Walter M. Miller
DARK BENEDICTION
Enter the SF Gateway
In the last years of the twentieth century (as Wells might have put it), Gollancz, Britain’s oldest and most distinguished science fiction imprint, created the SF and Fantasy Masterworks series. Dedicated to re-publishing the English language’s finest works of SF and Fantasy, most of which were languishing out of print at the time, they were—and remain—landmark lists, consummately fulfilling the original mission statement:
‘SF MASTERWORKS is a library of the greatest SF ever written, chosen with the help of today’s leading SF writers and editors. These books show that genuinely innovative SF is as exciting today as when it was first written.’
Now, as we move inexorably into the twenty-first century, we are delighted to be widening our remit even more. The realities of commercial publishing are such that vast troves of classic SF & Fantasy are almost certainly destined never again to see print. Until very recently, this meant that anyone interested in reading any of these books would have been confined to scouring second-hand bookshops. The advent of digital publishing has changed that paradigm for ever.
The technology now exists to enable us to make available, for the first time, the entire backlists of an incredibly wide range of classic and modern SF and fantasy authors. Our plan is, at its simplest, to use this technology to build on the success of the SF and Fantasy Masterworks series and to go even further.
Welcome to the new home of Science Fiction & Fantasy. Welcome to the most comprehensive electronic library of classic SFF titles ever assembled.
Welcome to the SF Gateway.
You Triflin’ Skunk!
THE RAIN SANG light in the sodden palmettos and the wind moaned through the pines about the unpainted shack, whipping the sea of grass that billowed about the islands of scrub. The land lay bathed in rain-haze beneath the pines. Rain trickled from the roof of the shack and made a rattling spray in the rivulets under the eaves. Rain blew from the roof in foggy cloudlets. Rain played marimba-sounds on the wooden steps. A droopy chicken huddled in the drenched grass, too sick to stir or seek a shelter.
No road led across the scrublands to the distant highway, but only a sandy footpath that was now a gushing torrent that ran down to an overflowing creek of brackish water. A possum hurried across the inundated footpath at the edge of the clearing, drenched and miserable, seeking higher ground.
The cabin was without a chimney, but a length of stovepipe projected from a side window, and bent skyward at a clumsy angle. A thin trail of brown smoke leaked from beneath the rain-hood, and wound away on the gusty breeze. In the cabin, there was life, and an aura of song lingered about the rain-washed walls, song as mournful as the sodden land, low as the wail of a distant train.
The song was low and vibrant in the cabin, and Lucey rocked to it, rolling her head as she sang over the stove, where a smoked ‘possum simmered in pot-likker with sweet-taters, while corn bread toasted in the oven. The cabin was full of food-smells and sweat-smells, and smoky light through dusty panes.
From a rickety iron bed near the window came a sudden choking sob, an animal sound of almost unendurable torment and despair. Lucey stopped singing, and turned to blink toward the cry, sudden concern melting her pudgy face into a mountain woman cherub’s face, full of compassion.
“Awwwwwww…” The sound welled unbidden from her throat, a rich low outpouring of love and sympathy for the sallow twitching youth who lay on the yellowish sheets, his eyes wild, his hands tensing into claws.
“Awwwww, Doodie—you ain’t gonna have another spell?” she said.
The youth writhed and shuddered, stiffening into a puppet strained by steel springs. His back arched, and his muscles quivered. He flung himself suddenly into reflexive gymnastics, sobbing in small shrieks.
Lucey murmured softly. An immense mass of love, she waddled toward the bed in bounces of rubbery flesh. She bent over him to purr low in her throat.
“Poor Doodie… poor li’l Doodie. Mama’s lamb.”
The boy sobbed and thrashed. The paroxysm brought froth to his lips and jerked his limbs into cramped spasms. He jerked and writhed and tumbled on the bed.
“You jus’ try to lay calm, Doodie. You jus’ try. You gonna be all right. It ain’t gonna last long, Doodie. It’s gonna go away.”
“No!” he whimpered. “No! Don’t touch me, Mama!
“Now, Doodie…”
She sat on the edge of the bed to gather him up in her massive arms. The spasms grew more frantic, less reflexive. He fought her, shrieking terror. She lay beside him, moaning low with pity. She enveloped him with her arms, enfolding him so that he could no longer kick. She pulled his face into the hollow of her huge bosom and squeezed him. With his tense body pressed tightly against the bulky mass of her, she melted again with love, and began chanting a rhythmic lullaby while he twitched and slavered against her, fighting away, pretending to suffocate.
Gradually, as exhaustion overcame him, the spasm passed. He lay wheezing quietly in her arms.
“Who you whisperin’ to, Doodie? Why are you mumbiin’ so?” She looked down at his tousled head, pressed tightly between her breasts.
His muttering ceased, and he lay quietly as if in a trance. It was always so. The boy had fits, and when the paroxysm had passed, he went into a rigid sleep. But it was more like a frozen moment of awareness, and old Ma Kutter said the boy was “witched.” Lucey had never believed in “witchin’.”
When he was tensely quiet, she tenderly disengaged herself and slid off the bed. He lay on his side, face toward the window, eyes slitted and mouth agape. Humming softly, Lucey returned to the stove and took a stick of oak out of the bucket. She paused to glance back at him—and he seemed to be rigidly listening to something. The rain?
