palanquin carried on the shoulders of six men. He wore a large white skullcap, his long black hair flecked with silver, as was his beard, and his face was fiercely intelligent. A young woman ran alongside, a hand on the palanquin. She was all in black, as if mourning, and wore a silk chador, a loose shirt, and leggings. She had big eyes and high cheekbones in an olive face.

As the group passed, Selim s eyes swept over Roper and his party, showing no interest, no emotion, as if they didn t exist, and two people plunged on into the crowd, joined up with others waiting beside a stand. The palanquin was lowered, disappearing from view, and a moment later Ali Selim was standing high above the crowd to a roar of acclaim and an equally loud chorus of jeers and shouts. His voice boomed through a loudspeaker.

I have a right to be here, to speak the truth. As a British citizen, I am affronted that the President of the United States can be welcomed here in the city of my birth without any consultation with those citizens who think as I do. He is a war criminal who deserves only execution as retribution for the thousands of innocents who have died in an unjust war. Praise be to he who becomes his executioner!

An egg hit him on the side of the face, and as he turned he was caught by another, and then some sort of ball struck him in the mouth, which immediately started to bleed. He disappeared quickly, and the crowd roared as fighting began.

The riot police surged past the van, their shields up, batons ready, and Roper said, That s it, folks. Heave me inside, Tony, and let s get out of here.

Holley helped, wheeling him onto the hydraulic lift, which had the chair inside in seconds. If anyone wants a lift, jump in, Roper said.

I ll walk, Duval said. I ve other things to do, but I ll be in touch.

You don t want to hang about here, Roper said to Holley and Sara. Maggie Hall does a lovely lunch at Holland Park.

You could try your new weapon on the firing range, Holley suggested.

Good idea, Sara said. We ll do that.

SEVEN

They climbed in, and Tony turned from the rioting mob and drove off. Henri Legrande, some little distance away, saw them go, and Duval make his way toward the subway, as many people did, fleeing from the violence. He joined in, keeping an eye on Duval, who was some distance ahead.

On the other side, some people made for bus stops and others hailed taxis or walked down Park Lane. Duval was on the heels of a group of seven or eight who turned into Upper Brook Street. As Henri rounded the corner, Duval, concealed in a doorway on the other side of the street, took a photo with his mobile phone.

Henri hurried after the group, realizing that he had lost his quarry when they reached Grosvenor Square, not that it really mattered. He d just been interested in who the fellow Frenchman might be. Kelly was parked across from the American Embassy, and Henri joined him.

What was it like? Kelly asked.

Terrible. A real bloody riot, Henri told him, and Kelly drove away, passing Duval, who had been watching.

Duval called Roper on his mobile and told him what had happened. Roper said, I must say, Claude, it would be a remarkable coincidence.

My dear Giles, I understand life to be full of them, but admit I could be wrong. If he hadn t cursed someone he was wrestling with in that mob in rather rude French, I would not have paid him the slightest attention, but why was he following me?

You re quite right, so first things first. I ll have Dora look at the photo. If she says it s the Pernod drinker from the Dark Man, then we ll obviously seek assistance from your Paris files.

Excellent. Give me your number and I ll patch the photo through now.

Roper did as he was asked. We re still in the van on the way to Holland Park, but it will be waiting when we get there.

Duval lit a cigarette, thinking of the sign he had noticed on the side of the Citro n van as it passed. Mary s Bower. Quite intriguing, that. Something to do with religion perhaps. And he walked away.

When they arrived at Holland Park, the four of them went into the computer room, and Henri Legrande was on one of the many screens. Roper had explained the situation to them on the way.

He said to Doyle, You re the copper. What do you think?

Doyle said, Mid-sixties, could be older. Very self-contained. Don t let the glasses fool you that s just age. He s been a soldier.

Sara said, How can you be sure of that?

Because I ve been a military policeman for seventeen years. We guard the wall, we take care of the bad things that ordinary folk can t face. We can kill when we have to. Not many people can do that.

Now then, Tony, you re waxing lyrical again.

Yes, I ll put myself on report, Major. There was some talk of Captain Gideon trying out her new weapon on the firing range. Shall I go down and prepare?

An excellent idea, Roper said. You carry on, Tony, and we ll catch up with you in fifteen minutes.

The firing range was at the rear of the main building, a long concrete bunker under the garden and dating from the Second World War. It was reached by a lengthy sloping tunnel, Roper leading the way into a cold and gloomy room, harsh white light at one end, illuminating a line of twelve targets representing charging soldiers in uniform, nationality unspecified. Tony Doyle was standing at a long table with a range of handguns laid out and sound mufflers for everyone.

Here we are, then, Roper said. What have you got for us, Tony?

There s a Glock here, a Browning Hi-Power, a. 44 Magnum, and a Beretta. Tony picked up the Browning. My personal favorite, Major.

Give it to me. Roper held out his hand, took the weapon, and lifted it. It s been a long time.

Tony slipped some mufflers on him. Roper gripped the left arm of his chair and fired from left to right three times, hitting each target in the chest.

You re still up for it, sir, Tony said, and Roper handed him the weapon. You finish.

Which Tony did, all heart shots. Will that do, sir?

Try not to sound so satisfied, Tony, Roper said.

And see to Captain Gideon.

Sara had covered her ears, taken the Colt from her shoulder bag, and loaded it. She weighed it, then fired, double-handed, very fast at the fourth target, riddling the heart and chest area.

Tony took the Colt from her. Not much left with those hollow points, ma am.

She picked up the Glock, remembering, face serious, extended her arm, and shot the fifth target in the heart. No one said a word, and she laid it down carefully. A good gun to have in a bad place.

She picked up her Colt and returned it to her shoulder bag, and Holley said, Lunch, anyone?

Roper sat there, a slight smile on his face, as if waiting for something, and Tony picked up the Browning, held it out without saying a word, and Holley took it. Do I have to?

Josef Lermov called it a gift from God, said Roper. We must show Sara.

More like a curse. Holley turned sideways, left hand on hip, right arm extended like some old Western gunfighter and double-tapped the last three soldiers, shooting out their eyes.

Oh, my God, Sara said softly.

Satisfied, Giles? Holley asked.

Absolutely, Roper said calmly. Let s go and have Maggie Hall s idea of a simple lunch. French onion soup, tossed salad, poached salmon with Lyonnais potatoes. Join us, Tony, when you re finished here.

He coasted out in his electric chair. Sara took Holley s hand without a word, and they walked after him.

After the meal, they went to the computer room and discovered the news screen alive with footage of the riot in Hyde Park. It had all been caught: Ali Selim s dramatic arrival, his appearance and subversive speech high above the crowd, including the rain of missiles, the riot police surging past the van. There was some further footage

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