Lightspeed: Year One

when nothing happened and the singing stopped, I just crouched there, waiting, until about half an hour later the first one liquefied on me, and then within half an hour after that, the other two had gone gravy, too.

You know those gravy packets that come with some kinds of TV dinners? The plastic pouches you throw into boiling water and then pull out of the pot with tongs, so you can cut them open to pour the gravy out? I guess some people use microwaves, but I think boiling water works better. Anyway, that’s what the cucumbers look like when they liquefy: giant gravy pouches. There’s a big sploosh, and then all of a sudden where there used to be something that looked like an animal, there’s just brown mush. If you pick up the suit then, it’s like holding a bag of thick brown water, and frankly it’s pretty disgusting. The first time I saw it, I nearly got sick, and then I got even more scared, wondering what would happen next.

Nothing happened. Nothing’s ever happened, after they go gravy. I think they’re dead, then. As near as I can tell, they come here to die. Why they’d come here, I have no idea. Don’t think I haven’t thought about it, but I’ve never come up with any idea that makes sense. The first few times it happened, I thought they’d just crashed here or gotten stranded, like motorists without water, and Earth had killed them somehow, or I had. But it’s been happening every five or six weeks for ten years, so now I think they come here deliberately. Maybe this is some kind of pilgrimage for them; maybe my house was built on some kind of alien shrine, like Area 51. I just don’t know. And I could be wrong, anyway. Maybe they aren’t dead at all. Maybe if I opened one of the suits up, they’d come back to life.

For a while I kept some of the cucumber-gravy bags stacked out where the newest ones could see them when they showed up; I thought maybe they’d show me somehow what to do with them. They never responded at all. It was like the gravy packets weren’t even there. Don’t ask me what kind of animal doesn’t recognize its own dead. Then I kept some of those first packets down in the basement, to see if they’d change over time, but they didn’t. The suits keep whatever’s inside from decomposing more, I guess.

Now I bury them. I’ve got forty acres here. I don’t know what I’ll do when my land gets filled in. Go out into the desert, I guess, and try to find places where people won’t see me, places that aren’t likely to get developed. Who knows what would happen if a backhoe sliced through one of those suits? None of the ones I’ve buried have ever gotten dug up by coyotes. I guess the cucumbers, dead or alive, are as invisible to coyotes as they are to the government. And as far as I know, the government hasn’t seen me digging, either. I don’t dig any time I can see or hear planes or ’copters, not that that’s any guarantee.

For a while at the beginning I thought maybe the cucumbers really were invisible, thought I was having hallucinations, losing it over Nancy Ann. I drove into Reno a bunch of times to use the Internet at the library—I won’t have a computer here because I don’t trust the government not to spy on what I’m looking up—and did research, trying to find out if anyone else was reporting space aliens who looked like sea cucumbers. Nothing. I keep checking, every six months or so, but if other people are getting visits, I’ve never found any sign of it. I’ve read about crop circles and UFO abductions and all kinds of damnfool things, but never anything about singing cucumbers in plastic suits who turn into mush.

After a few visits, I wasn’t scared of them anymore. They’re nothing if not predictable. Every five or six weeks I wake up and open the door and find a couple or three on my welcome mat. I’ve never seen any bright lights in the middle of the night, or heard anything; I just open the door and there they are. And they hop into the house, and forty-eight hours later, give or take an hour, they start singing. They sing for three to seven minutes, and within an hour after that, they go gravy.

Sometimes I wonder what my life would be like if they’d never started coming. Would I still be living here? Would I have taken all the money I’ve made and moved to Hawaii, the way Nancy Ann and I always planned? Would I have taken that trip around the world I dreamed about when I was a kid? As it is, three or four times a year I take off for a week or two, always right after the latest cucumbers have gone gravy. I go someplace fancy, someplace that might as well be a different planet—New York or New Orleans or Bermuda—and I live it up. Good hotels, good food, high-class hookers. Those women like me. I tip well, and I treat them like human beings. They don’t have to worry that I’ll get ugly on them, and I don’t have to worry that they’ll break my heart. Works out for everybody. I could use Nevada hookers too, of course, the legal ones, and sometimes I do, but it feels less like a vacation that way.

I enjoy those trips. But I always come back home, because I always know another batch of cucumbers will be landing on my welcome mat.

I’ve learned what they like over the years, or I think I have. They like heat: They shake and shiver less the closer they are to the wood stove, or something else warm. I don’t like having them in my living room for anyone to see, so early on I covered up the windows in the den and got some heavy-duty space heaters in there, the most powerful ones I could find at Home Depot. I figure the cucumbers wouldn’t move close to things that made them shake less unless shaking less meant they were comfortable or happy, so I started paying attention to what else makes them shake. I feel itchy when they shake; it’s like watching someone about to sneeze. They’re happier on soft things than on the floor, so I used to cover the floor of the den with pillows, but then one time I had an old black-and-white polka-dot beanbag chair and the cucumber sitting on that shook less than the ones on the pillows did. I experimented, moving them around—I felt fine picking them up by then—and all of them seemed to like the beanbag chair better, although some of them shook a little more on it than others did. They seem to have individual tastes, although I can’t tell them apart to look at them.

So I went to Wal-Mart—no sense buying fancy when budget will do—and bought a bunch of beanbag chairs. One of them was a really ugly day-glo pink, and I found out the cucumbers liked that better than the other colors, so I went back to Wal-Mart, but they were out of pink ones. They had day-glo orange and yellow and green, so I got those. The cucumbers love those day-glo beanbags. They seem to have different favorite colors, so when they get here I have to spend some time moving them around to see which one likes which color. But all of them like the day-glo chairs better than anything else.

The walls are another thing. Most of my house is decorated with Penthouse Pets and some Playboy pictures. That started as revenge after Nancy Ann left, but I kept doing it, because it makes me happy. Those women are even more beautiful than the hookers I hire, who can’t always arrange perfect lighting. But the cucumbers hate those pictures. Once I held one up to my favorite Penthouse Pet, as a kind of joke, and that cuke started shaking like it was about to explode. I tried it with a few others: same thing. Maybe they think naked humans look repulsive, the way lots of people would think the cucumbers themselves do.

So I drove into the library and got out a bunch of art books and started showing them pictures. They don’t have eyes that I can tell, but if you hold a picture up to any place along the middle of the cucumber, it will respond. French painters, that’s how they voted. Especially Matisse and Monet. So now I’ve got Matisse and Monet posters all over the walls of the den. I think those pictures are about as exciting as watching paint dry, and they seriously clash with the day-glo beanbags, not that I’m Martha Stewart. But when I put the cucumbers in that room now, they hardly shake at all.

Of course, there’s always the chance I’m wrong about all of it. If there’s anything I’ve learned, it’s that you can’t trust appearances, even in your own species. I loved Nancy Ann, and I thought she loved me. She was as beautiful as a Penthouse Pet, and she was smart and funny and taught me how to cook. I loved her even after she got religion; I loved her even after she started telling me that I was going to go to hell for cursing and growing pot and reading Penthouse, even when she said I was possessed by the devil. I figured she was saying all those mean things because she loved me too and didn’t want me to go to hell, and even though I didn’t believe in hell and never have, I tried to make her happy. I didn’t shut down my business, of course, because we needed the money if we were going to move to Hawaii, which was what Nancy Ann wanted. She had expensive tastes, anyway: Diamonds and perfume and a new sports car every couple of years. She cut down on some of that stuff after she got religion, I’ll give her that. She said showiness was the sin of pride. Since she seemed serious about it, I tried to curse less, and I canceled my Penthouse subscription for a while, and I even went to church with her a couple of times, to hear the Reverend Jebediah Wilkins bellow about Jesus and Satan and hellfire and how we had to tithe to the Lord if we wanted to be saved, hallelujah, while people nodded and moaned and said, “Oh yes, tell it brother,” all around us.

That church was the scariest thing I’ve ever seen, much worse than space cucumbers could ever be. But I tried to love Nancy Ann through all of it, I really did. And I thought she was trying to love me too. And then one day I came home from a trip to town, where I’d just bought her some of her favorite perfume, because it was her birthday and she deserved something nice on her birthday, even if it would have been pride any other time. And I