an interesting mix of art students, journalists, writers, etc. But the ’Croft was just one more fixture in her life that she questioned. She’d met Jack here; she knew everyone. And that made this whole thing so much more unpleasant. Thank God she and Ginny were going on the retreat. Time away. Time heals.
They were both confused; she knew that. At the onset, their problems had bonded them. But now? Jack had had a serious drinking problem after the Longford case. It was before they’d met. Something about a pedophile ring and child pornography. Jack had solved the case, but its aftermath had nearly destroyed him. Veronica sometimes forgot that he had problems too. How many times had her own confusion deluded him? How could he still pursue her when the language of her life clearly stated that now was not the time for her to be in love? It didn’t matter that she loved him. Her life was missing something.
“I’m going on a retreat,” she said. “This creative thing.”
“
“A forum for artists. We get together and look into ourselves.”
Jack closed his eyes as if to nudge something back, rage probably. “Look
“Hey, gang,” Craig cut in. “What can I do you for?”
Craig was the weeknight barkeep. He was notorious. He probably accounted for half the ’Croft’s business alone, via women. Ultimate charisma and preposterous good looks. Women had to take a number to go out with Craig.
Veronica and Jack smiled; they always did. Like nothing was wrong. Like,
They ordered two Glenfiddich on the rocks…and smiled.
When Craig turned away, Veronica repeated, “I need a vacation.”
“
Veronica’s throat lurched. “I meant a vacation from you.”
There. She’d said it.
Jack’s eyes strayed down the bartop, then to the lilacs. He absently lit a cigarette and spewed smoke.
“I know. Wild oats,” he said. “That’s usually the guy’s line.”
“Artists need to experience new things. I really haven’t, and I need to…to be a better artist.”
Jack bitterly tapped an ash in the big Spaten tray. “Don’t bullshit me. This is about sex, isn’t it?”
“Getting laid by every swinging dick on the street is not going to make you a better artist, Veronica.”
There he went again. Hostility. Sarcasm. Petty jealousy. He didn’t even want to know what she meant.
He went on, “You’re famous now, and—”
“I’m not famous.”
Jack laughed. “TV interviews and news articles mean famous. Hey,
“Sometimes you’re the biggest asshole on earth,” she said.
He didn’t hesitate. “I know that. But let me tell you something, honey. If you’re looking for perfection, good luck. You ain’t gonna find it.”
Now she wanted to kick him as hard as she could. Were all men this immature, this pitiable?
He slumped at the barstool. Craig put their drinks down, knowing it best to walk away.
Jack’s voice sounded ruined and black. “But I still love you.”
He was trying not to break apart in front of her. “I want us to give it one more shot,” he said.
Veronica gulped and said nothing. The pause unreeled like a long rope over a cliff.
“At least tell me this. Have there been other guys since we’ve been together? Just tell me. I’ve got to know.”
“I—” she said. She felt forged in ice.
“Just one,” she said.
Jack’s face looked about to slide off his skull.
“It wasn’t sexual. It was just, you know—”
“No. No, I don’t know. So tell me.”
She looked into her drink as if its depths possessed cabalistic answers. “It was rapport or something. He was the one who invited me to the retreat. When I met him…sparks flew.”
“Sparks flew!” Jack countered too loudly. “Sparks fly when my muffler falls off my car, but I don’t fall fucking in love with it!”
Craig looked on forlornly from across the bar; so did several customers. All Veronica could do was close her eyes.
“Our relationship is over, isn’t it? Yes or no?”
She looked everywhere but at him. “Yes,” she said.
He was nodding slowly, numbly, eyes shut. “So who’s the new guy? What’s his name?”
Veronica gazed again at the dying lilacs. “Khoronos,” she said. “His name is Khoronos.”
What was it about the man?
Certainly more than his looks. Veronica never let that sway her. Maybe just timing and place. Success could be obstructive a lot of the time. The show, the praise, the sales that Stewie had made. But that wasn’t it either. Something about the man himself. His air, perhaps.
“My name is Khoronos,” he’d announced in a faint, attractive accent she couldn’t place. “I’ve long been a voyeur of subjective psychology in modern art.”
Subjective psychology? He must be another critic. “Voyeur is a strange way of describing artistic enthusiasm.”
“Is it, Ms. Polk? Is it really?”
He stood six feet, dressed in a fine gray suit. Well postured, slender. She could tell he was in good shape by the way the suit fit. He looked late forties, early fifties, and had long grayish blond hair to his shoulders, which added to his dichotomy.
“Besides, Mr…Khoronos, I paint objectively.”
He smiled like his accent. Faintly. “Of course. Just as Faulkner said he never put himself into his books, and da Vinci never used himself as his own model. It’s every artist’s right to lie about the motivations of his or her art.”
Was he trying to insult her? She
There was something about him, though. Just…something.
“Your work is brilliant,” he said.
The show had gone beautifully. She was used to them by now, and now that she’d broken somewhat into the big time, Stewie got her shows as frequently as possible, if not too frequently. A
And now this man. This Khoronos.
“I appreciate your compliment,” she eventually said.