direction.
' I can hear him say, 'Oh, you sister of Cain, why slayest thou thy brother? ' '
A dead silence dropped like a pall over the cooking congregation. Every eye was turned on Dulcy. She cringed in her seat. Johnny stared at the preacher with a sudden alertness, and the scar in his forehead came suddenly alive.
Mamie half arose and cried, 'It ain't so! You know it ain't so!'
Then a sister in the amen corner jumped to her feet, with her arms stretched upward and her splayed fingers stiffened, and screamed, 'Jesus in heaven, have mercy on the poor sinner.'
Pandemonium broke loose as the Holy Rollers jumped to their feet and began having convulsions.
' Murderess! ' Reverend Short screamed in a frenzy.
'… murderess…' the church members responded.
'It ain't so!' Mamie shouted.
' Adulteress! ' Reverend Short screamed.
'… adulteress…' the congregation responded.
'You lying mother-raper!' Dulcy shouted, finally finding her voice.
'Let him rave on,' Johnny said, his face wooden and his voice toneless.
' Fornication! ' Reverend Short screamed.
At the mention of fornication the joint went mad. Holy Rollers fell to the floor, frothing at the mouth, rolled and threshed, screaming, 'Fornication… fornication…'
Men and women wrestled and rolled. Benches were splintered. The church rocked. The coffin shook. A big stink of sweating bodies arose. 'Fornication… fornication…' the religious, mad people screamed.
'I'm getting out of here,' Dulcy said, getting to her feet.
'Sit down,' Johnny said. 'These religious folks are dangerous.'
The church organist began jamming the chorus of Roberta Lee on the church harmonium trying to restore order, and a big fat dining-car waiter cut loose in a high tenor voice:
'Dis world is high,
Dis world is low,
Dis world is deep and wide,
But de longes' road I ever did see,
Was de one I walked and cried…'
Thoughts of the long road brought the fanatics to their feet. They brushed off their clothes and sheepishly straightened up the broken benches, and the organist went into Roll, Jordan, Roll.
But Reverend Short had gone beyond restraint. He'd left the pulpit and come down in front of the coffin to shake his finger in Dulcy's face. The undertaker's two assistants threw him to the floor and knelt on him until he'd calmed down; then the business of the funeral proceeded.
The congregation arose to the harmonium strains of Nearer My God To Thee and filed past the coffin for a last look at Big Joe Pullen's mortal remains. Those on the mourners' bench were the last to pass, and when the coffin lid was finally closed Mamie flung herself across it, crying, 'Don't go, Joe, don't leave me here all alone.'
The undertaker pried her loose, and Johnny put his arm about her waist and started guiding her toward the exit. But the undertaker stopped him, tugging at his sleeve.
'You're the chief pallbearer, Mr. Perry, you can't go.' Johnny turned Mamie over to the care of Dulcy and Alamena.
'Go along with her,' he said.
Then he took his place with the five other pallbearers, and they lifted the coffin, bore it down the cleared aisle and between the lines of police on the sidewalk and slid it into the hearse.
Members of Big Joe's lodge were lined up in parade formation in the street, clad in their full regalia of scarlet coats with gold braid, light blue trousers with gold stripes, and headed by the lodge band.
The band broke out with The Coming of John, and the people in the street joined in singing with the choir.
The funeral procession, led by the hearse, fell in behind the marching lodge brothers.
Dulcy and Alamena sat flanking Mamie Pullen in the first of the black limousines.
Johnny rode alone behind the third limousine in his big open-top fishtail Cadillac.
Two cars behind him, Chink and Doll Baby followed in a blue Buick convertible.
The band was playing the old funeral chant in swingtime, and the trumpet player took a chorus and rode the staccato notes clear and high in the hot Harlem sky. The crowd was electrified. The people broke loose in mass hysteria, marching in swingtime. But they marched in all directions, forward, backward, circling, zigzagging, their bodies gyrating to the rocking syncopation. They went rocking and rolling back and forth across the street, between the parked cars, up and down the sidewalks, sometimes a boy taking a whirl with a girl, most times marching alone to the music, but not in time with the music. They were marching and dancing to the rhythm, between the beats, not on them, marching and dancing to the feeling of the swing, and still keeping up with the slowly moving procession.
The procession went down Eighth Avenue to 125th Street, east to Seventh Avenue, turned the corner by the Theresa Hotel and went north toward the 155th Street Bridge to the Bronx.
But at the bridge the band pulled up, the marchers halted, the crowd began to disperse, the procession thinned out. Harlem ended at the bridge, and only the principals crossed into the Bronx and made the long journey out Bronx Park Road, past the Bronx Park Zoo, to Woodlawn Cemetery.
The built-in record player in the hearse began playing an organ recording, the thin saccharine notes drifting back over the procession from the amplifiers.
They went through the arched gateway into the huge cemetery and stopped in a long line behind the yellow clay mouth of the open grave.
The mourners encircled the grave while the pallbearers lifted the coffin from the hearse and placed it upon a mechanical derrick that lowered it slowly into the grave.
An organ recording of Swing Low, Sweet Chariot began playing, and the choir sang a moaning accompaniment.
Reverend Short had gotten himself under control and stood at the head of the grave, intoning in his croaking voice:
'… in the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it was thou taken: for dust thou art, and unto dust shalt thou return…'
When the coffin touched the bottom of the grave, Mamie Pullen screamed and tried to throw herself after it. While Johnny was holding her, Dulcy suddenly crumpled and swayed toward the edge of the pit. Alamena clutched her about the waist, but Chink Charlie stepped forward from behind and put his arm about Dulcy and laid her upon the grass. Johnny caught a glimpse of them out of the corner of his eye, and he pushed Mamie into the arms of a deacon and wheeled toward Chink, his eyes yellow with rage and the scar on his forehead livid and crawling with a life of its own.
Chink saw him coming, stepped back and tried to pull his knife. Johnny feinted with his left and kicked Chink on the right shin. The sharp bone pain doubled Chink forward from the head down. Before the reflex motion had ceased, Johnny hit Chink back of the ear with a clubbing right; and when Chink fell reeling to his hands and knees, Johnny kicked at his head with his left foot, but missed it and grazed Chink's left shoulder instead. His lightning glance saw a spade in a grave digger's hand, and he snatched it out and swung the edge at the back of Chink's neck. Big Tiny from Fats's restaurant had closed in to stop Johnny and grabbed at his arm as he swung the spade. He didn't get a grip but managed to turn Johnny's arm so the flat of the spade instead of the edge hit Chink in the middle of the back and knocked him head over heels into the grave, on top of the coffin.
Then Tiny and half a dozen other men disarmed Johnny and wrestled him back to the gravel drive behind the plot of graves.
Johnny was circled in by his underworld friends, with Fats wheezing, 'God damn it, Johnny, let's don't have no more killings. That wasn't nothing to get that mad about.'
Johnny shook off their hands and straightened his disarranged clothes. 'I don't want that half-white mother-
