Potemkin’s success was incomplete, however. It was obvious that Catherine wanted her relationship with Zubov to continue. The competition between the two men became a standoff: Potemkin openly displayed his contempt for Zubov, who, in return, smiled and bided his time. Meanwhile, when Potemkin’s bills came due, Catherine paid them, instructing the treasury that it was to treat Prince Potemkin’s expenses as if they were her own.
Potemkin tried to distract himself by giving and attending receptions, dinners, and balls. The evening that surpassed anything ever seen in Russia occurred on April 28, 1791, at Potemkin’s Tauride Palace. Three thousand guests had been invited; all were present when the empress arrived. The prince was at the door, wearing a scarlet tailcoat with solid gold buttons, each button encasing a large solitaire diamond. Once the empress was seated, twenty-four couples, including Catherine’s two grandsons, Alexander and Constantine, entered to dance a quadrille. Afterward, the host led his guest through the rooms of the palace. In one, poets were reciting verse; in another, a choir was singing; in still another, a French comedy was being performed.
At the end of the evening, following a ball and an extravagant supper, Catherine and Potemkin withdrew alone to the winter garden to walk between the fountains and marble statues. When they spoke, he mentioned Zubov; she did not reply. Catherine stayed until two in the morning, later than she had ever remained at a party. Escorted to the door by Potemkin, she stopped to thank him. They said goodbye. Overwhelmed, he threw himself at her feet; when he looked up, both were in tears. After she left, Potemkin stood quietly for a few minutes, then walked alone to his room.
At five o’clock in the morning on July 24, 1791, Potemkin left Tsarskoe Selo for the last time. He was already tired, and the journey to the south further exhausted him. He was still deeply unhappy about Zubov, and, as if Catherine did not realize how much she was wounding him, she continued to fill her letters with talk of her young lover: “The child sends his greetings.… The child thinks that you are more intelligent … and far more amusing and pleasant than all those who surround you.” Years later, when both Potemkin and Catherine were dead, “the child” revealed his true feelings about his rival: “I could not remove him from my path, and it was essential to remove him because the empress always met his wishes halfway and simply feared him as though he were an exacting husband. She loved only me, but she often pointed to Potemkin as an example for me to follow. It is his fault that I am not twice as rich as I am.”
Sunk in melancholy, Potemkin began by traveling slowly—the jolting of the carriage was painful—then, suddenly, he demanded speed. Hurtling down dusty roads and through towns and villages, he reached Jassy only eight days after leaving the Neva. The journey drained his declining strength; on arriving, he wrote to Catherine that he felt the the touch of the hand of death. His illness showed symptoms of the malaria that had infected him in the Crimea in 1783. Traveling south, he refused to take quinine and other medicines prescribed by the three doctors accompanying him; like Catherine, he was convinced that the best way to recover from illness was to let the body itself solve the problem. Instead of dieting, as the doctors recommended, he ate huge meals and drank heavily. To ward off pain, he wrapped his head in wet towels. When he reached Jassy, his staff sent for his niece, Sashenka Branitsky, hoping that she could persuade him to be reasonable and accept treatment. She hurried from Poland. In the middle of September, he had an attack of fever and shivered uncontrollably for twelve hours. He wrote to Catherine, “Please send me a Chinese dressing gown. I badly need one.” The Russian ambassador in Vienna, Andrei Razumovsky, wrote suggesting that he send “the first pianist and one of the best composers in Germany” to soothe him. The offer was made and the composer accepted, but Potemkin did not have time to respond and Wolfgang Amadeus Mozart did not make the journey.
Oppressed by the humid air of Jassy, he twice drove out seeking country air, only to give up and come back. In St. Petersburg, Catherine waited for messages and letters and asked Countess Branitsky to write to her every day. On Potemkin’s behalf, Catherine reversed her position on doctors and medicines. “Take that which in the doctors’ estimation will give you relief; and having taken it, I beg you also to save yourself from food and drink that opposes the medicine.” With this support, Sashenka and the doctors finally persuaded the sick man to take medicine. For a few days he seemed better. Then, shivering and sleeplessness returned. Saying that he was “burning up,” he demanded more wet towels, drank cold liquids, and had bottles of eau de cologne poured over his head. He asked that all windows be opened and, when that failed to cool him, insisted on being carried into the garden. Every day, he asked repeatedly whether any messages had come from the empress; when a new letter arrived, he wept and read it, then reread it and kissed it repeatedly. When state documents were brought and read to him, he could barely scribble his signature at the bottom. It was clear that he was dying; Potemkin himself realized this. He refused to take quinine. “I’m not going to recover. I have been ill for a long time … God’s will be done. Pray for my soul and do not forget me when I am gone. I never wished anybody any harm. To make people happy has always been my desire. I am not a bad man and not the evil genius of our mother, the Empress Catherine, as has been said.” He asked for the Last Sacrament, and once it had been given, he relaxed. A courier from Moscow brought another letter from Catherine, a fur coat, and the silk dressing gown he had asked for. He cried. He said to Sashenka, “Tell me frankly, do you think I shall recover?” She assured him that he would. He took her hands and caressed them. “Good hands,” he said. “They have often soothed me.”
Gradually, the passionate, ambitious man, still only fifty-two, became calm; those around him watched him dying in serenity. He begged everyone to forgive him for any pain he might have caused them. They must promise to convey to the empress his humblest gratitude for everything she had done for him. When a new message arrived from her he wept. He agreed to try quinine but could not hold it down. He began to faint; he was conscious only half the time; he felt that he was suffocating. He wrote to Catherine, “Matushka, oh how sick I am!” He asked to be moved from Jassy to Nikolaev; its cooler air might do him good. On the day he started out on the journey, he dictated a note to Catherine: “Your most gracious Majesty. I have no more strength to endure my torments. My only remaining salvation is to leave this town and I have ordered myself be taken to Nikolaev. I do not know what is to become of me.”
At eight on the morning of October 4, he was carried to his carriage. He went a few miles and said that he could not breathe. The carriage stopped. Carried into a house, he fell asleep. After three hours’ rest, he talked cheerfully until midnight. He tried to sleep again but could not. At daybreak, he asked that the journey resume. The procession had gone only seven miles when he ordered it to stop. “This will be enough,” he said. “There is no point in going on. Take me out of the carriage and put me down. I want to die in the field.” A Persian carpet was unrolled on the grass. Potemkin was placed on it and covered with the silk gown Catherine had sent him. Everyone searched for a gold coin to close his eye in the Orthodox fashion, but no gold coin was found. An escorting Cossack offered a copper five-kopeck piece and with this his eye was covered. At midday on Sunday, October 5, 1791, he died. A message went to the empress: “His Serene Highness the prince is no longer on this earth.”
At five in the evening on October 12, a courier bringing the news reached the Winter Palace in St. Petersburg. Catherine collapsed. “Now I have no one left on whom I can rely,” she cried. “How can anybody replace Potemkin? Everything will be different now. He was a true nobleman.” The days passed and her secretary could only report: “Tears and despair … tears … more tears.”
69
Art, Architecture, and the Bronze Horseman
THE FOUNDATION of the superb collection of art in St. Petersburg’s Hermitage Museum today was laid by Catherine only a year after she reached the throne. In 1763, she learned that a collection of 225 paintings accumulated by a Polish art dealer in Berlin who regularly supplied pictures to Frederick II had not been paid for. The dealer had been buying and holding the paintings for the king’s Potsdam palace, Sans Souci, but Frederick had decided that he could not afford them. His finances, personal and national, had been ravaged by the cost of the
