all settled in order of precedence onto the low divan.

Elif suppressed a contemptuous little smile as she saw Bezmialem come in, at the tail of the younger women. She was pale, even for a Circassian, but still beautiful at thirty-two-she could easily pass for one of the girls, they all reckoned-with her blond curls and her small, white, oval face. Right now, she seemed to be just one of the girls, coming in without proper ceremony.

Elif’s attention wandered to the Kislar aga, standing with his hands folded across his belly at the door to the private apartments of the imperial consorts. The aga was good at ceremony himself. She wondered if the young sultan would attend, and whether he would look the way she remembered; for Elif, like most women in the harem, glimpsed the padishah but rarely.

A squabble broke out among the women settling on the divan as Bezmialem sought out a place. They whispered angrily, hissing and fluttering their jeweled hands. The black eunuchs stepped forward, reminding the girls to put their jealousies away behind bland smiles and flashing eyes. The women whispered and rustled; the eunuchs piped and squeaked; Bezmialem stood twisting her thin white fingers; and a cloud of little children-those of the late sultan and those of the present sultan, mingling with perfect familiarity with the children of slaves, for they were, after all, one family-fidgeted and giggled, or looked around with interest and hauteur as they sat at the edge of the divan, jeweled slippers sliding on the rich carpet.

Elif saw the Kislar aga raise his chin and beckon to someone she had not yet noticed in the crowd: a man in a brown cloak who stood quietly at the far corner. Later, had she been asked, she could have described in minute detail all the people in the room, their jewels, their positions, their choice of colors and fabrics; but she could not have recalled Yashim. For that was his special gift, to be invisible. Elif saw him-and her eye moved back to the Kislar aga.

The aga drew himself up and bowed minutely to the orchestra. Elif laid her bow on the strings and felt the scarcely perceptible tug of rosin on the hairs.

24

The four kalfas held the cradle high. It was the cradle in which all babies of the imperial line were placed, tightly swaddled, for their first outing into the world.

For boys, it was the world of women, girls, and their neutered attendants that would move around them for seven years.

For girls born behind the lattice, raised in its fretted shadow, it was the only world they would ever know, and on their marriage they would exchange one shadow for another.

Yashim looked again at the cradle. The red tassel meant another girl: disappointment for some, but an opening for the others who shared the sultan’s bed. The tassel swung out as the kalfas moved and for an instant it seemed to Yashim that they were out of step, that the cradle was not securely held. But then a hand went up; the women checked their step and began again to walk slowly around the room. Starting from the right, as tradition demanded.

The khadin, then, was delivered of a girl. She would not be joining the ranks of the most favored consorts of Sultan Abdulmecid. That chance might fall to others, also intimate with their young sovereign. Much would depend on how quickly the mother could recover from the birth; and on how much interest she could coax from the young sultan in his daughter. She was not his first; his third, if Yashim’s memory served. But there: he was out of touch. The sultan was not the same sultan who had superintended his own beginnings in the palace service. This was not the harem he had known.

The tassel dropped back, to rest against the talisman of beaten gold, surrounded by blue glass beads that provided the newborn with protection. Still the kalfas held the cradle at the level of their shoulders. It was a heavy thing, ebony, inlaid with mother of pearl, with a slender rising prow: a tiny ship in which a frail new life embarked for a noble destiny, praise God.

The baby already had a secret umbilical name, whispered by a midwife or the mother at the moment of its birth. Yashim could not remember the mother’s name. Ayesha? Was she the tall Circassian with ankles so fine that some of the other women had predicted they might break with the weight of her child? Always such solicitude for the welfare of their harem sisters! Voices trilling with concern-and spite, no doubt. Pembe, was it? He could not remember. She was not here among the family, nor did she follow the cradle. Perhaps she was not well. It was not a good sign.

He glanced at the divan. The valide was leaning back against cushions, one knee elegantly upraised and a slender wrist poised upon it. The younger women-Bezmialem, the sultan’s mother, among them-sat at a distance; between them, many aunts. There was Talfa, the old sultan’s younger sister, who had married a pasha and returned to the sultan’s harem on his death; and her daughter, Necla; Yusel, her huge slave, on her knees beside her, her black face glistening with-what? Tears?

Yashim sighed. Of course he was not immune. A birth touched him, like a death: this lesser contact with the mysteries, when the curtain moved between this world and eternity; the ordinary miracle that the rich and imperial strove for, as much as the poor did, in fulfillment of their plans and dreams.

Perhaps, in the miracle of creation, they fulfilled themselves. Perhaps birth staved off a final encounter with the mystery. If so, that was a comfort Yashim could not share. He had been born, and he would die.

One of the women gave a sort of sob, and reached into a jeweled bag. As the kalfas with the cradle passed her, she flung her hand into the air-and over the music Yashim heard the tinkling of little silver coins as they scattered across the floor. A cloud of children darted forward to retrieve them. Across the bowed backs of the children milling on the floor, Yashim caught sight of the Kislar aga. His black face was stony.

Yashim blinked. The music-there was something wrong about the music. Even now, as he half turned his head, the violin seemed to whine; the flute sounded shrill and out of tempo. But as soon as he had noticed it, the music reassembled itself.

He saw Talfa, close to the elderly valide. She was scowling while her great black slave kneaded her arm and wept. To his surprise, Talfa dashed a knuckle to her eye, too. The valide’s fingers clenched and unclenched, a sign of impatience. Uncertainly, Yashim allowed his gaze to travel around the divan again. Yes, people were actually crying.

He stiffened. There it was again. The violin was on edge, a little flat. The whole ensemble was slipping out of time. Yashim shifted his weight: only a few bars, murky and discordant, yet for a moment he had felt as though he were on a lurching ship.

The room righted itself. The music flowed on once more. The four kalfas moved gravely toward the aunts, sisters, and cousins of the old sultan. Talfa scattered her coins with a shaky hand. The old valide’s mouth twitched.

It was a scene Yashim would not easily forget: the silent cradle, women crying, the band losing its way again, the children giggling and calling from the floor. Yashim shuddered, and muttered an involuntary blessing.

At last the kalfas turned to go back through the doorway. The Kislar aga stepped aside, and the cortege passed through. Nobody spoke. Some of the women looked afraid. Hands were held to lips. Apart from the gabbling of the children, the room was silent. Even the music had slowly petered out: in their neat little Frankish hats, instruments in their hands, the girls of the orchestra were looking about at one another, wide-eyed and bewildered.

From beyond the door came the sound of a woman’s scream.

In the silence that fell before the scream came again, Yashim sensed a relaxation of the mood, like an escaping sigh.

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