They still stared at her from the shadows, every head turned toward her. The bright motley they wore proclaimed their profession: they were tumblers and acrobats, rope-climbers and jugglers, performers such as she might have seen in a troupe at a Summer Fest or performing solo for tossed coins at the edge of the Great Market in Bingtown. They were impossibly still, and even after she had fully realized that they were statues, she still ventured a wavering “Hello?”
Her voice carried through the hall and bounced back to her. On the far side of the room, the curtains that draped a theater box suddenly gave way and fell with a
She forced herself to turn and walk the aisle that circled the seating to reach the first of the figures.
She had thought that up close they would be less unsettling. They weren’t. Each was exquisitely carved and painted. A juggler clad in blue and green had paused, two balls cupped in one hand and three in another, his head cocked quizzically, his copper-green eyes squinting in the beginning of a smile. Two steps beyond him, a tumbler had halted, one hand held out to his partner, chin tucked in to his chest as he stared curiously out at the empty seats. His partner was dressed in yellow-and-white stripes to match his motley, and her hair was an untidy tumble of black curls. Her lips were curved in a mischievous smile. Beyond the couple, a stilt walker had dismounted from his sticks and leaned them against his shoulder to regard the empty hall. He wore a bird-beak mask, and an elegant headdress mimicked a bird’s topknot of feathers.
On and on she walked; no two figures were alike. Here was a slender boy stepping up on an offered knee preparatory to mounting his partner’s shoulders. Here was a man with a flute set to his lips and three small carved black dogs at his feet, all on their hind legs and ready to dance to his tune. The next was a girl with her face and arms painted white, in a gown decorated with gilt to mimic golden thread. Gilded, too, was her crown of feathers and rooster heads, and in her hands a scepter that looked more like a feather duster. Beyond her were twin girls, as lithely muscled as ferrets and clad only in brief bright skirts and a twist of cloth that scarcely covered their breasts. The skin of their arms and bellies and legs was painted with extravagant curlicues of blue and red and gold. Alise paused before them, wondering if the designs had been tattooed on or if they had been painted afresh for each performance. She had no doubt that each carving represented a very real and individual member of an entertainment troupe that had once performed in this very theater.
Completing her slow circuit of the theater, she stood once more looking down on the stage. How did one document this? Or explain it? Why bother? A year from now, or two, every one of the statues would be gone, separated from their company and carted off to Bingtown to be sold to the highest bidder. She shook her head but could not clear it of the dismal thought. “I’m sorry,” she told them softly. “I’m so sorry.”
As she turned to leave she noticed a gleam of something on the floor. She scuffed her rag-wrapped boot across it, baring a silver strip as wide as her hand. She knelt down, pulling off her worn glove, and used her hand to brush the dust from it. But at the touch of her hand, the silvery strip sprang to life. Light raced away from her touch in all directions, ribbons of it emanating from where she stood, outlining the aisles and racing up the walls to frame the distant overhead window in a complicated knot of silvery gleaming light.
“Jidzin,” she said quietly, almost calmly. “I’ve seen this before, the metal that lights at a touch. There was a lot of it in Trehaug, once.” But she doubted it had been like this. This was completely intact and functional. She remained stooped, touching the strip and looking up in wonder at how the silver light woke the ancient hall to gaiety. Almost she expected the music that would announce the pause before the beginning of a performance.
Every hair stood up on her body as a ghostly music began to play. It was thin and distant but unmistakably cheery. A horn tootled merrily, and some string instrument pursued it, note for note. And then the statues began to move. Heads nodded in time to the music, the feather duster became a baton, the twin girls moved in unison, a step forward, a step back. Alise gave a sob of terror as they came to life. She tried to get to her feet and instead sat down flat. “No,” she whispered in an agony of fear.
But the statues came no closer. The music played and they moved, nodding time, waving hands gently, lips smiling but eyes unseeing. As she watched, the music faltered, the statues’ gestures became more hesitant and sporadic, and then, as the music broke and wavered unevenly, the statues shuddered to a halt. The music ceased and the silvery shining of the jidzin slowly failed. In moments, the only light in the great hall came once more from the distant overhead glass dome, and the statues fell to stillness.
Alise sat on the floor, rocking herself gently. “I saw it. It was real,” she assured herself. And knew as she spoke the words that she was the last person who would ever see this particular Elderling magic.
Outside, the rain had ceased. The wind was cold, but it was pushing the clouds clear of the sun, and the additional light was very welcome. Alise pulled her damp cloak closer, but the wind found every tear in it and fingered its way in to touch her with chill hands. She hurried along, then turned down a side street to escape the direct push of the wind. She startled when a raven gave a sudden disapproving caw and lifted from the eaves of a building to sweep away in flight. Here, if she walked close to the front of the buildings, she was sheltered and the weak sunlight even held a trace of warmth. She pulled her gloves back on as she walked. When was the last time she had felt warm all the way through? The answer came quickly: the night before Leftrin had left to return to Cassarick. She wondered where he was on the river and how the storms were affecting his passage. He had assured her that the trip downriver would be much swifter than the one upriver had been, and that the shallows that had slowed their passage and confounded them for days would no longer exist.
“All we’ll have to do is follow the strongest current downstream; there’s no trick to it. And if we have doubts, well, I’ll just let Tarman have his head, and he’ll find the way for us. Trust me. And if you cannot trust me, trust my ship! He has protected generation after generation of my family from this river.”
And she did trust, both her captain and his liveship. But she wished Leftrin was here. She longed for his return as much as she dreaded it, for when he came back, the days of this untouched city would be numbered. A pang of guilt struck her. There was work to be done, a vast amount of work. The short winter day was passing swiftly, and she had to be back and waiting for the dragon before sunset.
She walked quickly past two buildings that had fallen prey to time or earthquake or perhaps both. The facade of one had collapsed, leaving a heap of rubble that spilled out into the street, revealing its deserted interior. As she clambered over it, she marked how the building next to it leaned on the first. Cracks ran up through the black stone foundation. She hastened past them on the far side of the street.
Shivering now, and hungry, Alise decided to find shelter in which to eat her noon meal. She had strips of dried smoked meat in a packet and a small bottle of water. Simple food, but her hunger made her mouth water at the thought of it. What wouldn’t she give, though, for a cup of steaming tea, spiced with cinnamon and sweetened with honey. And a few of those greasy sausage rolls that the street vendors sold in Bingtown! Tubes of flaky pastry, oily and brown edged, stuffed full of spiced sausage and onion and sage.
Don’t think about such things. Don’t think about hot rich food, or new warm woolen stockings, or her heavy winter cloak with the fox fur collar and hood, folded uselessly on a shelf in Hest’s house. How she longed to feel its welcome weight on her shoulders.
At the end of the street, an immense plaza, paved all in white stone, glittered in the sun dazzling her eyes. It seemed to have been created for giants. A huge dry fountain held a statue of a green dragon clawing his way into the sky, his gleaming wings half opened. Was it oversized, or could the creatures truly attain that size? She gaped at it, imagining a horse sliding down that throat in one gulp.
Beyond the fountain a wide set of steps led up to an immense building. Gigantic white figures in bas-relief graced the outside of the black walls. A woman was plowing a field behind a team of oxen. She wore a crown of flowers, and her skillfully portrayed diaphanous robes appeared to billow behind her in the wind. Her slender feet were bare. The image made Alise smile as she imagined what the woman would look like at the end of a single furrow, let alone a whole plowed field. Someone had indulged a very artistic imagination in that image!
She lifted her eyes to consider the tower that reared up from the massive building. At the very top was a dome made with curved glass panels. A glance around her assured her that she had come to the tallest structure on this hilltop, and perhaps the tallest in the city. As she dropped her eyes again, her gaze fell on the inscription chiseled above the entryway. The Elderling characters writhed and danced, enticingly familiar in their evasion of her understanding. Lions of stone guarded the entryway.
Very well. She would go inside, eat her meal, and then see if the steps to the tower were still intact. If they were, she would take advantage of that viewpoint to create a grand sketch of the entire city, something she should probably have done when she first came here! She began the long climb to the entrance. The steps were broad and
