“We give you flesh through blood, we give you body though spirit.”
“Flesh through blood,” came the antiphon. “Body through spirit.”
The Prelate kissed the dolch. The cloaked Surrogoti stood at opposite points of the Trine. The Prelate turned to face them.
They joined hands. They looked down and they prayed.
“Walk with us, Father.”
“Protect us.”
“Bless us, Father, and deliver us. Give us strength to do your will in this holy time, we your unworthy servants. Let us walk unseen and speak unheard so that we may give to you again. Bless us and come among us, Father.”
“Flesh through blood.”
“Body through spirit.”
The Prelate felt risen. He closed his eyes and looked.
Here was recompense. Here was truth.
The Prelate looked for the day when he, too, would join the ushers in their holy onus.
The earthworks led on. The Prelate glided serenely over turning fire and smoldering pits. The screams, like beautiful music, faded behind. Plinths studded the precipice, black cenotaphs and dolmens old as the world. Higher and higher the Prelate sailed, and down and down until soon there was no sound at all, only the serenity of this lightless, ancient place. He could feel the beauty of its presence, he could almost
Closer, closer…
The Prelate stopped.
He hovered in infinity, staring.
Before him stood the Father’s obsidian throne, and in it:
The Father.
The Father of the Earth.
“Aorista!”
“To you we give our faith forever,” wept the Prelate down into the Trine.
“Flesh through blood,” chorused the Surrogoti. “Body through spirit.”
The Prelate turned and held up the
The Surrrogoti raised their arms.
“Give us grace, O Father, to fulfill your destiny.”
“Baalzephon, hail!”
“Aorista!”
The cement floor, around the Trine, grew warm.
Chapter 22
Veronica looked up from her worktable. She heard footsteps. But when she peeked into the hall, the stairwell was empty.
The footsteps had sounded misplaced. They hadn’t even sounded like they were coming from the stairs.
The sketches had lacked
Last night’s dream of the burning man had been the most detailed yet.
Thus far her only attempts at self-portrait had been deeply expressionistic. This would have to be different, though; she would need to paint herself not in abstraction, but in a physical reality. She’d never done that before. The prospect excited her, but it was also a little bit scary.
What if she failed?
Sudden voices distracted her. Now she was sure people were in the hall. How could she have missed them when she looked a moment ago? The voices spoke in French. Marzen and Gilles were easy to tell apart. She got up again and listened through the door.
Gibberish composed the entire exchange. Then a third voice spoke, in English. It was Khoronos.
“She is tainted. I made a serious error.”
“
“It was my error,” Khoronos said. “I will assume my state of accountability.”
“Tomorrow?” Gilles asked.
“Tomorrow night,” Khoronos instructed. “But don’t worry about it now. You must go.”
Gilles and Marzen departed down the hall. Veronica peeked out the door. Both men were dressed in sleek, dark suits. Marzen seemed to be carrying something. A black pouch?
A door clicked shut to her right. That’s where they’d been, in the room made of mirrors. Khoronos had called it his “muse room.” What did he do in there? Veronica could picture him sitting in the silver room all alone, contemplating his wisdoms.
She heard Marzen and Gilles leave out the front door. Then a car started up and pulled off.
What had Khoronos said?