“I’ve seen all kinds of things written or drawn on walls underneath wallpaper,” Tom began. “Lots of dates with names of wallpapering crews—some cute messages, too. I remember one where some girl wrote, ‘Finally, I’m getting new wallpaper for my room.’ It’s common to see kids’ names and ages in kids’ rooms. Less often, I see a drawing obviously done by a kid. But until I saw the drawing in Veronica’s room, I’ve never seen anything upsetting on a stripped wall.”
“What is in the drawing?”
“It’s a drawing of a girl with long hair and her father, flying a kite. I know that, because it says ‘DADDY’ under the man. But—I almost hate to tell you this—the man has a big penis sticking out from his front.”
“Are you sure?”
“I took a picture, so you can see it for yourself.”
“Can you draw it for me?”
“I tried to copy it.” Tom took a much-folded piece of paper from his pocket and spread it out on the makeshift table.
“Oh, Tom! I’ll have to see the photo to be sure, but I think the thing you think looks like a penis is actually a picture of Erik’s tie.”
“What makes you think that? Why would it be so huge, and why would it stick out like that?”
“I’ve just come from Erik’s office. He has a family portrait taped up, drawn some years ago by Veronica. I couldn’t help noticing Veronica drew her dad wearing a huge purple tie. She drew her mother holding an oversized pocketbook, too.” Liz scrutinized Tom’s drawing. “See the kite in this drawing? Maybe she’s remembering an outing with her dad on a windy day. The tie blew around in the wind.”
Tom looked doubtful. “For Veronica’s sake, I hope that’s true. But I wouldn’t count on it. What kind of guy takes his kid out kite flying dressed in a business suit?”
“I don’t know,” Liz admitted. “But I do know it’s all too easy to vilify the husband when a wife goes missing.”
“I think you’d better not get too attached to this family, Liz. You might be disappointed in them.”
Liz poured more coffee and opened the bakery box. As she placed the gingerbread man and woman on napkins, she noticed how huge the raisin buttons were in proportion to their icing outfits. But she didn’t point this out to Tom. Finishing off the cookies, the two sat side-by-side in silence. Inside the steamy vehicle, the homey blend of gingerbread and coffee fragrances made a sharp contrast with their worries about the Johansson family.
Chapter 20
After the gingerbread was consumed, Tom took Liz’s hand and led her back to her car. As he gave her a hug, Liz realized he was never the first to end an embrace. When they broke apart, he added his drawing to a plastic bag containing the point-and-shoot camera and handed the bag to Liz. Taking it, Liz gave Tom a kiss and made sure she was the last to end it before getting into her car.
Thankful the snowfall was less intense, Liz wound her car through deep snow to the well-plowed Massachusetts Turnpike. Her route from Newton to Boston took her past her own little house. The winds of the snowstorm had formed drifts around it. They had also given the billboard—which read, “Maksoud Motors: We always go the extra mile!”—a frosty whitewash. Liz remembered Tom would be changing the billboard’s advertisement soon, since Old Man Maksoud had hired the space for end-of-year car sales only. It was only a few days until January 1st.
As was usual during a daytime snowstorm, the
“The doctor says he’ll call you around 4:40,” Rene said taking the point-and-shoot camera Liz handed him. “These things are a bitch to take apart,” he said, “but I’ll do my best. I’m on overtime in ten minutes. Will I be able to claim the overtime, or am I doing you a favor?”
“Um hm,” Liz said, looking into the plastic bag the camera had been in. She saw it contained Tom’s drawing
“What do you mean by ‘um hm’, Liz? Which is it, pictures for a story that will run or another of your speculative ventures?”
“It’ll run,” Liz said, listening to the radio that was always turned on in the photo department.
“
Certain the
Back in the Tracer, Liz headed west on the Massachusetts Turnpike, listening to news radio as she drove. The back of her billboard was still lit with “MERRY XMAS LIZ” spelled out in lights. Allowing herself a fleeting smile, she listened carefully as the radio announcer reported more breaking news in the Johansson case.
“‘We have evidence two people were injured in Ellen Johansson’s kitchen,’ Newton police chief Anthony Warner told WLTR-News today. Two days after the Newton librarian and mother of one went missing, leaving bloodstained cookie-making ingredients on her kitchen counter, police confirmed the blood belonged to the missing woman herself. Now, Warner revealed, analysis of swabs taken from the kitchen floor area indicates another, unknown person was also injured in that kitchen.”
“Shit!” Liz exclaimed, thinking she’d lost her scoop. But then she realized WLTR did not have the whole story. Only she and Kinnaird knew the probable identity of the second injured party. She had to believe the doctor would not share his information until she reported it and turned in the cigarette butts to the police. Still, the timing of the WLTR report was a disaster in the making for her. As soon as she got off the turnpike onto Route 16, she pulled over and phoned the city desk.
“I know who the unidentified bleeder may be,” she told Dermott McCann without preamble.
“Then where the hell are you? I realize it’s your day off, Higgins, but were you waiting to be back on the clock tomorrow to tell me?”
“What do you think?” Liz shot back. “Ask DeZona if you want proof I’ve been on this all day.”
“Since when do you report to DeZona?”
“Look, Dermott, I don’t have time to argue with you. Just trust me on this one. While I verify one more piece of information, save me a four-inch front page story with a twenty-two-inch jump and a front page teaser for a ten-