“Do we know where the motion sensors are located?”
“In this area somewhere,” says Harry. He looks through the file. There is a diagram of the outside of the house, but it is not to scale. Harry can’t be certain where the nearest sensor is located. “Let me check with one of the homicide detectives,” he says. “Gimme a second.”
Harry heads off toward the gate, where the cops are all clustered.
In the meantime I wander toward the house. A breeze hits the line of camellias as I approach them and something catches my eye. The wind keeps the bush open for a second. It could be a piece of trash, perhaps a small paper wrapper. In the fluttering leaves I see it dangling inside the foliage, off white and oval shaped. As I peer closer, it appears to be streaked by a tea-colored stain.
For a moment I weigh whether I should have the cops come over and tag it. If it’s what I think it is, forensics already has five of them. One, more or less, isn’t going to make much difference.
I turn to look. I can hear the sound of Harry’s voice in the distance. He has not yet reached the clutch of cops at the gate. He is waving with his arm in the air and talking as he approaches them. I position myself between the gathering at the gate and the bush. Using my back to block their view I reach into the bush and pluck the little bag from where it is hanging. The muslin is damp, probably from dew, and tied with string. As I handle it I realize it is heavier than it looks. There is something hard inside, two or three items that feel like small pebbles cushioned by something softer.
Suddenly I hear Harry talking with someone as they approach from behind. Casually I slip my hand into the side pocket of my trousers and allow the tiny bag to slide down and join my change before removing my hand.
Harry introduces the detective. I shake his hand and a couple of sec onds later he shows us where two of the sensors are located. One near the base of a tree, the other in a planter bed twenty yards away.
“But they were off that night?” I ask.
“That’s what it says. I didn’t write the report,” says the detective.
“According to your investigating officers, the security company was forced to shut them down because of malfunctions.”
“If that’s what it says.”
“Do you know when the system was shut down?” I ask.
“If it doesn’t say in the report, you’d have to talk to the security company.”
I thank him and he goes back to join the small cabal of blue at the front gate.
“Mister helpful,” says Harry.
“Did forensics find anything else outside?”
“Not as far as we know. No blood. No footprints, though I doubt they were looking very hard. No evidence of forced entry, nothing suspicious…”
“Except for a security system that didn’t work,” I say. I stand looking toward the fence and the two motion sensors that are positioned less than a hundred feet apart. “We know one thing. The killer came this way, over that fence, probably right where we’re standing. He didn’t knock on the front door, so if I had to guess, I’d say he took those stairs.” I nod toward the back deck.
“Because of the security camera,” says Harry.
“Yep.”
“That was my guess too,” he says.
Pike’s house had two levels of security, the motion sensors and the cameras. All the other cameras were working that night. They showed nothing unusual until approximately ten thirty, when the cameras out in front caught a figure running down the driveway toward the gate. It was Katia on her way out. It showed her using the remote device to open the gate and then tracked her for only a few more seconds until she disappeared. This was in one of the reports. The only camera that wasn’t functioning properly was the one on this side of the house. It was blocked by a large magnolia leaf that the wind had blown and that somehow had lodged in front of the lens. At least that’s the theory the police are operating under.
Harry looks toward the camera mounted on a pole near the fence behind us. “That’s a big lens. First thing I noticed.”
“What’s that?”
“No magnolia leaves on the ground around it.”
“Maybe Pike has a good gardener,” I tell him.
Harry nibbles on his upper lip for a second, then shades his eyes with one hand. “No, that’s not it. You have to have a tree before you get leaves,” says Harry. “You see any magnolia trees out there?”
Harry is a bit of an amateur arborist. He knows more about trees than I do, which may not be saying much.
“Take my word for it, you don’t,” he says. “If the wind blew that magnolia leaf over that lens, it flew in on the jet stream from another county.”
“You’re sure about that?”
“As sure as I am that that leaf came by car. I’m getting a bad feeling,” says Harry, “the kind that sends little tingling pulses through what’s left of the hair on the back of my neck.”
“Why is that?”
“Our friend who jumped the fence and came this way, he seems abnormally inclined toward rearranging the things of nature,” says Harry. “And for some reason that scares the hell out of me.”
ELEVEN
The request for services came from across the country, about as far from Virginia as you could get without going to Hawaii or Alaska. But it wasn’t this that made it peculiar. Herrington Labs fielded work on a daily basis from customers all over the globe.
The company had been in business doing special photo development, enhancement, and analysis, for more than sixty years. It had facilities in three states, all of them on the eastern seaboard.
For the first thirty years of its existence, the company’s bread and butter were government contracts, mostly with the military, the Department of Defense, space, and various intelligence agencies. Aerial and early space photography and their development and analysis were among Herrington’s specialties. Much of its work was classified. It hired large numbers of former military photo analysts and darkroom technicians in its labs. Company executives wined, dined, and maintained tight rapport with officials in the Pentagon.
At the time the name Herrington Labs, to those who recognized it, was nearly synonymous with the federal government. There were people, including some in the press, who believed that Herrington was owned by the government in the same way that Air America was owned by the CIA.
In the early seventies things began to change. The secrets of digital photographic enhancement, the kind that allowed pictures from other planets to be shot back to Earth and clarified in brilliant colors and sharp contrasts, was like the discovery of fire. It had potential for highly classified military applications. Powerful forces in government did not believe this was something to be shared with commercial vendors. The thought that much of this technology would find its way onto store shelves around the world in little more than a decade never entered their minds. They were too busy building government computer labs and other facilities in a futile effort to corral it.
As a result Herrington found itself under pressure to market its services to corporations, businesses, and the
