forcing her to fear, he would be able to heal his own courage, as he had done innumerable times in the past.

So he confidently took his place and gave order that the torture begin.

As the great wheel creaked and the leathern wristlets and anklets began to tighten a little, Mouse felt a qualm of helpless panic run over his body. It centered in his joints — those little deep-set hinges of bone normally exempt from danger. There was yet no pain. His body was merely stretched a little, as if he were yawning.

The low ceiling was close to his face. The flickering light of the torches revealed the mortises in the stone and the dusty cobwebs. Toward his feet he could see the upper portion of the wheel, and the two large hands that gripped its spokes, dragging them down effortlessly, very slowly, stopping for twenty heartbeats at a time. By turning his head and eyes to the side he could see the big figure of the Duke — not wide as his doll of him, but wide — sitting in a carven wooden chair, two armed men standing behind him. The Duke's brown hands, their jeweled rings flashing fire, were closed over the knobs on the chair-arms. His feet were firmly planted. His jaw was set. Only his eyes showed any uneasiness or vulnerability. They kept shifting from side to side — rapidly, regularly, like the pivoted ones of a doll.

“My daughter should be here,” he heard the Duke say abruptly in a flat voice. “Hasten her. She is not to be permitted to delay.”

One of the men hurried away.

Then the twinges of pain commenced, striking at random in the forearm, the back, the knee, the shoulder. With an effort Mouse composed his features. He fixed his attention on the faces around him, surveying them in detail as if they formed a picture, noting the highlights on the cheeks and eyes and beards and the shadows, wavering with the torchflames, that their figures cast upon the low walls.

Then those low walls melted and, as if distance were no longer real, he saw the whole wide world he'd never visited beyond them: great reaches of forest, bright amber desert, and turquoise sea; the Lake of Monsters, the City of Ghouls, magnificent Lankhmar, the Land of the Eight Cities, the Trollstep Mountains, the fabulous Cold Waste and by some chance striding there an open-faced, hulking red-haired youth he'd glimpsed among the pirates and later spoken with — all places and persons he'd never now encounter, but showing in wondrous fine detail, as if carved and tinted by a master miniaturist.

With startling suddenness the pain returned and increased. The twinges became needle stabs — a cunning prying at his insides — fingers of force crawling up his arms and legs toward his spine — an unsettling at the hips. He desperately tensed his muscles against them.

Then he heard the Duke's voice, “Not so fast. Stop a while.” Mouse thought he recognized the overtones of panic in the voice. He twisted his head despite the pangs it cost him and watched the uneasy eyes. They swung to and fro, like little pendulums.

Suddenly then, as if time were no longer real, Mouse saw another scene in this chamber. The Duke was there and his eyes swinging from side to side, but he was younger and there was open panic and horror in his face. Close beside him was a boldly handsome woman in a dark red dress cut low in the bosom and with slashes inset with yellow silk. Stretched upon the rack itself in Mouse's place was a strappingly beautiful but now pitifully whimpering maid, whom the woman in red was questioning, with great coldness and insistence on detail, about her amorous encounters with the Duke and her attempt on the life of herself, the Duke's wife, by poison.

Footsteps broke that scene, as stones destroy a reflection in water, and brought the present back. Then a voice: “Your daughter comes, oh Duke.”

Mouse steeled himself. He had not realized how much he dreaded this meeting, even in his pain. He felt bitterly certain that Ivrian would not have heeded his words. She was not evil, he knew, and she had not meant to betray him, but by the same token she was without courage. She would come whimpering, and her anguish would eat at what little self-control he could muster and doom his last wild wishful schemings.

Lighter footsteps were approaching now — hers. There was something curiously measured about them.

It meant added pain for him to turn his head so he could see the doorway; yet he did so, watching her figure define itself as it entered the region of ruddy light cast by the torches.

Then he saw the eyes. They were wide and staring. They were fixed straight on him. And they did not turn away. The face was pale, calm with a deadly serenity.

He saw she was dressed in a gown of dark red, cut low in the bosom and with slashes inset with yellow silk.

And then the soul of Mouse exulted, for he knew that she had done what he had bidden her. Glavas Rho had said, “The sufferer can hurl his suffering back upon his oppressor, if only his oppressor can be tempted to open a channel for his hate.” Now there was a channel open for him, leading to Janarrl's inmost being.

Hungrily, Mouse fastened his gaze on Ivrian's unblinking eyes, as if they were pools of black magic in a cold moon. Those eyes, he knew, could receive what he could give.

He saw her seat herself by the Duke. He saw the Duke peer sidewise at his daughter and start up as if she were a ghost. But Ivrian did not look toward him, only her hand stole out and fastened on his wrist, and the Duke sank shuddering back into his chair.

“Proceed!” he heard the Duke call out to the torturers, and this time the panic in the Duke's voice was very close to the surface.

The wheel turned. Mouse heard himself groan piteously. But there was something in him now that could ride on top of the pain and that had no part in the groan. He felt that there was a path between his eyes and Ivrian's — a rock-walled channel through which the forces of human spirit and of more than human spirit could be sent roaring like a mountain torrent. And still she did not turn away. No expression crossed her face when he groaned, only her eyes seemed to darken as she grew still more pale. Mouse sensed a shifting of feelings in his body. Through the scalding waters of pain, his hate rose to the surface, rode atop too. He pushed his hate down the rock-walled channel, saw Ivrian's face grow more deathlike as it struck her, saw her tighten her grip on her father's wrist, sensed the trembling that her father no longer could master.

The wheel turned. From far off Mouse heard a steady, heart-tearing whimpering. But a part of him was outside the room now — high, he felt, in the frosty emptiness above the world. He saw spread out below him a nighted panorama of wooded hills and valleys. Near the summit of one hill was a tight clump of tiny stone towers. But as if he were endowed with a magical vulture's eye, he could see through the walls and roofs of those towers into the very foundations beneath, into a tiny murky room in which men tinier than insects clustered and cowered together. Some were working at a mechanism which inflicted pain on a creature that might have been a bleached and writhing ant. And the pain of that creature, whose tiny thin cries he could faintly hear, had a strange effect on him at this height, strengthening his inward powers and tearing away a veil from his eyes — a veil that had hitherto hidden a whole black universe.

For he began to hear about him a mighty murmuring. The frigid darkness was beaten by wings of stone. The steely light of the stars cut into his brain like painless knives. He felt a wild black whirlpool of evil, like a torrent of black tigers, blast down upon him from above, and he knew that it was his to control. He let it surge through his body and then hurled it down the unbroken path that led to two points of darkness in the tiny room below — the two staring eyes of Ivrian, daughter of Duke Janarrl. He saw the black of the whirlwind's heart spread on her face like an inkblot, seep down her white arms and dye her fingers. He saw her hand tighten convulsively on her father's arm. He saw her reach her other hand toward the Duke and lift her open lips to his cheek.

Then, for one moment while the torch flames whipped low and blue in a physical wind that seemed to blow through the mortised stones of the buried chamber… for one moment while the torturers and guards dropped the tools of their trades… for one indelible moment of hate fulfilled and revenge accomplished, Mouse saw the strong, square face of Duke Janarrl shake in the agitation of ultimate terror, the features twisted like heavy cloth wrung between invisible hands, then crumpled in defeat and death.

The strand supporting Mouse snapped. His spirit dropped like a plummet toward the buried room.

An agonizing pain filled him, but it promised life, not death. Above him was the low stone ceiling. The hands on the wheel were white and slender. Then he knew that the pain was that of release from the rack.

Slowly Ivrian loosened the rings of leather from his wrists and ankles. Slowly she helped him down, supporting him with all her strength as they dragged their way across the room, from which everyone else had fled in terror save for one crumpled jeweled figure in a carven chair. They paused by that and he surveyed the dead thing with the cool, satisfied, masklike gaze of a cat. Then on and up they went, Ivrian and the Gray Mouser, through corridors emptied by panic, and out into the night.

Вы читаете Swords and Deviltry
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