Randolph doesn’t deny this and Judy remembers Len’s comments about Randolph’s ‘magic powder’. She is absolutely furious with Cathbad. How dare he cavort in the woods with Caroline and not mention it to her when he knew she was conducting an investigation? He’s made a complete fool of her.
‘That does it,’ says Randolph suddenly. With a plaid blanket round his shoulders, he should seem ridiculous but instead he looks rather impressive, like an Indian chief. Watched by a bandaged Clough and a still sobbing Caroline, he goes to the writing desk in the corner of the room and starts scribbling. Then he turns and thrusts a piece of paper at Judy:
It is dated 10 November 2009, 2.30 a.m.
Judy is about to speak when flashing blue lights illuminate the room. Back-up has come at last.
Nelson is floundering in the sea. There are lights and voices but they are too far off now. The waters close over his head – black, stifling waters. He fights and fights for breath but knows that sometime soon even his battling spirit will give up and he will be content to drift, lying back on the outgoing tide. He makes a last titanic effort and, raising his head, sees the boat again, its stone sides lit by some inner radiance. If he can just raise up his hand to the boat. The water is as solid as glass. He can’t break through it. Then, with one last despairing thrust, his hand is above the waves and, miraculously, it is clasped in a strong hold.
‘It’s OK, Nelson. I’ve got you.’
‘Cathbad. Don’t let go.’
‘I won’t.’
CHAPTER 30
Ruth wakes up to Radio 4 telling her about fallen trees and blocked roads and villages without power. It is still dark outside. Six o’clock. In the garden, she can just see the faint outline of the bonfire. Kate is still asleep; though Ruth doesn’t realise it yet, it is the first time since early babyhood that she has slept through the night. But right now Ruth has other priorities. Pulling on a dressing gown, she crosses the landing to the spare room. Cathbad too is asleep, lying on his side with his arm stretched out, touching the floor.
Ruth shakes him roughly. ‘Cathbad! Cathbad!’
Cathbad opens his eyes. ‘Hallo Ruth. Is it morning?’
Ruth doesn’t bother to answer. Cathbad is alive. That’s enough for her. She runs back into her room where Kate is just starting to squawk. She changes Kate’s nappy and dresses her in warm clothes. Kate is so surprised by this turn of events that she is quiet, watching Ruth out of her great, dark eyes. Then Ruth gets herself dressed, throwing on clothes at random. She goes downstairs, feeds Flint (who is also surprised, though not displeased, at the early start) and makes some porridge for Kate and a black coffee for herself. Then, just as dawn is breaking over the Saltmarsh, she carries Kate out to the car. She doesn’t know when visiting starts but she’s determined to be at the hospital as early as possible.
In the car she switches on the local radio and learns that last night’s storm caused devastation around Norfolk. A tree fell on a car outside Swaffham, caravans in Cromer were destroyed and trains in and out of Norwich are delayed. But there seems to be nothing in the way of Ruth reaching the university hospital. She drives carefully, avoiding fallen branches and waterlogged gutters. As she reaches the King’s Lynn road she drives through water that is several inches deep; she skids slightly but the little car holds the road well. As she reaches the suburbs she sees rubbish bins strewn across the road and fallen hoardings extolling the beauties of Norfolk. Ruth drives on, unheeding. After a while she switches from the local channel back to Radio 4 and is, as ever, soothed by the familiar voices telling her about war, disaster and financial collapse. It is nearly seven o’clock.
She pays an extortionate amount to park in the hospital car park and carries Kate to the main entrance. It is some minutes before she finds the way to Intensive Care. She doesn’t want to ask for directions in case they tell her that babies aren’t allowed. But Kate is going to see her father, no matter what. Kate enjoys the adventure, trotting along beside Ruth through endless swing doors, up and down stairs, into lifts, across a glass walkway. This last transfixes her. Sky is all around them and pigeons are actually flying under their feet. ‘Bird!’ she shouts joyously. ‘Bird!’ ‘Come on, Kate.’ Ruth picks her up. They must, they must get there in time.
But the entrance to the Intensive Care ward is barred by an avenging angel. A nurse is actually standing in her path, arms akimbo.
‘You can’t bring a baby in here.’
‘But we’ve got to see Harry Nelson,’ pants Ruth. ‘It’s urgent.’
‘He’s not here.’
Ruth feels her legs giving way underneath her. She’s too late. Nelson is dead and she will always know that she failed him. As she struggles to frame the fateful question, a voice behind her says, ‘Ruth?’
Michelle is standing by the sign telling visitors to wash their hands. She is putting away her phone. Is she ringing her daughters to tell them… what? There’s no clue in Michelle’s pale, closed face. Ruth runs towards her, bouncing Kate against her hip.
‘So you’ve come, have you?’ says Michelle.
‘Is he…’ Ruth stops. She is a coward, even at the last.
Michelle stares at her for a long moment then she says, with the faintest trace of a smile, ‘He’s regained consciousness. They’ve moved him onto a ward.’
‘What? Oh my God.’ Suddenly Ruth’s feet can’t hold her any longer and she and Kate collapse onto a nearby chair.
‘Yes. At about three o’clock this morning,’ says Michelle, almost as if she’s talking to herself. ‘He’s very weak but they think he’s going to make a full recovery.’
‘Oh God.’ Ruth leans forward, tears spilling from her eyes. Kate touches them experimentally. ‘Mum?’
‘I’m going home to get some sleep,’ says Michelle. ‘I’ve just rung the girls. Neither of them slept a wink either.’
But I did, thinks Ruth, and so did Kate. She feels as if they have failed some important test. She stands up. ‘Thank you,’ she says. ‘Thank you for telling me.’ And she turns to follow Michelle back out of the swing doors.
Michelle stops her with an imperious hand. ‘Don’t you want to see him?’
‘Yes… I… I didn’t think…’
Michelle gestures towards a door on their left. ‘He’s in there. They’ll probably let you in. Go on. Take Kate to see him.’
Judy is mopping up. She has just finished an exhaustive debrief with Whitcliffe and feels as if she has been awake for several years. Len Harris was apprehended at King’s Lynn airport, where he kept a private plane. He must have come back to the yard, seen the police cars and made a run for it. He is in the process of singing to the rooftops. Tamsin, on the other hand, drove calmly back to London, where she attempted to resume her life as a blameless solicitor and mother of two. ‘You should have seen the house,’ one of the London PCs tells Judy over the phone. ‘It was like something out of a magazine, everything perfect, a Range Rover and a BMW in the garage, two kids at private school. Poor little sods. I felt for them, setting off for school in their boaters while their mum was on her way to prison.’
Was this why Tamsin had masterminded the drugs smuggling operation, just so that she could send her children to private schools wearing boaters? It doesn’t seem enough to Judy. Tamsin was born into a wealthy family; she had obviously worked hard and established herself in her career. Her husband is a successful banker. (Does he know about it, Judy wonders, or does he think that the Range Rover and the BMW came from the Top Gear fairy?) Surely Tamsin had enough of everything without turning to crime? Maybe the more you have, the more you want. Maybe it was the adventure that appealed to her, the idea of carrying on a complicated illegal operation under the noses of her father and sister. Or maybe she just resented all the time spent on the horses. Because Tamsin, according to Caroline, was the one who really couldn’t stand horses. Randolph had been an amateur jockey, Caroline toiled away in the yard for little reward or appreciation but Tamsin really hated the animals.
Tamsin had got as far as possible from the world of mucking out, dawn rides and endless backbreaking work, only to be drawn back in at the suggestion of Len Harris, a man with vast experience, both of horseflesh and drugs.
